Pope Leo X
| Pope Leo X | |
|---|---|
| Bishop of Rome | |
| Detail of the Portrait of Leo X ( c. 1518–1520 )
Detail of the Portrait of Leo X ( c. 1518–1520 )
| |
| Church | Catholic Church |
| Papacy began | 9 March 1513 |
| Papacy ended | 1 December 1521 |
| Predecessor | Julius II |
| Successor | Adrian VI |
| Previous posts | Abbot Ordinary of Montecassino (1486–1504) Cardinal-Deacon of Santa Maria in Domnica (1492–1513) Apostolic Administrator of Pesaro (1503–1504) Apostolic Administrator of Amalfi (1510–1513) Head of state of Florence (1512–1513) |
| Orders | |
| Ordination | 15 March 1513 by Raffaele Riario |
| Consecration | 17 March 1513 by Raffaele Riario |
| Created cardinal | 9 March 1489 (in pectore)[1] 23 March 1492 (revealed) by Innocent VIII |
| Personal details | |
| Born | Giovanni di Lorenzo de' Medici 11 December 1475 Florence |
| Died | 1 December 1521 (aged 45) Rome, Papal States |
| Buried | Santa Maria sopra Minerva, Rome |
| Parents | Lorenzo de' Medici Clarice Orsini |
| Head of state of Florence | |
| Reign | 31 August 1512 – 9 March 1513 |
| Predecessor | Piero Soderini |
| Successor | Giuliano de' Medici |
| Other popes named Leo | |
Pope Leo X (Italian: Leone X; born Giovanni di Lorenzo de' Medici, 11 December 1475 – 1 December 1521) was head of the Catholic Church and leader of the Papal States from 9 March 1513 to his death in December 1521.[2]
Born into the prominent political and banking Medici family of Florence, Giovanni was the second son of Lorenzo de' Medici, the de-facto ruler of the Florentine Republic, and was elevated to the cardinalate in 1489. Following the death of Pope Julius II, Giovanni was elected pope after securing the backing of the younger members of the College of Cardinals. Early on in his rule he oversaw the closing sessions of the Fifth Council of the Lateran, but struggled to implement the reforms agreed. In 1517 he led a costly war that succeeded in securing his nephew Lorenzo di Piero de' Medici as Duke of Urbino, but reduced papal finances.
In Protestant circles, Leo is associated with granting indulgences for those who donated to reconstruct St. Peter's Basilica, a practice that was soon challenged by Martin Luther's 95 Theses. Leo rejected the Protestant Reformation, and his Papal bull of 1520, Exsurge Domine, condemned Luther's condemnatory stance, rendering ongoing communication difficult.
He borrowed and spent money without circumspection and was a significant patron of the arts. Under his reign, Marco Girolamo Vida began composing at the Pope's request a Virgilian Latin epic poem about the life of Jesus called the Christiad, progress was made on the rebuilding of St. Peter's Basilica, and artists such as Raphael decorated the Vatican rooms. Leo also reorganised the Roman University, and promoted Renaissance humanist study of literature, poetry, and Classics. He died in 1521 and is buried in Santa Maria sopra Minerva, Rome. He was the last pope not to have been in priestly orders at the time of his election to the papacy.
Early life
Giovanni di Lorenzo de' Medici was born on 11 December 1475 in Florence, the second son of Lorenzo the Magnificent, head of the Florentine Republic, and Clarice Orsini.[2] From an early age Giovanni was destined for an ecclesiastical career and received the tonsure at the age of seven.[3] By the age of ten, he had already been endowed with dozens of benefices—ecclesiastical offices that provided a steady income.[3]
His father, Lorenzo de' Medici, was worried about his character early on and wrote a letter to Giovanni to warn him to avoid vice and luxury at the beginning of his ecclesiastical career. Here is a notable excerpt: "There is one rule which I would recommend to your attention in preference to all others. Rise early in the morning. This will not only contribute to your health, but will enable you to arrange and expedite the business of the day; and as there are various duties incident to".[4]
Cardinal
Giovanni's father prevailed on his relative Pope Innocent VIII to name him cardinal of Santa Maria in Domnica on 9 March 1489 when he was age 13,[5] although he was not allowed to wear the insignia or share in the deliberations of the college until three years later. Meanwhile, he received an education at Lorenzo's humanistic court under such men as Angelo Poliziano, Pico della Mirandola, Marsilio Ficino, and Bernardo Dovizio Bibbiena. From 1489 to 1491 he studied theology and canon law at Pisa.[2]
On 23 March 1492, he was formally admitted into the Sacred College of Cardinals and took up his residence at Rome, receiving a letter of advice from his father. The death of Lorenzo on the following 8 April temporarily recalled the 16-year-old Giovanni to Florence. He returned to Rome to participate in the conclave of 1492 which followed the death of Innocent VIII, and unsuccessfully opposed the election of Cardinal Rodrigo Borgia as Pope Alexander VI.
He subsequently made his home with his elder brother Piero in Florence throughout the agitation of Girolamo Savonarola and the invasion of Charles VIII of France, until the uprising of the Florentines and the expulsion of the Medici in November 1494. While Piero found refuge at Venice and Urbino, Giovanni traveled in Germany, in the Netherlands, and in France.[6]
In May 1500, he returned to Rome, where he was received with outward cordiality by Pope Alexander VI, and where he lived for several years immersed in art and literature. In 1503 he welcomed the accession of Pope Julius II to the pontificate; the death of Piero de' Medici in the same year made Giovanni head of his family. On 1 October 1511, he was appointed papal legate of Bologna and the Romagna, and when the Florentine republic declared in favour of the schismatic Pisans, Julius II sent Giovanni (as legate) with the Papal army venturing against the French. The French won a major battle and captured Giovanni.[7] This and other attempts to regain political control of Florence were frustrated until a bloodless revolution permitted the return of the Medici. Giovanni's younger brother Giuliano was placed at the head of the republic,[8] but Giovanni managed the government.
Pope
Papal election
Giovanni was elected pope on 9 March 1513, and this was proclaimed two days later.[9] The absence of the French cardinals effectively reduced the election to a contest between Giovanni (who had the support of the younger and noble members of the college) and Raffaele Riario (who had the support of the older group). On 15 March 1513, he was ordained priest, and consecrated as bishop on 17 March. He was crowned pope on 19 March 1513 at the age of 37. He was the last non-priest to be elected pope.[2]
War of Urbino
Leo made his younger brother Giuliano and his nephew Lorenzo Roman patricians, intending that both should have brilliant secular careers. Lorenzo was placed in charge of Florence, while Leo took Giuliano to Rome and married him to Filiberta of Savoy; the pope planned to carve out a kingdom for his brother in central Italy, encompassing Parma, Piacenza, Ferrara and Urbino.[10]
When Giuliano died in March 1516, Leo focused his ambitions on Lorenzo. When, in 1516, Leo declared the forfeiture of the Duchy of Urbino from Francesco Maria della Rovere, who he considered disloyal, the title Duke of Urbino transferred to Lorenzo. Francesco Maria fled to relatives Mantua in August of that year. In January 1517 Francesco Maria attempted to reoccupy Urbino in a war that lasted eight months.[11]
The war lasted from February to September 1517 and ended with the expulsion of the duke and the triumph of Lorenzo; but it revived the policy of Alexander VI, increased brigandage and anarchy in the Papal States, hindered the preparations for a crusade and wrecked the papal finances. Francesco Guicciardini reckoned the cost of the war to Leo at the sum of 800,000 ducats.[11] Ultimately, however, Lorenzo was confirmed as the new duke of Urbino.
Plans for a crusade
The War of Urbino was further marked by a crisis in the relations between the pope and the cardinals. The sacred college had allegedly grown very worldly and troublesome since the time of Sixtus IV, and Leo took advantage of a plot by several of its members to poison him, not only to inflict exemplary punishments by executing one (Alfonso Petrucci) and imprisoning several others, but also to make radical changes in the college.
On 3 July 1517, Leo published the names of thirty-one new cardinals, a number almost unprecedented in the history of the papacy. Among the nominations were such notable men such as Lorenzo Campeggio, Giovanni Battista Pallavicino, Adrian of Utrecht, Thomas Cajetan, Cristoforo Numai and Egidio Canisio. The naming of seven members of prominent Roman families, however, reversed the policy of his predecessor which had kept the political factions of the city out of the Curia. Other promotions were for political or family considerations or to secure money for the war against Urbino. The pope was accused of having exaggerated the conspiracy of the cardinals for purposes of financial gain, but most of such accusations appear unsubstantiated.
