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Rome

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Rome
Roma (Italian)
Capital city and comune
Roma Capitale
Interactive map of Rome
Interactive map of Rome
Flag
Gonfalon
Coat of arms
Etymology: various theories
Nicknames:
Urbs Aeterna (Latin)
The Eternal City
Caput Mundi (Latin)
The Capital of the world
Throne of St. Peter
The territory of the comune (Roma Capitale, in red) inside the Metropolitan City of Rome (Città Metropolitana di Roma, in yellow). The spot in the centre is Vatican City.
Interactive map of Rome
Rome
Location within Italy
Rome
Location within Europe
Coordinates: 41°53′36″N 12°28′58″E / 41.89333°N 12.48278°E
Country Italy[1]
Region Lazio
Metropolitan city Rome Capital
Founded 21 April 753 BC
Founded by King Romulus (legendary)[2]
Government
• Type Strong Mayor–Council
Mayor Roberto Gualtieri (PD)
• Legislature Capitoline Assembly
Area[3]
Municipality 1,287.36 km2 (497.05 sq mi)
Metropolitan city 5,363.28 km2 (2,070.77 sq mi)
Elevation 21 m (69 ft)
Population
(2025)[4]
Municipality 2,746,984
• Rank 8th in Europe
1st in Italy
• Density 2,133.81/km2 (5,526.55/sq mi)
Metropolitan city 4,223,885
Metropolitan city density 787.556/km2 (2,039.76/sq mi)
Demonym(s) Italian: romano(i) (masculine), romana(e) (feminine)
English: Roman(s)
GDP (nominal, 2023)[5]
Metropolitan city €201.290 billion
• Per capita €47,665
Time zone UTC+01:00 (CET)
• Summer (DST) UTC+02:00 (CEST)
CAP code(s) 00100; 00118 to 00199
Area code 06
Website comune.roma.it
UNESCO World Heritage Site
Official name Historic Centre of Rome, the Properties of the Holy See in that City Enjoying Extraterritorial Rights and San Paolo Fuori le Mura
Reference 91
Inscription 1980 (4th Session)
Area 1,431 ha (3,540 acres)

Rome[6] is the capital city and most populated comune (municipality) of Italy. It is also the administrative centre of the Lazio region and of the Metropolitan City of Rome. A special comune named Roma Capitale with a population of 2.7 million in an area of 1,287.36 km2 (497.1 mi2),[4] Rome is the third most populous city in the European Union by population within city limits. The Metropolitan City of Rome Capital, with a population of 4.2 million, is the most populous metropolitan city in Italy. Its metropolitan area is the third-most populous within Italy.[7] Rome is located in the central-western portion of the Italian Peninsula, within Lazio (Latium), along the shores of the Tiber Valley. Vatican City—the smallest country in the world and headquarters of the worldwide Catholic Church under the governance of the Holy See—is an independent country with Rome's municipal boundaries, the only existing example of a country within a city. Rome is often referred to as the "City of Seven Hills" due to its geography, and also as the "Eternal City". Rome is generally considered to be one of the cradles of Western civilization and Western Christian culture, and the centre of the Catholic Church.[8]

Rome's history spans 28 centuries. While Roman mythology dates the founding of Rome at around 753 BC, the site has been inhabited for much longer, making it a major human settlement for over three millennia and one of the oldest continuously occupied cities in Europe.[9] The city's early population originated from a mix of Latins, Etruscans, and Sabines. Eventually, the city successively became the capital of the Roman Kingdom, the Roman Republic and the Roman Empire, and is regarded by many as the first-ever Imperial city and metropolis.[10] It was first called The Eternal City (Latin: Urbs Aeterna; Italian: La Città Eterna) by the Roman poet Tibullus in the 1st century BC, and the expression was also taken up by Ovid, Virgil, and Livy.[11][12] Rome is also called Caput Mundi (Capital of the World).

