Jump to content

John Francis Bentley

From Catholicism Wiki
Portrait of John Francis Bentley by William Christian Symons, 1902

John Francis Bentley (30 January 1839 – 2 March 1902) was an English ecclesiastical architect whose most famous work is the Westminster Cathedral in London, England, built in a style heavily influenced by Byzantine architecture.[1]

Life

Bentley was born in Doncaster. In 1839, he was associated with the firm of Holland & Hannan. He was an apt modeller and had tried his hand with success at stone carving. He studied under Henry Clutton, where he worked on St Francis of Assisi Church, Notting Hill, before branching out on his own in 1868. St Francis of Assisi Church was important to Bentley and marked a change in his life. He designed and donated various parts of the church, in particular he was behind the construction of the bapistry and its font. In 1862, Bentley converted to Catholicism. On 16 April 1862, he was baptised in the same font that he himself had designed. For his middle name, he chose "Francis" after the church he helped design and was baptised in. After his baptism there, he continued to donate various furnishings to the church such as the cover of the font.[2]

His first important commission was from Cardinal Manning, for the seminary at Hammersmith. Examples of his work include Holy Rood Church, Watford, St John's Beaumont School, Corpus Christi Church, Brixton, St Mary's, Cadogan Street, Chelsea (1879), the high altar at St Gabriel's, Warwick Square,[3] and St Luke's Church, Chiddingstone Causeway (1897),[4] and the Sacred Heart Chapel at the Jesuit Church of the Immaculate Conception, Farm Street. Though much of his work was in the neo-Gothic style, he was selected to create a Byzantine Revival design for Westminster Cathedral.[5]

The great opportunity of Bentley's career came in 1894, when he was commissioned to design a new Roman Catholic cathedral in Westminster, London. After deciding on a Byzantine Revival design, Bentley travelled to Italy to study some of the great early Byzantine-influenced cathedrals, such as St Mark's Basilica in Venice. Because of illness and an outbreak of cholera in Istanbul, he was unable to complete his tour with a study of the Hagia Sophia. Bentley ended his tour in Venice and returned to London to begin work on Westminster Cathedral.[6]

George Williamson describes him as a person of brusque, reserved manner, but kind and friendly to those who knew him. He had the strongest dislike to the preparation of show drawings and to the system of architectural competition and, being a man wholly lacking in self-assertion, and reticent in conversation, was never as well known in general circles as he deserved to be. His great characteristics as an architect were his careful attention to detail, his solicitude that all the fittings should be in perfect harmony with the building.

In 1874 he married Margaret Annie Fleuss; they had 4 sons and 7 daughters. Their house in Clapham has a blue plaque.[7]

Bentley was awarded the gold medal of the Institute of Architects in February 1902, but never received it, as on 1 March he was seized with paralysis and died the following morning in Clapham. He is buried at St Mary Magdalen Church, Mortlake.

From the 1913 Catholic Encyclopedia

John Francis Bentley — English architect, b. at Doncaster, Yorkshire, in 1839; d. in London, February, 1902. From early days he exhibited a strong inclination towards the profession in which he was to make so great a mark. His parents were not in sympathy with him, so, at the age of sixteen, he placed himself voluntarily with the Clerk of the Works at Loversall Church. In 1855 he began his probation with Sharpe, Stewart & Co., of Manchester, going to London, in 1858, where he was associated with Holland & Hannan and then with Henry Clutton. He started for himself in 1868. He was a firm believer in the architectural principles and methods of the Middle Ages, giving to every detail in his work, from foundation to furniture, his personal attention. He was an apt modeller and had tried his hand with success at stone carving. As a draughtsman, and especially as a colourist, he was very successful, his designs for marble and metal work, jewellery, stained glass, and heraldic decorations being of great beauty.

His first important commission was from Cardinal Manning, for the seminary at Hammersmith, and amongst his buildings should be mentioned the Church of the Holy Rood, at Watford; the convent chapel, at Braintree; the chapel of Beaumont College, Old Windsor; St. Anne's Cathedral, Leeds; and St. Mary's, Cadogan Place, Chelsea. He was also responsible for the baptistery, font, and monstrance at St. Francis, Notting Hill; the reredos and altar at St. Charles, Ogle Street, Marylebone, sedilia and Sacred Heart chapel in the church of the Jesuit Fathers at Farm Street; and the decoration at Carlton Towers. In 1894, he received his commission to build the cathedral at Westminster, and at once started for Italy to make a careful study of the various great basilicas, and the mosaic work at Ravenna. He devoted himself with great concentration to this, his life memorial, producing the most remarkable ecclesiastical building erected in England since the Reformation, and receiving high praise all over Europe on his extraordinary success.

He was a person of brusque, reserved manner, but kind and friendly to those who really knew him. He had the strongest dislike to the preparation of show drawings and to the system of architectural competition and, being a man wholly lacking in self-assertion, and reticent in conversation, was never as well known in general circles as he deserved to be. His great characteristics as an architect were his careful attention to detail, his solicitude that all the fittings should be in perfect harmony with the building, and the sparing use he made of iron. He was awarded the gold medal of the Institute of Architects in February, 1902, but never received it, as on the 1st of March he was seized with paralysis and died the following morning. He was present at the trial of acoustic qualities made in his cathedral, but was not spared to see its formal opening. He was buried at Mortlake.

Architectural Review, XI, XII; The Builder, LXXXII; Journal of the Royal Institute of British Architects, IX; Obituary Notice in The Times (London, March, 1902).

References

  1. Back to citation "BENTLEY, JOHN FRANCIS". History Website for Dibdin, Aglio, Rowntree, Guise, and other Families.
  2. Back to citation "Notting Hill - St Francis of Assisi". Taking Stock. Retrieved 31 October 2024.
  3. Back to citation Historic England. "CHURCH OF ST GABRIEL (1357369)". National Heritage List for England. Retrieved 4 September 2016.
  4. Back to citation Homan, Roger (1984). The Victorian Churches of Kent. Chichester: Phillimore & Co. Ltd. p. 105. ISBN 0-85033-466-7.
  5. Back to citation Townsend, Charles Harrison (1922). "Bentley, John Francis". Encyclopædia Britannica (12th ed.).
  6. Back to citation Paul Waterhouse, Bentley, John Francis (1839–1902), rev. Peter Howell, Oxford Dictionary of National Biography, Oxford University Press, 2004 accessed 31 Jan 2011
  7. Back to citation Johnson, Derrick (16 February 2018). "The Clapham Society Local History Series — 36 John Francis Bentley". The Clapham Society.

Bibliography