Leo, meanwhile, felt the need of staying the advance of the Ottoman sultan, Selim I, who was threatening eastern Europe, and made elaborate plans for a crusade. A truce was to be proclaimed throughout Christendom; the pope was to be the arbiter of disputes; the emperor and the king of France were to lead the army; England, Spain and Portugal were to furnish the fleet; and the combined forces were to be directed against Constantinople. Papal diplomacy in the interests of peace failed, however; Cardinal Thomas Wolsey made England, not the pope, the arbiter between France and the Empire; and much of the money collected for the crusade from tithes and indulgences was spent in other ways.
In 1519 Hungary concluded a three years' truce with Selim I, but the succeeding sultan, Suleiman the Magnificent, renewed the war in June 1521 and on 28 August captured the citadel of Belgrade. The pope was greatly alarmed, and although he was then involved in war with France he sent about 30,000 ducats to the Hungarians. Leo treated the Eastern Catholic Greeks with great loyalty, and by a bull of 18 May 1521 forbade Latin clergy to celebrate mass in Greek churches and Latin bishops to ordain Greek clergy. These provisions were later strengthened by Clement VII and Paul III and went far to settle the constant disputes between the Latins and Uniate Greeks.
Protestant Reformation
In response to concerns about misconduct from some indulgence preachers, in 1517 Martin Luther wrote his Ninety-five Theses on the topic of indulgences. The resulting pamphlet spread Luther's ideas throughout Germany and Europe. Leo failed to fully comprehend the importance of the movement, and in February 1518 he directed the vicar-general of the Augustinians to impose silence on his monks.
Leo was disturbed throughout his pontificate by schism, especially the Reformation sparked by Martin Luther.
On 24 May, Luther sent an explanation of his theses to the pope; on 7 August he was summoned to appear at Rome. An arrangement was effected, however, whereby that summons was cancelled, and Luther went instead to Augsburg in October 1518 to meet the papal legate, Cardinal Cajetan; but neither the arguments of the cardinal, nor Leo's dogmatic papal bull of 9 November requiring all Christians to believe in the pope's power to grant indulgences, moved Luther to retract. A year of fruitless negotiations followed, during which the controversy took popular root across the German states.
A further papal bull of 15 June 1520, Exsurge Domine or Arise, O Lord, condemned forty-one propositions extracted from Luther's teachings, and was taken to Germany by Johann Eck in his capacity as apostolic nuncio. Leo followed by formally excommunicating Luther by the bull Decet Romanum Pontificem or It Befits the Roman Pontiff, on 3 January 1521. In a brief, the Pope also directed Charles V, Holy Roman Emperor to take energetic measures against heresy.
Leo was pope during the spread of Lutheranism into Scandinavia. The pope had repeatedly used the rich northern benefices to reward members of the Roman curia, and towards the close of the year 1516, he sent the impolitic Giovanni Angelo Arcimboldi as papal nuncio to Denmark to collect money for St Peter's. This led to the Reformation in Denmark. King Christian II took advantage of the growing dissatisfaction of the native clergy toward the papal government, and of Arcimboldi's interference in the Swedish revolt, to expel the nuncio and summon Lutheran theologians to Copenhagen in 1520. Christian approved a plan by which a formal state church should be established in Denmark, all appeals to Rome should be abolished, and the king and diet should have final jurisdiction in ecclesiastical causes. Leo sent a new nuncio to Copenhagen (1521) in the person of the Minorite Francesco de Potentia, who readily absolved the king and received the bishopric of Skara. The pope or his legate, however, took no steps to correct abuses or otherwise discipline the Scandinavian churches.
Other activities
Consistories
The pope created 42 new cardinals in eight consistories including two cousins (one who would become his successor Pope Clement VII) and a nephew. He also elevated Adriaan Florensz Boeyens into the cardinalate who would become his immediate successor Pope Adrian VI. Leo X's consistory of 1 July 1517 saw 31 cardinals created,[11] and this remained the largest allocation of cardinals in one consistory until Pope John Paul II named 42 cardinals in 2001.[12]
Canonizations
Pope Leo X canonized eleven individuals during his reign with seven of those being a group cause of martyrs. The most notable canonization from his papacy was that of Francis of Paola on 1 May 1519.
Final years
That Leo did not do more to check the anti-papal rebellion in Germany and Scandinavia is to be partially explained by the political complications of the time, and by his own preoccupation with papal and Medicean politics in Italy. The death of the Emperor Maximilian in 1519 had seriously affected the situation. Leo vacillated between the powerful candidates for the succession, allowing it to appear at first that he favoured Francis or a minor German prince. He finally accepted Charles of Spain as inevitable.
Leo was now eager to unite Ferrara, Parma and Piacenza to the Papal States. An attempt late in 1519 to seize Ferrara failed, and the pope recognized the need for foreign aid. In May 1521 a treaty of alliance was signed at Rome between him and the emperor. Milan and Genoa were to be taken from France and restored to the Empire, and Parma and Piacenza were to be given to the Church on the expulsion of the French. The expense of enlisting 10,000 Swiss was to be borne equally by Pope and emperor. Charles V took Florence and the Medici family under his protection and promised to punish all enemies of the Catholic faith. Leo agreed to invest Charles V with the Kingdom of Naples, to crown him Holy Roman Emperor, and to aid in a war against Venice. It was provided that England and the Swiss might also join the league. Henry VIII announced his adherence in August 1521. Francis I of France had already begun war with Charles V in Navarre, and in Italy, too, the French made the first hostile movement on 23 June 1521. Leo at once announced that he would excommunicate the king of France and release his subjects from their allegiance unless Francis I laid down his arms and surrendered Parma and Piacenza to the Church. The pope lived to hear the joyful news of the capture of Milan from the French and of the occupation by papal troops of the long-coveted provinces (November 1521).
Having fallen ill with bronchopneumonia,[13] Pope Leo X died on 1 December 1521, so suddenly that the last sacraments could not be administered; but the contemporary suspicions of poison were unfounded. He was buried in Santa Maria sopra Minerva.
Character, interests and talents
General assessment
Leo has been criticized for his handling of the events of the papacy.[14] He had a musical and pleasant voice and a cheerful temper.[15] He was eloquent in speech and elegant in his manners and epistolary style.[16] He enjoyed music and the theatre, art and poetry, the masterpieces of the ancients and the creations of his contemporaries, especially those seasoned with wit and learning. He especially delighted in ex tempore Latin verse-making (at which he excelled) and cultivated improvisatori.[17] He is said to have stated, "Let us enjoy the papacy since God has given it to us",[18] Ludwig von Pastor says that it is by no means certain that he made the remark; and historian Klemens Löffler says that "the Venetian ambassador who related this of him was not unbiased, nor was he in Rome at the time."[19] However, there is no doubt that he was by nature pleasure-loving and that the anecdote reflects his casual attitude to the high and solemn office to which he had been called.[20] On the other hand, in spite of his worldliness, Leo prayed, fasted, went to confession before celebrating Mass in public, and conscientiously participated in the religious services of the Church.[21] To the virtues of liberality, charity, and clemency he added the Machiavellian qualities of deception and shrewdness, so highly esteemed by the princes of his time.[22]
The character of Leo X was formerly assailed by lurid aspersions of debauchery, murder, impiety, and atheism. In the 17th century it was estimated that 300 or 400 writers, more or less, reported (on the authority of a single polemical anti-Catholic source) a story that when someone had quoted to Leo a passage from one of the Four Evangelists, he had replied that it was common knowledge "how profitable that fable of Christe hath ben to us and our companie".[23] These aspersions and more were examined by William Roscoe in the 19th century (and again by Ludwig von Pastor in the 20th) and rejected.[24] Nevertheless, even the eminent philosopher David Hume, while claiming that Leo was too intelligent to believe in Catholic doctrine, conceded that he was "one of the most illustrious princes that ever sat on the papal throne. Humane, beneficent, generous, affable; the patron of every art, and friend of every virtue".[25] Martin Luther, in a conciliatory letter to Leo, himself testified to Leo's universal reputation for morality:
Indeed, the published opinion of so many great men and the repute of your blameless life are too widely famed and too much reverenced throughout the world to be assailed by any man, of however great name, or by any arts. I am not so foolish to attack one whom everybody praises...[26]
The final report of the Venetian ambassador Marino Giorgi supports Hume's assessment of affability and testifies to the range of Leo's talents.[27] Bearing the date of March 1517 it indicates some of his predominant characteristics:
The pope is a good-natured and extremely free-hearted man, who avoids every difficult situation and above all wants peace; he would not undertake a war himself unless his own personal interests were involved; he loves learning; of canon law and literature he possesses remarkable knowledge; he is, moreover, a very excellent musician.