After the fall of the Empire in the west, which marked the beginning of the Middle Ages, Rome slowly fell under the political control of the Papacy, and in the 8th century, it became the capital of the Papal States, which lasted until 1870. Beginning with the Renaissance, almost all popes since Nicholas V (1447–1455) pursued a coherent architectural and urban programme over four hundred years, aimed at making the city the artistic and cultural centre of the world.[13] In this way, Rome first became one of the major centres of the Renaissance[14] and subsequently the birthplace of both the Baroque style and Neoclassicism. Famous artists, painters, sculptors, and architects made Rome the centre of their activity, creating masterpieces throughout the city. In 1871, Rome became the capital of the Kingdom of Italy, which, in 1946, became the Italian Republic. It hosted the Summer Olympics in 1960.

In 2019, Rome was the 14th most visited city in the world with 8.6 million tourists, the third most visited city in the European Union, and the most popular tourist destination in Italy.[15] Its historic centre is listed by UNESCO as a World Heritage Site.[16] Rome is also the seat of several specialised agencies of the United Nations, such as the Food and Agriculture Organization, the World Food Programme, and the International Fund for Agricultural Development. The city also hosts the Secretariat of the Parliamentary Assembly of the Union for the Mediterranean,[17] as well as the headquarters of several Italian multinational companies such as Eni, Enel, TIM, Leonardo, and banks such as BNL. Numerous companies are based within Rome's EUR business district, such as the luxury fashion house Fendi located in the Palazzo della Civiltà Italiana. The presence of renowned international brands in the city has made Rome an important centre of fashion and design, and the Cinecittà Studios have been the set of many Academy Award–winning movies.[18]

Name and symbol

Etymology

According to the Ancient Romans' founding myth,[19] the name Roma came from the city's founder and first king, Romulus.[2]

However, it is possible that the name Romulus was actually derived from Rome itself.[20] As early as the 4th century, there have been alternative theories proposed on the origin of the name Roma. Several hypotheses have been advanced focusing on its linguistic roots which however remain uncertain:[21]

  • From Rumon or Rumen, archaic name of the Tiber, which in turn is supposedly related to the Greek verb ῥέω (rhéō) 'to flow, stream' and the Latin verb ruō 'to hurry, rush';[22]
  • From the Etruscan word 𐌓𐌖𐌌𐌀 (ruma), whose root is *rum- "teat", with possible reference either to the totem wolf that adopted and suckled the cognately named twins Romulus and Remus, or to the shape of the Palatine and Aventine Hills;
  • From the Greek word ῥώμη (rhṓmē), which means strength.[23]

Other names and symbols

Rome has also been called in ancient times simply "Urbs" (central city),[24] from urbs roma, or identified with its ancient Roman initialism of SPQR, the symbol of Rome's constituted republican government. In 192, emperor Commodus renamed the city Colonia Lucia Annia Commodiana after himself, but the name was reverted to Rome after his assassination at the end of the year. Furthermore, Rome has been called Urbs Aeterna (The Eternal City), Caput Mundi (The Capital of the world), Throne of St. Peter and Roma Capitale.

Dionysius of Halicarnassus states that the lagobolon was a symbol of the settlement of the city of Rome, and recounts that following the destruction by fire of a sacred hut of Mars on the Palatine Hill, a lagobolon, which Romulus used to delineate the regions for taking auspices when founding the city, was found miraculously preserved among the ashes.[25][26]

History

Earliest history

Archaeological evidence of human occupation of the Rome area has been found from approximately 14,000 years ago, although the dense layer of much younger debris obscures Palaeolithic and Neolithic sites.[9] Evidence of stone tools, pottery, and stone weapons attest to about 10,000 years of human presence in the Rome area. Several excavations support the view that Rome grew from pastoral settlements on the Palatine Hill built above the area of the future Roman Forum. Between the end of the Bronze Age and the beginning of the Iron Age, each hill between the sea and the Capitoline Hill was topped by a village (on the Capitoline, a village is attested since the end of the 14th century BC).[27] However, none of them yet had an urban quality.[27]