Leo is the fifth of the six popes who are unfavourably profiled by historian Barbara Tuchman in The March of Folly, and who are accused by her of precipitating the Protestant Reformation. Tuchman describes Leo as a cultured – if religiously devout – hedonist.[28][29]
Intellectual interests
Leo X's love for all forms of art stemmed from the humanistic education he received in Florence, his studies in Pisa and his extensive travel throughout Europe when a youth. He loved the Latin poems of the humanists, the tragedies of the Greeks and the comedies of Cardinal Bibbiena and Ariosto, while relishing the accounts sent back by the explorers of the New World. Yet "Such a humanistic interest was itself religious.... In the Renaissance, the vines of the classical world and the Christian world, of Rome, were seen as intertwined. It was a historically minded culture where artists' representations of Cupid and the Madonna, of Hercules and St. Peter could exist side-by-side".[30]
Love of music
Pastor says that "From his youth, Leo, who had a fine ear and a melodious voice, loved music to the pitch of fanaticism".[31] As pope he procured the services of professional singers, instrumentalists and composers from as far away as France, Germany and Spain. Francesco Canova da Milano, the foremost lute composer of his time, was prominent in his musical establishment. Next to goldsmiths, the highest salaries recorded in the papal accounts are those paid to musicians, who also received largesse from Leo's private purse. Their services were retained not so much for the delectation of Leo and his guests at private social functions as for the enhancement of religious services on which the pope placed great store. The standard of singing of the papal choir was a particular object of Leo's concern, with French, Dutch, Spanish and Italian singers being retained. Large sums of money were also spent on the acquisition of highly ornamented musical instruments, and he was especially assiduous in securing musical scores from Florence.[32] He also fostered technical improvements developed for the diffusion of such scores. Ottaviano Petrucci, who had overcome practical difficulties in the way of using movable type to print musical notation, obtained from Leo X the exclusive privilege of printing organ scores (which, according to the papal brief, "adds greatly to the dignity of divine worship") for a period for 15 years from 22 October 1513.[33] In addition to fostering the performance of sung Masses, he promoted the singing of the Gospel in Greek in his private chapel.[34]
Unpopular behavior and scandals
Even those who defend him against the more outlandish attacks on his character acknowledge that he partook of entertainment such as masquerades, "jests," fowling, and hunting boar and other wild beasts.[35] According to one biographer, he was "engrossed in idle and selfish amusements".[36]
Leo indulged buffoons at his Court, but also tolerated behaviour which made them the object of ridicule. One case concerned the conceited improvisatore Giacomo Baraballo, Abbot of Gaeta, who was the butt of a burlesque procession organised in the style of an ancient Roman triumph. Baraballo was dressed in festal robes of velvet and with ermine and presented to the pope. He was then taken to the piazza of St Peter's and was mounted on the back of Hanno, a white elephant, the gift of King Manuel I of Portugal. The magnificently ornamented animal was then led off in the direction of the Capitol to the sound of drums and trumpets. But while crossing the bridge of Sant'Angelo over the Tiber, the elephant, already distressed by the noise and confusion around him, shied violently, throwing his passenger onto the muddy riverbank below.[37]
Sexuality
Leo's biographer, Carlo Falconi, says Leo hid a private life of moral irregularity behind a mask of urbanity.[38] Scabrous verse libels of the type known as pasquinades were particularly abundant during the conclave which followed Leo's death in 1521 and made imputations about Leo's unchastity, implying or asserting homosexuality.[39] Suggestions of homosexual attraction appear in works by two contemporary historians, Francesco Guicciardini and Paolo Giovio. Zimmerman notes Giovio's "disapproval of the pope's familiar banter with his chamberlains – handsome young men from noble families – and the advantage he was said to take of them."[40]
Luther spent a month in Rome in 1510, three years before Leo became pontiff, and was disillusioned at the corruption he found there.[41] In 1520, the year before his excommunication from the Catholic Church, Luther claimed that Leo lived a "blameless life."[42] However, Luther later distanced himself from this claim and alleged in 1531 that Leo had vetoed a measure that cardinals should restrict the number of boys they kept for their pleasure, "otherwise it would have been spread throughout the world how openly and shamelessly the pope and the cardinals in Rome practice sodomy."[42] Against this allegation is the papal bull Supernae dispositionis arbitrio from 1514 which, inter alia, required cardinals to live "... soberly, chastely, and piously, abstaining not only from evil but also from every appearance of evil" and a contemporary eyewitness at Leo's court, Matteo Herculaneo, emphasized his belief that Leo was chaste all his life.[43]
Historians have dealt with the issue of Leo's sexuality at least since the late 18th century, and few have given credence to the imputations made against him in his later years and decades following his death, or else have at least regarded them as unworthy of notice; without necessarily reaching conclusions on whether he was homosexual.[44] Those who stand outside this consensus generally fall short of concluding with certainty that Leo was unchaste during his pontificate.[45] Joseph McCabe accused Pastor of untruthfulness and Vaughan of lying in the course of their treatment of the evidence, pointing out that Giovio and Guicciardini seemed to share the belief that Leo engaged in "unnatural vice" (homosexuality) while pope.[46]
Benevolence
Leo X made charitable donations of more than 6,000 ducats annually to retirement homes, hospitals, convents, discharged soldiers, pilgrims, poor students, exiles, cripples, and the sick and unfortunate.[47]
Death
Pope Leo X died suddenly of pneumonia at the age of 45 on 1 December 1521 and was buried in Santa Maria sopra Minerva in Rome.[48] His death came just 10 months after he had excommunicated Martin Luther, the seminal figure in the Protestant Reformation, who was accused of 41 errors in his teachings.[48]
Legacy
Failure to stem the Reformation
Possibly the most lasting legacy of the reign of Pope Leo X was the perception that he did not simply fail to stem the Reformation, but actually fuelled it.[48] A key issue was that his pontificate failed to bring about the reforms decreed by the Fifth Lateran Council (held between 1512 and 1517) which aimed to deal with many of their political problems as well as to reform Christendom, specifically relating to the papacy, cardinals, and curia. Some believe enforcing these decrees may have been enough to dampen support for radical challenges to church authority. But instead under his leadership, Rome's fiscal and political problems were deepened. A major contributor was his lavish spending (especially on the arts and himself) which led the papal treasury into mounting debt and his decision to authorize the sale of indulgences. The exploitation of people and corruption of religious principles linked to the practice of selling indulgences quickly became the key stimulus for the onset of the Protestant Reformation. Martin Luther's 95 Theses, otherwise entitled "Disputation on the Power and Efficacy of Indulgences", was posted on a Church door in Wittenberg, Germany in October 1517 just seven months after the Lateran V was completed. But Pope Leo X's attempt to prosecute Luther's teaching on indulgences, and to eventually excommunicate him in January 1521, did not get rid of Lutheran doctrine but had the opposite effect of further splintering the Western church.[48]
Excessive spending
Leo was renowned for spending money lavishly on the arts; on charities; on benefices for his friends, relatives, and even people he barely knew; on dynastic wars, such as the War of Urbino; and on his own personal luxury. Within two years of becoming Pope, Leo X spent all of the treasure amassed by the previous Pope, the frugal Julius II, and drove the Papacy into deep debt. By the end of his pontificate in 1521, the papal treasury was 400,000 ducats in debt.[48] This debt contributed not only to the calamities of Leo's own pontificate (particularly the sale of indulgences that precipitated Protestantism) but severely constrained later pontificates (Pope Adrian VI; and Leo's beloved cousin, Clement VII) and forced austerity measures.[49]
Leo X's personal spending was likewise vast. In 1517, his personal income is recorded as 580,000 ducats, of which 420,000 came from the states of the Church, 100,000 from annates, and 60,000 from the composition tax instituted by Sixtus IV. These sums, together with the considerable amounts accruing from indulgences, jubilees, and special fees, vanished as quickly as they were received. To remain financially solvent, the Pope resorted to desperate measures: instructing his cousin, Cardinal Giulio de' Medici, to pawn the Papal jewels; palace furniture; tableware; and even statues of the apostles. Additionally, Leo sold cardinals' hats; memberships to a fraternal order he invented in 1520, the Papal Knights of St. Peter and St. Paul; and borrowed such immense sums from bankers that upon his death, many were ruined.[50]
At Leo's death, the Venetian ambassador Gradenigo estimated the number of salaried official posts in the Church at 2,150, with a capital value of approximately 3,000,000 ducats and a yearly income of 328,000 ducats.[51]
Patron of learning
Leo X raised the Church to a high rank as the friend of whatever seemed to extend knowledge or to refine and embellish life. He made the capital of Christendom, Rome, a centre of European culture. While yet a cardinal, he had restored the church of Santa Maria in Domnica after Raphael's designs; and as pope he had San Giovanni dei Fiorentini, on the Via Giulia, built, after designs by Jacopo Sansovino[52] and pressed forward the work on St Peter's Basilica and the Vatican under Raphael and Agostino Chigi. Leo's constitution of 5 November 1513 reformed the Roman university, which had been neglected by Julius II. He restored all its faculties, gave larger salaries to the professors, and summoned distinguished teachers from afar;[53] and, although it never attained to the importance of Padua or Bologna, it nevertheless possessed in 1514 a faculty (with a good reputation) of eighty-eight professors.