Nowadays, there is a wide consensus that the city developed gradually through the aggregation ("synoecism") of several villages around the largest one, placed above the Palatine.[27] This aggregation was facilitated by the increase of agricultural productivity above the subsistence level, which also allowed the establishment of secondary and tertiary activities. These, in turn, boosted the development of trade with the Greek colonies of southern Italy (mainly Ischia and Cumae).[27] These developments, which according to archaeological evidence took place during the mid-eighth century BC, can be considered as the "birth" of the city.[27] Despite recent excavations at the Palatine Hill, the view that Rome was founded deliberately in the middle of the eighth century BC, as the legend of Romulus suggests, remains a fringe hypothesis.[28]

Legend of the founding of Rome

Traditional stories handed down by the ancient Romans themselves explain the earliest history of their city in terms of legend and myth. The most familiar of these myths, and perhaps the most famous of all Roman myths, is the story of Romulus and Remus, the twins who were suckled by a she-wolf.[19] They decided to build a city, but after an argument, Romulus killed his brother and the city took his name. According to the Roman annalists, this happened on 21 April 753 BC.[29] This legend had to be reconciled with a dual tradition, set earlier in time, that had the Trojan refugee Aeneas escape to Italy and found the line of Romans through his son Iulus, the namesake of the Julio-Claudian dynasty.[30] This was accomplished by the Roman poet Virgil in the first century BC. In addition, Strabo mentions an older story, that the city was an Arcadian colony founded by Evander. Strabo also writes that Lucius Coelius Antipater believed that Rome was founded by Greeks.[31][32]

Monarchy and republic

After the foundation by Romulus (according to a legend),[29] Rome was ruled for a period of 244 years by a monarchy. The first rulers were of Latin and Sabine origin, and later ones were Etruscan. The tradition handed down seven kings: Romulus, Numa Pompilius, Tullus Hostilius, Ancus Marcius, Tarquinius Priscus, Servius Tullius and Lucius Tarquinius Superbus.[29]

In 509 BC, the Romans expelled the last king from their city and established an oligarchic republic led by two annually elected consuls. Rome then began a period characterised by internal struggles between patricians (aristocrats) and plebeians (small landowners), and by constant warfare against the populations of central Italy: Etruscans, Latins, Volsci, Aequi, and Marsi.[33] After becoming master of Latium, Rome led several wars (against the Gauls, Osci-Samnites and the Greek colony of Taranto, allied with Pyrrhus, king of Epirus) whose result was the conquest of the Italian peninsula, from the central area down to Magna Graecia.[34]

The 3rd and 4th century BC saw the establishment of Roman hegemony over the Mediterranean and the Balkans through the three Punic Wars (264–146 BC) fought against Carthage and the three Macedonian Wars (212–168 BC) against Macedonia.[35] The first Roman provinces were established at this time: Sicily, Sardinia and Corsica, Hispania, Macedonia, Achaea and Africa.[36]

From the beginning of the 2nd century BC, power was contested between two groups of aristocrats: the optimates, representing the conservative part of the Roman Senate, and the populares, who relied on the help of the plebs (urban lower class) to gain power. In the same period, the bankruptcy of the small farmers and the establishment of large slave estates caused large-scale migration to the city. The continuous warfare led to the establishment of a professional army, which turned out to be more loyal to its generals than to the republic. Because of this, in the late 2nd and early 1st century BC there were several conflicts both abroad and internally: after the failed attempt of social reform of the populares Tiberius and Gaius Gracchus,[37] and the war against Jugurtha,[37] there was a civil war from which the general Sulla emerged victorious.[37] A major slave revolt under Spartacus followed,[38] and then the establishment of the first Triumvirate with Caesar, Pompey and Crassus.[38]

Caesar's conquest of Gaul made him immensely powerful and popular, which led to a civil war against the Senate and Pompey. After his victory, Caesar established himself as dictator for life.[38] His assassination in 44 BC led to a second Triumvirate among Octavian (Caesar's grandnephew and heir), Mark Antony and Lepidus, and to a final civil war between Octavian and Antony.[39]