Leo called Janus Lascaris to Rome to give instruction in Greek, and established a Greek printing press from which the first Greek book printed in Rome appeared in 1515. He made Raphael custodian of the classical antiquities of Rome and the vicinity, the ancient monuments of which formed the subject of a famous letter from Raphael to the pope in 1519.[54] The distinguished Latinists Pietro Bembo and Jacopo Sadoleto were papal secretaries,[55] as well as the famous poet Bernardo Accolti. Other poets, such as Marco Girolamo Vida,[56] Gian Giorgio Trissino and Bibbiena, writers of novelle like Matteo Bandello, and a hundred other literati of the time were bishops, or papal scriptors or abbreviators, or in other papal employs.
Under his pontificate, Latin Christianity assumed a pagan, Greco-Roman character, which, passing from art into manners, gives to this epoch a strange complexion. Crimes for the moment disappeared, to give place to vices; but to charming vices, vices in good taste, such as those indulged in by Alcibiades and sung by Catullus. —Alexandre Dumas père[57]
Statesman
Several minor events of Leo's pontificate are worthy of mention. He was particularly friendly with King Manuel I of Portugal as a result of the latter's missionary enterprises in Asia and Africa. Pope Leo X was granted a large embassy from the Portuguese king furnished with goods from Manuel's colonies.[58] His concordat with Florence (1516) guaranteed the free election of the clergy in that city.
His constitution of 1 March 1519 condemned the King of Spain's claim to refuse the publication of papal bulls. He maintained close relations with Poland because of the Turkish advance and the Polish contest with the Teutonic Knights. His bull of July 1519, which regulated the discipline of the Polish Church, was later transformed into a concordat by Clement VII.[51]
Leo showed special favours to the Jews and permitted them to erect a Hebrew printing-press in Rome. Under Daniel Bomberg, that press produced manuscripts of the Talmud[59] and Mikraot Gedolot with Leo's approval and protection.[60]
He approved the formation of the Oratory of Divine Love, a group of pious men in Rome which later became the Theatine Order, and he canonized Francis of Paola.
See also
- Italian Wars
- List of heads of state of Florence
- List of popes from the Medici family
- List of sexually active popes
From the 1913 Catholic Encyclopedia
Pope Leo X — (Giovanni de Medici).
Born at Florence, 11 December, 1475; died at Rome, 1 December, 1521, was the second son of Lorenzo the Magnificent (1449-1492) and Clarice Orsini, and from his earliest youth was destined for the Church. He received tonsure in 1482 and in 1483 was made Abbot of Font Douce in the French Diocese of Saintes and appointed Apostolic prothonotary by Sixtus IV. All the benefices which the Medici could obtain were at his disposal; he consequently became possessed of the rich Abbey of Passignano in 1484 and in 1486 of Monte Cassino. Owing to the constant pressure brought to bear by Lorenzo and his envoys, Innocent VIII in 1489, created the thirteen year-old child a cardinal, on condition that he should dispense with the insignia and the privilege of his office for three years. Meanwhile his education was completed by the most distinguished Humanists and scholars, Angelo Poliziano, Marsilio Ficino, and Bernardo Dovizi (later Cardinal Bibbiena). From 1489 to 1491 Giovanni de' Medici studied theology and canon law, at Pisa, under Filippo Decio and Bartolomeo Sozzini. On 9 March, 1492, at Fiesole, he was invested with the insignia of a cardinal and on 22 March entered Rome. The next day the pope received him in consistory with the customary ceremonies. The Romans found the youthful cardinal more mature than his age might warrant them to expect. His father sent him an impressive letter of advice marked by good sense and knowledge of human nature, besides bearing witness to the high and virtuous sentiments to which the elder Lorenzo returned towards the end of his life. In this letter he enjoins upon his son certain rules of conduct, and admonishes him to be honourable, virtuous, and exemplary, the more so as the College of Cardinals at that time was deficient in these good qualities.
In the very next month Lorenzo's death recalled the cardinal to Florence. He returned once more to Rome for the papal election, which resulted, very much against his approval, in the elevation of the unworthy Alexander VI, after which Giovanni remained in Florence from August, 1492, until the expulsion of the Medici in 1494, when he fled from his native city in the habit of a Franciscan monk. After several fruitless attempts to restore the supremacy of his family, he led the life of a literary and artistic amateur. Patronage, liberality, and poor financial administration frequently reduced him even then to distressing straits; indeed, he remained a bad manager to the last. But though his manner of life was quite worldly he excelled in dignity, propriety, and irreproachable conduct most of the cardinals. Towards the end of the pontificate of Julius II (1503-1513), fortune once more smiled on Giovanni de' Medici. In August, 1511, the pope was dangerously ill and the Medici cardinal already aspired to the succession. In October, 1511, he became legate in Bologna and Romagna, and cherished the hope that his family would again rule in Florence. The Florentines had taken the part of the schismatic Pisans (see Julius II) for which reason the pope supported the Medici. Meanwhile the cardinal suffered another reverse. The army, Spanish and papal, with which he was sojourning, was defeated in 1512 at Ravenna by the French and he was taken prisoner. But it was a Pyrrhic victory, for the French soon lost all their possessions in Italy, and the cardinal, who was to have been taken to France, succeeded in making his escape. The supremacy of the Medici in Florence was re-established in September, 1512, and this unexpected change in the fortunes of his family was only the prelude to higher honours.
Julius II died on 21 February, 1513, and on 11 March Giovanni de' Medici, then but thirty-eight years old, was elected pope. In the first scrutiny he received only one vote. His adherents, the younger cardinals, held back his candidacy until the proper moment. The election met with approval even in France, although here and there a natural misgiving was felt as to whether the youthful pope would prove equal to his burden. In many quarters high hopes were placed in him by politicians who relied on his pliancy, by scholars and artists of whom he was already a patron, and by theologians who looked for energetic church reforms under a pacific ruler. Unfortunately he realized the hopes only of the artists, literati, and worldlings who looked upon the papal court as a centre of amusement.
Leo's personal appearance has been perpetuated for us in Raphael's celebrated picture at the Pitti Gallery in Florence, which represents him with Cardinals Medici and Rossi. He was not a handsome man. His fat, shiny, effeminate countenance with weak eyes protrudes in the picture from under a close-fitting cap. The unwieldy body is supported by thin legs. His movements were sluggish and during ecclesiastical functions his corpulence made him constantly wipe the perspiration from his face and hands, to the distress of the bystanders. But when he laughed or spoke the unpleasant impression vanished. He had an agreeable voice, knew how to express himself with elegance and vivacity, and his manner was easy and gracious. "Let us enjoy the papacy since God has given it to us", he is said to have remarked after his election. The Venetian ambassador who related this of him was not unbiased, nor was he in Rome at the time, nevertheless the phrase illustrates fairly the pope's pleasure-loving nature and the lack of seriousness that characterized him. He paid no attention to the dangers threatening the papacy, and gave himself up unrestrainedly to amusements, that were provided in lavish abundance. He was possessed by an insatiable love of pleasure, that distinctive trait of his family. Music, the theatre, art, and poetry appealed to him as to any pampered worldling. Though temperate himself, he loved to give banquets and expensive entertainments, accompanied by revelry and carousing; and notwithstanding his indolence he had a strong passion for the chase, which he conducted every year on the largest scale. From his youth he was an enthusiastic lover of music and attracted to his court the most distinguished musicians. At table he enjoyed hearing improvisations and though it is hard to believe, in view of his dignity and his artistic tastes, the fact remains that he enjoyed also the flat and absurd jokes of buffoons. Their loose speech and incredible appetites delighted him. In ridicule and caricature he was himself a master. Pageantry, dear to the pleasure-seeking Romans, bull-fights, and the like, were not neglected. Every year he amused himself during the carnival with masques, music, theatrical performances, dances, and races. Even during the troubled years of 1520 he took part in unusually brilliant festivities. Theatrical representations, with agreeable music and graceful dancing, were his favourite diversions. The papal palace became a theatre and the pope did not hesitate to attend such improper plays as the immoral "Calendra" by Bibbiena and Ariosto's indecent "Suppositi". His contemporaries all praised and admired Leo's unfailing good temper, which he never entirely lost even in adversity and trouble. Himself cheerful, he wished to see others cheerful. He was good-natured and liberal and never refused a favour either to his relatives and fellow Florentines, who flooded Rome and seized upon all official positions, or to the numerous other petitioners, artists and poets. His generosity was boundless, nor was his pleasure in giving a pose or desire for vainglory; it came from the heart. He never was ostentatious and attached no importance to ceremonial. He was lavish in works of charity; convents, hospitals, discharged soldiers, poor students, pilgrims, exiles, cripples, the blind, the sick, the unfortunate of every description were generously remembered, and more than 6000 ducats were annually distributed in alms.