Empire

In 27 BC, Octavian was named Augustus and princeps, founding the principate, a diarchy between the princeps and the senate.[39] Over time, the new monarch came to be known as the imperator (hence emperor), meaning "commander".[40] During the reign of Nero, two-thirds of the city was ruined after the Great Fire of Rome, and the persecution of Christians commenced.[41] Rome's empire reached its greatest expansion in the second century under the Emperor Trajan. Rome was known as the Caput Mundi, i.e. the capital of the known world, an expression which had already been used in the Republican period. During its first two centuries, the empire was ruled by emperors of the Julio-Claudian,[42] Flavian (who built an eponymous amphitheatre known as the Colosseum),[42] and Antonine dynasties.[43] This time was also characterised by the spread of the Christian religion, preached by Jesus Christ in Judea in the first half of the first century (under Tiberius) and popularised by his apostles through the empire and beyond.[44] The Antonine age is considered the zenith of the Empire, whose territory ranged from the Atlantic Ocean to the Euphrates and from Britain to Egypt.[43]

After the end of the Severan dynasty in AD 235, the Empire entered into a 50-year period known as the Crisis of the Third Century, during which numerous generals fought for power and the central authority in Rome weakened dramatically. Around the same time, the Plague of Cyprian (c. 250–270) afflicted the Mediterranean.[45] Instability caused economic deterioration, and there was a rapid rise in inflation as the government debased the currency in order to meet expenses. The Germanic tribes along the Rhine and north of the Balkans made serious uncoordinated incursions that were more like giant raiding parties rather than attempts to settle. The Persian Empire invaded from the east several times during the 230s to 260s but were eventually defeated.[46] The civil wars ended in 285 with the final victory of Diocletian, who undertook the restoration of the State. He ended the Principate and introduced a new authoritarian model known as the Dominate, derived from his title of dominus ("lord"). His most marked feature was the unprecedented intervention of the State down to the city level: whereas the State had submitted a tax demand to a city and allowed it to allocate the charges, from his reign the State did this down to the village level. In a vain attempt to control inflation, he imposed price controls which did not last.

Diocletian divided the empire in 286, ruling over the eastern half from Nicomedia, while his co-emperor Maximian ruled the western half from Mediolanum (when not on the move).[46] The empire was further divided in 293, when Diocletian named two caesar, one for each augustus (emperor). Diocletian tried to turn into a system of non-dynastic succession, similar to the Antonine dynasty. Upon abdication in 305, both caesars succeeded and they, in turn, appointed two colleagues for themselves.[46] However, a series of civil wars between rival claimants to power resulted in the unification of the empire under Constantine the Great in 324. Hereditary succession was restored, but the east–west division was maintained. Constantine undertook a major reform of the bureaucracy, not by changing the structure but by rationalising the competencies of the several ministries. The so-called Edict of Milan of 313, actually a fragment of a letter from his co-emperor Licinius to the governors of the eastern provinces, granted freedom of worship to everyone, including Christians, and ordered the restoration of confiscated church properties upon petition to the newly created vicars of dioceses. He funded the building of several churches and allowed clergy to act as arbitrators in civil suits (a measure that did not outlast him but which was restored in part much later). In 330, he transformed Byzantium into Constantinople, which became his new capital. However, it was not officially anything more than an imperial residence like Mediolanum, Augusta Treverorum, or Nicomedia until given a city prefect in 359 by Constantius II.[47]

Constantine, following Diocletian's reforms, regionalised the administration, which fundamentally changed the way it was governed by creating regional dioceses. The existence of regional fiscal units from 286 served as the model for this unprecedented innovation.[48] The emperor quickened the process of removing military command from governors. Henceforth, civilian administration and military command would be separate. He gave governors more fiscal duties and placed them in charge of the army logistical support system as an attempt to control it by removing the support system from its control.