Under such circumstances, it is not surprising that the large treasure left by Julius II was entirely dissipated in two years. In the spring of 1515 the exchequer was empty and Leo never after recovered from his financial embarrassment. Various doubtful and reprehensible methods were resorted to for raising money. He created new offices and dignities, and the most exalted places were put up for sale. Jubilees and indulgences were degraded almost entirely into financial transactions, yet without avail, as the treasury was ruined. The pope's income amounted to between 500,000 and 600,000 ducats. The papal household alone, which Julius II had maintained on 48,000 ducats, now cost double that sum. In all, Leo spent about four and a half million ducats during his pontificate and left a debt amounting to 400,000 ducats. On his unexpected death his creditors faced financial ruin. A lampoon proclaimed that "Leo X had consumed three pontificates; the treasure of Julius II, the revenues of his own reign, and those of his successor." It is proper, however, to pay full credit to the good qualities of Leo. He was highly cultivated, susceptible to all that was beautiful, a polished orator and a clever writer, possessed of good memory and judgment, in manner dignified and majestic. It was generally acknowledged, even by those who were unfriendly towards him, that he was unfeignedly religious and strictly fulfilled his spiritual duties. He heard Mass and read his Breviary daily and fasted three times a week. His piety cannot truly be described as deep or spiritual, but that does not justify the continued repetition of his alleged remark: "How much we and our family have profited by the legend of Christ, is sufficiently evident to all ages." John Bale, the apostate English Carmelite, the first to give currency to these words in the time of Queen Elizabeth, was not even a contemporary of Leo. Among the many sayings of Leo X that have come down to us, there is not one of a sceptical nature. In his private life he preserved as pope the irreproachable reputation that he had borne when a cardinal. His character shows a remarkable mingling of good and bad traits.
The fame of Leo X is due to his promotion of literature, science, and art. Under him Rome became more than ever the centre of the literary world. "From all parts", wrote Cardinal Riario in 1515 to Erasmus at Rotterdam, "men of letters are hurrying to the Eternal City, their common country, their support, and their patroness." Poets were especially numerous in Rome and few princes have been so lauded in verse as Leo X. He lavished gifts, favours, positions, titles, not only on real poets and scholars, but often on poetasters and commonplace jesters. He esteemed particularly the papal secretaries Bembo and Sadoleto, both celebrated poets and prose writers. Bembo charmed everyone by his polish and wit. His classic Ciceronian letters exhibit a remarkably varied intercourse with almost all the celebrities of his day. Among other things, he prepared a critical edition of Dante's works and was a zealous collector of manuscripts, books, and works of art. His conduct was not in accord with his position as papal notary, count palatine, and incumbent of numerous benefices, for he was worldly and self-indulgent. Sadoleto was quite another man. He led a pure and spotless life, was a model priest, united in himself the different phases of ancient and modern culture and was an ardent enthusiast for antiquity. In elegance and polish he was in no way inferior to Bembo. Among the Latin poets of Medicean Rome we may briefly mention Vida, who composed a poem of great merit, the "Christiade" and was extolled by his contemporaries as the Christian Virgil; Sannazaro, author of an epic poem on the birth of Christ which is a model of style; the Carmelite Spagnolo Mantovano with his "Calendar of Feasts"; Ferreri, who in the most naïve way recast the hymns in the Breviary with heathen terms, images, and allusions. The total number of these poets exceeds one hundred; and a lampoon of 1521 says they were more numerous than the stars in heaven. Most of them have fallen into well-deserved oblivion.
This is equally true of the contemporary Italian poetry-more prolific than notable. Among the Italian poets Trissino wrote a tragedy, "Sophonisba", and an epic "L'Italia liberata dai Gothi", but had no real success with either in spite of earnest purpose and beauty of language. Rucellai, a relative of the pope, whose clever and sympathetic didactic poem on bees met with great approval from his contemporaries, owed his reputation chiefly to an inferior work, the tragedy of "Rosmonda". The celebrated improvisatore, Tebaldeo wrote in both Latin and Italian. Towards Ariosto the pope was remarkably harsh. Archæology received great encouragement. One of its most distinguished representatives was Manetti. In 1521 the first collection of Roman topographical inscriptions appeared and introduced a new era. Important progress was due to the works of the learned antiquary, Fulvio. Fulvio, Calvo, Castiglione, and Raphael had planned an archælogical survey of ancient Rome with accompanying text. Raphael's early death abruptly interrupted the work which was carried on by Fulvio and Calvo. The Greek language also found favour and encouragement; Aldus Manutius, the Venetian publisher, whose excellent and correct editions of Greek classics became so popular, was one of Leo's protégés. Andreas Johannes Lascaris and Musurus were summoned from Greece to Rome and founded a Greek college, the "Medicean Academy". Moreover, the pope encouraged the collection of manuscripts and books. He recovered his family library which had been sold by the Florentines in 1494 to the monks of San Marco, had it brought to Rome, and enforced the regulations of Sixtus IV for the Vatican Library. The most distinguished of his librarians was Inghirami, less indeed through any learned works than for his gift of eloquence. He was called the Cicero of his age and played an important rôle at court. In 1516 he was succeeded by the Bolognese Humanist Beroaldo. Leo tried, as Nicholas V had formerly done, to increase the treasures of the Vatican Library, and with this object sent emissaries in all directions, even to Scandinavia and the Orient, to discover literary treasures and either obtain them, or borrow them for the purpose of making copies. The results, however, were unimportant. The Roman university, which had entered on decay, was reformed, but did not long flourish. On the whole, Leo, as a literary Mæcenas, has been overrated by his biographer Giovio and later panegyrists. Relatively little was accomplished, partly on account of the constant lack of money and partly because of the thoughtlessness and haste which the pope often showed in distributing his favours. He was in reality only a dilettante. Yet he gave an important stimulus to scientific and literary life, and was a potent factor in the cultural development of the West.
More important results ensued from his promotion of art, though he was unquestionably inferior in taste and judgment to his predecessor Julius II. Leo encouraged painting beyond all other branches of art; pre-eminent in this class stand the immortal productions of Raphael. In 1508 he had come to Rome, summoned by Julius II, and remained there until his death in 1520. The protection extended to this master genius is Leo's most enduring claim on posterity. Raphael's achievements, already numerous and important, took on more dignity and grandeur under Leo. He painted, sketched, and engraved from antique works of art, modeled in clay, made designs for palaces, directed the work of others by order of the pope, gave advice and assistance alike to supervisors and workmen. "Everything pertaining to art the pope turns over to Raphael", wrote an ambassador in 1518. This is not, of course, the place to treat Raphael's prodigious activity. We limit ourselves to brief mention of a few of his works. He finished the decoration of the Vatican halls or "Stanze" begun under Julius II, and in the third hall cleverly referred to Leo X by introducing scenes from the pontificates of Leo III and Leo IV. A more important commission was given him to paint the cartoons for the tapestries of the Sistine Chapel, the highest of Raphael's achievements, the most magnificent of them being "St. Peter's miraculous draught of fishes" and "St. Paul preaching in Athens". A third famous enterprise was the decoration of the Vatican Loggia done by Raphael's pupils under his direction, and mostly from his designs. The most exquisite of his paintings are the wonderful Sistine Madonna and the "Transfiguration". Sculpture showed a marked decline under Leo X. Michaelangelo offered his services and worked from 1516 to 1520 on a marble façade for the church of San Lorenzo in Florence, but did not finish it. On the other hand the pope gave especial attention and encouragement to the minor arts, e.g. decorative carving, and furthered the industrial arts. The greatest and most difficult task of Leo was in the field of architecture and was inherited from his predecessor, viz., the continuation of the new St. Peter's. Bramante remained its chief architect until his death in 1514. Raphael succeeded him, but in his six years of office little was done, much to his regret, through lack of means.
We may now turn to the political and religious events of Leo's pontificate. Here the bright splendour that diffuses itself over his literary and artistic patronage, is soon changed to deepest gloom. His well-known peaceable inclinations made the political situation a disagreeable heritage, and he tried to maintain tranqillity by exhortations, to which, however, no one listened. France desired to wreak vengeance for the defeat of 1512 and to reconquer Milan. Venice entered into an alliance with her, whereupon Emperor Maximilian, Spain, and England in 1513 concluded a Holy League against France. The pope wished at first to remain neutral but such a course would have isolated him, so he decided to be faithful to the policy of his predecessors and sought accordingly to oppose the designs of France, but in doing so, to avoid severity. In 1513 the French were decisively routed at Novara and were forced to effect a reconciliation with Rome. The schismatic cardinals (see Julius II) submitted and were pardoned, and France then took part in the Lateran Council which Leo had continued.
But success was soon clouded by uncertainty. France endeavoured to form an alliance with Spain and to obtain Milan and Genoa by a matrimonial alliance. Leo feared for the independence of the Papal States and for the so-called freedom of Italy. He negotiated on all sides without committing himself, and in 1514 succeeded in bringing about an Anglo-French alliance. The fear of Spain now gave way to the bugbear of French supremacy and the pope began negotiating in a deceitful and disloyal manner with France and her enemies simultaneously. Before he had decided to bind himself in one way or the other, Louis XII died and the young and ardent Francis I succeeded him. Once more Leo sought delay. He supported the League against France, but until the last moment hoped for an arrangement with Francis. But the latter shortly after his descent upon Italy, won the great victory of Marignano, 13-14 September, 1515, and the pope now made up his mind to throw himself into the arms of the Most Christian King and beg for mercy. He was obliged to alter his policy completely and to abandon to the French king Parma and Piacenza, which had been reunited with Milan. An interview with King Francis at Bologna resulted in the French Concordat (1516), that brought with it such important consequences for the Church. The Pragmatic Sanction of Bourges (1438), deeply inimical to the papacy, was revoked, but the pope paid a high price for this concession, when he granted to the king the right of nomination to all the sees, abbeys, and priories of France. Through this and other concessions, e.g. that pertaining to ecclesiastical jurisdiction, the royal influence over the French Church was assured. Great discontent resulted in France among the clergy and in the parliaments. The abolition of the Pragmatic Sanction, drawn up in compliance with the decrees of the Council of Basle, affected the adherents of the conciliar system of church government. The abolition of free ecclesiastical elections affected grievously the interests of many and opposition to the Concordat was maintained for centuries. The advantage to the Church and the pope of such a great sacrifice was that France, hitherto schismatical in attitude, now stood firmly bound to the Holy See, which thus turned aside the danger of complete estrangement. However, the way in which the French crown abused its control over the Church led at a later period to great evils.
Meanwhile the Lateran Council, continued by Leo after his elevation to the papacy, was nearing its close, having issued numerous and very timely decrees, e.g. against the false philosophical teachings of the Paduan professor, Pietro Pompanazzi, who denied the immortality of the soul. The encroachments of pagan Humanism on the spiritual life were met by the simultaneous rise of a new order of philosophical and theological studies. In the ninth session was promulgated a Bull that treated exhaustively of reforms in the Curia and the Church. Abbeys and benefices were henceforth to be bestowed only on persons of merit and according to canon law. Provisions of benefices and consistorial proceedings were regulated; ecclesiastical depositions and transfers made more difficult; commendatory benefices were forbidden; and unions and reservations of benefices, also dispensations for obtaining them, were restricted. Measures were also taken for reforming the curial administration and the lives of cardinals, clerics, and the faithful. The religious instruction of children was declared a duty. Blasphemers and incontinent, negligent, or simoniac ecclesiastics were to be severely punished. Church revenues were no longer to be turned to secular uses. The immunities of the clergy must be respected, and all kinds of superstition abolished. The eleventh session dealt with the cure of souls, particularly with preaching. These measures, unhappily, were not thoroughly enforced, and therefore the much-needed genuine reform was not realized. Towards the close of the council (1517) the noble and highly cultured layman, Gianfrancesco Pico della Mirandola, delivered a remarkable speech on the necessity of a reform of morals; his account of the moral condition of the clergy is saddening, and reveals the many and great difficulties that stood in the way of a genuine reform. He concluded with the warning that if Leo X left such offences longer unpunished and refused to apply healing remedies to these wounds of the Church, it was to be feared that God Himself would cut off the rotten limbs and destroy them with fire and sword. That very year this prophetic warning was verified. The salutary reforms of the Lateran Council found no practical acceptance. Pluralism, commendatory benefices, and the granting of ecclesiastical dignities to children remained customary. Leo himself did not scruple to set aside repeatedly the decrees of the council. The Roman Curia, then much despised and against which so many inveighed with violence, remained as worldly as ever. The pope was either unwilling or not in a position to regulate the unworthy and immoral conduct of many of the Roman courtiers. The political situation absorbed his attention and was largely responsible for the premature close of the council.
In March, 1516, Emperor Maximilian crossed the Alps to make war on the French and Venetians. The pope followed his usual course of shifting and dissimulation. At first, when events seemed favourable for the French, he supported Francis. But his former double-dealing had left Francis in such ill-humour that he now adhered to an antipapal policy, whereupon Leo adopted an unfriendly attitude towards the king. Their relations were further strained apropos of the Duchy of Urbino. During the French invasion the Duke of Urbino had withheld the assistance which he was in duty bound to render the pope, who now exiled him and gave the title to his nephew, Lorenzo de' Medici. The French king was highly displeased with the papal policy, and when Francis I and Maximilian formed the alliance of Cambrai in 1517 and agreed on a partition of Upper and Central Italy, Pope Leo found himself in a disagreeable position. In part by reason of his constant vacillation he had drifted into a dangerous isolation, added to which the Duke of Urbino reconquered his duchy; to crown all other calamities came a conspiracy of cardinals against the pope's life. The ringleader, Cardinal Petrucci, was a young worldly ecclesiastic who thought only of money and pleasure. He and the other cardinals who had brought about Leo's selection, made afterwards such numerous and insistent demands that the pope could not yield to them. Other causes for discontent were found in the unfortunate war with Urbino and in the abolition of the election capitulations and the excessive privileges of the cardinals. Petrucci bore personal ill-will towards the "ungrateful pope", who had removed his brother from the government of Siena. He tried to have the pope poisoned by a physician, but suspicion was aroused and the plot was betrayed through a letter. The investigation implicated Cardinals Sauli, Riario, Soderini, and Castellesi; they had been guilty at least of listening to Petrucci, and perhaps had desired his success, though their full complicity was not actually proved. Petrucci was executed and the others punished by fines; Riario paid the enormous sum of 150,000 ducats.
The affair throws a lurid light on the degree of corruption in the highest ecclesiastical circles. Unconcerned by the scandal he was giving, Leo took advantage of the proceeding to create thirty-one new cardinals, thereby obtaining an entirely submissive college and also money to carry on the unlucky war with Urbino. Not a few of these cardinals were chosen on account of the large sums they advanced. But this wholesale appointment also brought several virtuous and distinguished men into the Sacred College, and it was further important because it definitively established the superiority of the pope over the cardinals. The war with Urbino, encouraged by Francis I and Maximilian for the purpose of increasing Leo's difficulties, was finally brought to a close, after having cost enormous sums and emptied the papal treasury. Lorenzo de' Medici remained in possession of the duchy (1517). Faithful to the ancient tradition of the Holy See, from the very beginning of his reign, Leo zealously advocated a crusade against the Turks, and at the close of the war with Urbino took up the cause with renewed determination. In November, 1517, he submitted an exhaustive memorial to all the princes of Europe, and endeavored to unite them in a common effort, but in vain. The replies of the powers proved widely dissimilar. They were suspicious of one another and each sought naturally to realize various secondary purposes of its own. Leo answered a threatening letter from the sultan by active exertions. Religious processions were held, a truce of five years was proclaimed throughout Christendom and the Crusade was preached (1518). The pope showed real earnestness, but his great plan miscarried through lack of cooperation on the part of the powers. Moreover, Cardinal Wolsey, Lord Chancellor of England, thwarted the pope's peaceful efforts and thus dealt a grievous blow to the international prestige of the papacy. When the Crusade was preached in Germany, it found a large section of the people strongly predisposed against the Curia, and furnished them with an occasion to express their views in plain terms. It was believed that the Curia merely sought to obtain more money. One of the numerous spiteful pamphlets issued declared that the real Turks were in Italy and that these demons could only be pacified by streams of gold. The good cause was gradually merged with an important political question, the succession to the imperial throne. Maximilian sought the election for his grandson, Charles of Spain. A rival appeared in the person of Francis I, and both he and Charles vied with each other in seeking to win the pope's favour by repeated assurances of their willingness to move against the Turks. The event of the election relegated the crusade to the background. In 1519 the pope realized that there was no longer any prospect of carrying out his design.