Christianity in the form of the Nicene Creed became the official religion of the empire in 380, via the Edict of Thessalonica issued in the name of three emperors – Gratian, Valentinian II, and Theodosius I – with Theodosius clearly the driving force behind it. He was the last emperor of a unified empire: after his death in 395, his young children, Honorius and Arcadius, inherited the western and eastern empires respectively. The seat of government in the Western Roman Empire was transferred to Ravenna in 408, but from 450 the emperors mostly resided in Rome.[49]

Rome, which had lost its central role in the administration of the empire, was sacked in 410 by the Visigoths led by Alaric I,[50] but very little physical damage was done, most of which was repaired. What could not be so easily replaced were portable items such as artwork in precious metals and items for domestic use (loot). The popes embellished the city with large basilicas, such as Santa Maria Maggiore (with the collaboration of the emperors). The population of the city had fallen from 800,000 to 450–500,000 by the time the city was sacked in 455 by Genseric, king of the Vandals.[51] The weak emperors of the fifth century could not stop the decay, leading to the deposition of Romulus Augustus, who resided on Ravenna, on 4 September 476. This marked the end of the Western Roman Empire and, for many historians, the beginning of the Middle Ages.[47]

The decline of the city's population was caused by the loss of grain shipments from North Africa, from 440 onward, and the unwillingness of the senatorial class to maintain donations to support a population that was too large for the resources available. Even so, strenuous efforts were made to maintain the monumental centre, the Palatine, and the imperial baths, which continued to function until the Gothic siege of 537. The Baths of Constantine on the Quirinal Hill were even repaired in 443, and the extent of the damage exaggerated and dramatised.[52]

However, the city gave an appearance overall of shabbiness and decay because of the large abandoned areas due to population decline. The population declined to 500,000 by 452 and 100,000 by AD 500 (perhaps larger, though no certain figure can be known). After the Gothic siege of 537, the population dropped to 30,000 but had risen to 90,000 by the papacy of Gregory the Great.[53] The population decline coincided with the general collapse of urban life in the West in the fifth and sixth centuries, with few exceptions. Subsidized state grain distributions to the poorer members of society continued right through the sixth century and probably prevented the population from falling further.[54] The figure of 450,000–500,000 is based on the amount of pork, 3,629,000 lbs. distributed to poorer Romans during five winter months at the rate of five Roman lbs per person per month, enough for 145,000 persons or 1/4 or 1/3 of the total population.[55] Grain distribution to 80,000 ticket holders at the same time suggests 400,000 (Augustus set the number at 200,000 or one-fifth of the population).

Middle Ages

After the fall of the Western Roman Empire in AD 476, Rome was first under the control of Odoacer and then became part of the Ostrogothic Kingdom before returning to East Roman control after the Gothic War, which devastated the city in 546 and 550. Its population declined from more than a million in AD 210 to 500,000 in AD 273[56] to 35,000 after the Gothic War (535–554),[57] reducing the sprawling city to groups of inhabited buildings interspersed among large areas of ruins, vegetation, vineyards and market gardens.[58] It is generally thought the population of the city until AD 300 was 1 million (estimates range from 2 million to 750,000) declining to 750–800,000 in AD 400, then 450–500,000 in AD 450 and down to 80–100,000 in AD 500 (though it may have been twice this).[59]

The Bishop of Rome, called the Pope, was important since the early days of Christianity because of the martyrdom of both the apostles Peter and Paul there. The Bishops of Rome were also seen (and still are seen by Catholics) as the successors of Peter, who is considered the first Bishop of Rome. The city thus became of increasing importance as the centre of the Catholic Church.

After the Lombard invasion of Italy (569–572), the city remained nominally Byzantine, but in reality, the popes pursued a policy of equilibrium between the Byzantines, the Franks, and the Lombards.[60] In 729, the Lombard king Liutprand donated the north Latium town of Sutri to the Church, starting its temporal power.[60] In 756, Pepin the Short, after having defeated the Lombards, gave the Pope temporal jurisdiction over the Duchy of Rome and the Exarchate of Ravenna, thus creating the Papal States.[60] Since this period, three powers tried to rule the city: the pope, the nobility (together with the chiefs of militias, the judges, the Senate and the populace), and the Frankish king, as king of the Lombards, patricius, and Emperor.[60] These three parties (theocratic, republican, and imperial) were a characteristic of Roman life during the entire Middle Ages.[60] On Christmas night of 800, Charlemagne was crowned in Rome as Emperor by Pope Leo III: on that occasion, the city hosted for the first time the two powers whose struggle for control was to be a constant of the Middle Ages.[60] This event marks the beginning of the Carolingian Empire, the first phase of the Holy Roman Empire.