Leo's attitude towards the imperial succession was influenced primarily by his anxiety concerning the power and independence of the Holy See and the so-called freedom of Italy. Neither candidate was acceptable to him, Charles, if possible, less than Francis, owing to the preponderance of power that must result from his accession. The pope would have preferred a German electoral prince, that of Saxony or later, the Elector of Brandenburg. He "sailed", as usual, "with two compasses", held both rivals at bay by a double game played with matchless skill, and even succeeded in concluding simultaneously an alliance with both. The deceitfulness and insincerity of his political dealings cannot be entirely excused, either by the difficult position in which he was placed or by the example of his secular contemporaries. Maximilian's death (January, 1519) ended the pope's irresolution. First he tried to defeat both candidates by raising up a German elector. Then he worked zealously for Francis I in the endeavour to secure his firm friendship in case Charles became emperor, an event which grew daily more likely. Only at the last moment when the election of Charles was certain and unavoidable did Leo come over to his side; after the election he watched in great anxiety the attitude the new emperor might assume.
The most important occurrence of Leo's pontificate and that of gravest consequence to the Church was the Reformation, which began in 1517. We cannot enter into a minute account of this movement, the remote cause of which lay in the religious, political, and social conditions of Germany. It is certain, however, that the seeds of discontent amid which Luther threw his firebrand had been germinating for centuries. The immediate cause was bound up with the odious greed for money displayed by the Roman Curia, and shows how far short all efforts at reform had hitherto fallen. Albert of Brandenburg, already Archbishop of Magdeburg, received in addition the Archbishopric of Mainz and the Bishopric of Hallerstadt, but in return was obliged to collect 10,000 ducats, which he was taxed over and above the usual confirmation fees. To indemnify hiim, and to make it possible to discharge these obligations Rome permitted him to have preached in his territory the plenary indulgence promised all those who contributed to the new St. Peter's; he was allowed to keep one half the returns, a transaction which brought dishonour on all concerned in it. Added to this, abuses occurred during the preaching of the Indulgence. The money contributions, a mere accessory, were frequently the chief object, and the "Indulgences for the Dead" became a vehicle of inadmissible teachings. That Leo X, in the most serious of all the crises which threatened the Church, should fail to prove the proper guide for her, is clear enough from what has been related above. He recognized neither the gravity of the situation nor the underlying causes of the revolt. Vigorous measures of reform might have proved an efficacious antidote, but the pope was deeply entangled in political affairs and allowed the imperial election to overshadow the revolt of Luther; moreover, he gave himself up unrestrainedly to his pleasures and failed to grasp fully the duties of his high office.
The pope's last political efforts were directed to expanding the States of the Church, establishing a dominating power in central italy by means of the acquisition of Ferrara. In 1519 he concluded a treaty with Francis I against Emperor Charles V. But the selfishness and encroachments of the French and the struggle against the Lutheran movement, induced him soon to unite with Charles, after he had again resorted to his double-faced method of treating with both rivals. In 1521 pope and emperor signed a defensive alliance for the purpose of driving the French out of Italy. After some difficulty, the allies occupied Milan and Lombardy. Amid the rejoicings over these successes, the pope died suddenly of a malignant malaria. His enemies are wrongly accused of having poisoned him. The magnificent pope was given a simple funeral and not until the reign of Paul III was a monument erected to his memory in the Church of Santa Maria sopra Minerva. It is cold, prosaic, and quite unworthy of such a connoisseur as Leo.
The only possible verdict on the pontificate of Leo X is that it was unfortunate for the Church. Sigismondo Tizio, whose devotion to the Holy See is undoubted, writes truthfully: "In the general opinion it was injurious to the Church that her Head should delight in plays, music, the chase and nonsense, instead of paying serious attention to the needs of his flock and mourning over their misfortunes". Von Reumont says pertinently-"Leo X is in great measure to blame for the fact that faith in the integrity and merit of the papacy, in its moral and regenerating powers, and even in its good intentions, should have sunk so low that men could declare extinct the old true spirit of the Church."
Pastor, History of the Popes, VII (St. Louis, 1908); Leonis X. P. M. Regesta, ed. Hergenrnröther, Fasc. I-VIII (to 16 October, 1515), (Freiburg, 1884-91); Jovius, De vita Leonis X (Florence, 1548, 1551); Fabronius, Leonis X. P. M. vita (Pisa, 1707); Roscoe, Life and Pontificate of Leo X (Liverpool, 1805, London, 1883); Italian tr. with new materials by Bossi (Milan, 1816); Audin, Histoire de Léon X. et de son siècle (Paris, 1844); Nitti, Leone X et la sua politica (Florence, 1892); Conforti, Leone X ed il suo secolo (Parma, 1896); Von Reumont, Geschichte der Stadt Rom, III (Berlin, 1870), part ii; Gregorovius, Geschichte der Stadt Rom, VIII (Stuttgart, 1896); Geiger, Renaissance und Humanismus in Deutschland und Italien (Berlin, 1882).
References
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- Back to citation Pastor 1908, p. 76 and Vaughan 1908, p. 282, both citing the Venetian ambassador Marco Minio, and also Pastor 1908, pp. 78–80.
- Back to citation Virtues of benevolence: Pastor 1908, p. 81; political treachery: Roscoe 1806, pp. 464ff.
- Back to citation The claim was made by John Bale in Pageant of Popes (published posthumously in 1574); for the proliferation of the story, see Pierre Bayle quoted by Roscoe 1806, pp. 479ff.
- Back to citation Roscoe 1806, pp. 478–486; Pastor 1908, pp. 79–81. Vaughan, reviewing the allegation of blasphemous infidelity, called it "a spiteful and monstrous invention by a rabid or unscrupulous Reformer". ( Vaughan 1908, pp. 280–283 at p. 281)
- Back to citation Siebert 1990, p. 95 citing Hume's History of England (1754–1762), vol. 3, p. 95.
- Back to citation Letter of 6 September 1520, published as a preface to his Freedom of a Christian. See Hans Joachim Hillerbrand, The Division of Christendom, Westminster John Knox Press (Louisville, 2007), p. 53.
- Back to citation Pastor 1908, pp. 75ff.
- Back to citation Tuchman, Barbara (1984). The March of Folly. Knopf. pp. 104. ISBN 978-0-394-52777-2.
- Back to citation "Book review – 'The March of Folly' By Barbara W. Tuchman". faculty.webster.edu. Retrieved 3 May 2019.
- Back to citation Crocker III 2001, p. 222.
- Back to citation Pastor 1908, p. 144.
- Back to citation See generally on his love of music: Roscoe 1806, pp. 487–490 and Pastor 1908, pp. 144–148.
- Back to citation Cummings 1884–1885, pp. 103ff.
- Back to citation Cummings 2009, p. 586.
- Back to citation Buffoonery: Roscoe 1806, pp. 491–496; Pastor 1908, pp. 77, 151–156. Fowling and hunting: Roscoe 1806, pp. 496–498; Pastor 1908, pp. 157–161; Vaughan 1908, pp. 192–214.
- Back to citation Vaughan 1908, p. 283.
- Back to citation Bedini 1981, pp. 79ff. And see Pastor 1908, pp. 154ff.
- Back to citation Falconi, Carlo, Leone X, Milano (1987).
- Back to citation See, e.g., Cesareo 1938, pp. 4ff, 78; see also references to lampoons in ( Roscoe 1806, p. 464 footnote) (he also prints several in his appendix); and Pastor 1908, p. 68.
- Back to citation Paolo Giovio, De Vita Leonis Decimi Pont. Max., Firenze (1548, 4 vols), written for the Medici Pope Clement VII and completed in 1533; and (covering the years 1492 to 1534) Francesco Guicciardini, Storia d'Italia, Firenze (1561, first 16 books; 1564 full edn. 20 books) written between 1537 and 1540, and published after his death in the latter year. For the characterisation of the relevant passages (few and brief) in these authors, see, e.g., Vaughan 1908, p. 280: and Wyatt, Michael, "Bibbiena's Closet: Interpretation and the Sexual Culture of a Renaissance Papal Court", comprising chap. 2 of Cestaro, Gary P. (ed.), Queer Italia, London (2004) pp. 35–54 a. To these can be added Zimmerman, T.P., Paolo Giovio: The Historian and the Crisis of Sixteenth-Century Italy, Princeton University Press (1996), citing at p. 23 Giovio's disapproval of the banter. Two pages later Zimmerman notes Giovio's penchant for gossip.
- Back to citation "BBC History – Historic Figures: Martin Luther (1483–1546)". www.bbc.co.uk.
- Back to citation occurrence 42.0 Back to citation occurrence 42.1 Wilson 2007, p. 282; This allegation (made in the pamphlet Warnunge D. Martini Luther/ An seine lieben Deudschen, Wittenberg, 1531) is in stark contrast to Luther's earlier praise of Leo's "blameless life" in a conciliatory letter of his to the pope dated 6 September 1520 and published as a preface to his Freedom of a Christian. See on this, Hillerbrand 2007, p. 53.
- Back to citation Passage from Supernae dispositionis arbitrio quoted by Jill Burke ( Burke 2006, p. 491). Herculaneo, Matteo, publ. in Fabroni, Leonis X: Pontificis Maximi Vita at note 84, and quoted in the material part by Roscoe 1806, p. 485 in a footnote.
- Back to citation Those who have rejected the evidence include: Fabroni, Angelo, Leone X: Pontificis Maximi Vita, Pisa (1797) at p. 165 with note 84; Roscoe 1806, pp. 478–486; and ( Pastor 1908, pp. 80f. with a long footnote). Those who have treated of the life of Leo at any length and ignored the imputations, or summarily dismissed them, include: Gregorovius, Ferdinand, History of the City of Rome in the Middle Ages Eng. trans. Hamilton, Annie, London (1902, vol. VIII.1), p. 243; Vaughan 1908, p. 280; Hayes, Carlton Huntley, article "Leo X" in The Encyclopædia Britannica, Cambridge (1911, vol. XVI); Creighton, Mandell, A History of the Papacy from the Great Schism to the Sack of Rome, London (new edn., 1919), vol. 6, p. 210; Pellegrini, Marco, articles "Leone X" in Enciclopedia dei Papi, (2000, vol.3) and Dizionario Biografico degli Italiani (2005, vol. 64); and Strathern, Paul The Medici: Godfathers of the Renaissance (a popular history), London (2003, pbk 2005), p. 277. Of these, Ludwig von Pastor and Hayes are known Catholics, and Roscoe, Gregorovius, and Creighton are known non-Catholics.
- Back to citation The most recent biography of the pope speculates that his private life may have been marked by moral irregularity: Falconi, Carlo, Leone X, Milano (1987). Giovanni Dall'Orto gathered and reviewed the most relevant material (including Falconi, pp. 455–461) in an entry in Wotherspoon & Aldrich, Who's Who in Gay and Lesbian History, Routledge, London and New York (2001), at p. 264, arriving only at tentative and provisional conclusions as to Leo's suggested homosexuality.
- Back to citation A History of the Popes, London (1939), p. 409.
- Back to citation See, e.g., Pastor 1908, p. 81
- Back to citation occurrence 48.0 Back to citation occurrence 48.1 Back to citation occurrence 48.2 Back to citation occurrence 48.3 Back to citation occurrence 48.4 "Pope Leo X". Reformation 500. Concordia Seminary. 7 February 2014.
- Back to citation "Pope Hadrian VI". sgira.org. Archived from the original on 1 April 2022. Retrieved 30 May 2018.
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- Back to citation occurrence 51.0 Back to citation occurrence 51.1 "Luminarium Encyclopedia: Pope Leo X (1475-1521)". www.luminarium.org. Retrieved 22 September 2023.
- Back to citation Heydenreich, L; Lotz, W. (1974). "Architecture in Italy 1400–1600". Pelican History of Art. pp. 195–196.
- Back to citation "La storia | Sapienza Università di Roma". www.uniroma1.it. Retrieved 29 December 2021.
- Back to citation Hart, Vaughan, Hicks, Peter, Palladio's Rome. Translation of Andrea Palladio's L'Antichita di Roma and Descritione de le chiese…in la città de Roma, (1554) including as an appendix Raphael's famous Letter to Leo X concerning Rome's ancient monuments, Yale University Press, London and New Haven, 2006.
- Back to citation Paolo Giovio (1551). Vita Leonis Decimi, pontifici maximi: libri IV (in Latin). Florentiae: officina Laurentii Torrentini. p. 67.
- Back to citation Lancetti, Vencenzo (1831). Della vita e degli scritti di Marco Girolamo Vida (in Italian). Milano: Giuseppe Crespi. pp. 30–31
- Back to citation Celebrated Crimes, Vol. I. New York: P.F. Collier & Son, 1910, pp. 361–414
- Back to citation Chisholm, Hugh, ed. (1911). "Emanuel I.". Encyclopædia Britannica. Vol. 9 (11th ed.). Cambridge University Press. p. 305.
- Back to citation Heller, Marvin J (2005). "Earliest Printings of the Talmud: From Bomberg to Schottenstein" (PDF). Yeshiva University Museum: 73. Archived from the original (PDF) on 15 August 2016.
- Back to citation Habermann, Abraham Meir (1971). Encyclopedia Judaica. Keter. p. 1195.
Bibliography
- Bedini, Silvio A. (30 April 1981). "The Papal Pachyderms". Proceedings of the American Philosophical Society. 125 (2): 75–90.
- Burke, Jill (September 2006). "Sex and Spirituality in 1500s Rome [etc.]". The Art Bulletin. 88 (3): 482–495. doi:10.1080/00043079.2006.10786301. S2CID 193091974.
- Cesareo, G.A. (1938). Pasquino e pasquinate nella Roma di Leone X. Rome: Nella sede della Deputazione. pp. 74ff, 78.
- Cummings, Anthony (Winter 2009). "Informal Academies and Music in Pope Leo X's Rome". Italica. 86 (4): 583–601.
- Cummings, William H. (1884–1885). "Music Printing". Proceedings of the Musical Association. 11th Sess.: 99–116. doi:10.1093/jrma/11.1.99.
- Crocker III, H.W. (2001). Triumph: The Power and the Glory of the Catholic Church. New York: Three Rivers Press.
- Hillerbrand, Hans Joachim (2007). The Division of Christendom. Louisville: Westminster John Knox Press. p. 53.
- Löffler, Klemens (1910). "Pope Leo X". In Herbermann, Charles (ed.). Catholic Encyclopedia. Vol. 9. New York: Robert Appleton Company.
- Luther, Martin. Luther's Correspondence and Other Contemporary Letters, 2 vols., tr. and ed. by Preserved Smith, Charles Michael Jacobs, The Lutheran Publication Society, Philadelphia, Pa. 1913, 1918. vol. I (1507–1521) and vol.2 (1521–1530) from Google Books. Reprint of Vol.1, Wipf & Stock Publishers (March 2006). ISBN 1-59752-601-0
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- Phillips-Court, Kristin, ed. (2011). The Perfect Genre: Drama and Painting in Renaissance Italy. Ashgate Publishing.
- Roscoe, William (1806). The Life and Pontificate of Leo the Tenth. Vol. 4 (2nd ed.). London.
- Siebert, Donald T. (1990). The Moral Animus of David Hume. London and New Jersey: Associated University Presses. p. 77.
- Setton, Kenneth (1984). The Papacy and the Levant, 1204–1571. Vol. 3. The American Philosophical Society.
- Testa, Judith (2012). An Art Lover's Guide to Florence. Cornell University Press. ISBN 9781501756740.
- Tomas, Natalie R. (2017). The Medici Women: Gender and Power in Renaissance Florence. Routledge.
- Vaughan, Herbert M. (1908). The Medici Popes. London and New York: Methuen & Co.
- Williams, George L. (1998). Papal Genealogy: The Families and Descendants of the Popes. McFarland Inc.
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- Zophy, Jonathan W. (2003) [1996]. A Short History of Renaissance and Reformation: Europe Dances over Fire and Water (3rd ed.). Upper Saddle River, New Jersey: Prentice Hall.
External links
- Herbermann, Charles, ed. (1913). "The List of the Popes". Catholic Encyclopedia. New York: Robert Appleton Company.
- Vita de Leonis X life in Latin by Paulus Jovius
- Henry VIII to Pope Leo X. 21 May 1521
- Leo X to Frederic, Elector of Saxony. Rome, 8 July 1520
- Paradoxplace Medici Popes' Page (archived)