In 846, Muslim Arabs unsuccessfully stormed the city's walls, but managed to loot St. Peter's and St. Paul's basilica, both outside the city wall.[61] After the decay of Carolingian power, Rome fell prey to feudal chaos: several noble families fought against the pope, the emperor, and each other. This period saw the rise of figures like Theodora and her daughter Marozia, concubines and mothers of several popes, and of Crescentius, a powerful feudal lord, who fought against the Emperors Otto II and Otto III.[62] The scandals of this period forced the papacy to reform itself: the election of the pope was reserved to the cardinals, and reform of the clergy was attempted. The driving force behind this renewal was the monk Ildebrando da Soana, who once elected pope under the name of Gregory VII became involved into the Investiture Controversy against Emperor Henry IV.[62] Subsequently, Rome was sacked and burned by the Normans under Robert Guiscard who had entered the city in support of the Pope, then besieged in Castel Sant'Angelo.[62]

During this period, the city was autonomously ruled by a senatore or patrizio. In the 12th century, this administration, like other European cities, evolved into the commune, a new form of social organisation controlled by the new wealthy classes.[62] Pope Lucius II fought against the Roman commune, and the struggle was continued by his successor Pope Eugenius III: by this stage, the commune, allied with the aristocracy, was supported by Arnaldo da Brescia, a monk who was a religious and social reformer.[63] After the pope's death, Arnaldo was taken prisoner by Pope Adrian IV, which marked the end of the commune's autonomy.[63] Under Pope Innocent III, whose reign marked the apogee of the papacy, the commune liquidated the senate, and replaced it with a Senatore, who was subject to the pope.[63]

In this period, the papacy played a role of secular importance in Western Europe, often acting as arbitrators between Christian monarchs and exercising additional political powers.[64]

In 1266, Charles of Anjou, who was heading south to fight the Hohenstaufen on behalf of the pope, was appointed Senator. Charles founded the Sapienza, the university of Rome.[63] In that period the pope died, and the cardinals, summoned in Viterbo, could not agree on his successor. This angered the people of the city, who then unroofed the building where they met and imprisoned them until they had nominated the new pope; this marked the birth of the conclave.[63] In this period the city was also shattered by continuous fights between the aristocratic families: Annibaldi, Caetani, Colonna, Orsini, Conti, nested in their fortresses built above ancient Roman edifices, fought each other to control the papacy.[63]

Pope Boniface VIII of the Caetani family was the last pope to fight for the church's universal domain; he proclaimed a crusade against the Colonna family and, in 1300, called for the first Jubilee of Christianity, which brought millions of pilgrims to Rome.[63] However, his hopes were crushed by the French king Philip the Fair, who took him prisoner and held him hostage for three days at Anagni.[63] The Pope was able to return to Rome, but died a month later, it was said of shock and grief. Afterwards, a new pope faithful to the French was elected, and the papacy was briefly relocated to Avignon (1309–1377).[65] During this period Rome was neglected, until a plebeian man, Cola di Rienzo, came to power.[65] An idealist and a lover of ancient Rome, Cola dreamed about a rebirth of the Roman Empire: after assuming power with the title of Tribuno, his reforms were rejected by the populace.[65] Forced to flee, Cola returned as part of the entourage of Cardinal Albornoz, who was charged with restoring the Church's power in Italy.[65] Back in power for a short time, Cola was soon lynched by the populace, and Albornoz took possession of the city. In 1377, Rome became the seat of the papacy again under Gregory XI.[65] The return of the pope to Rome in that year unleashed the Western Schism (1377–1418), and for the next forty years, the city was affected by the divisions which rocked the Church.[65]

Early modern history

In 1418, the Council of Constance settled the Western Schism, and a Roman pope, Martin V, was elected.[65] This brought to Rome a century of internal peace, which marked the beginning of the Renaissance.[65] The ruling popes until the first half of the 16th century, from Nicholas V, founder of the Vatican Library, to Pius II, humanist and literate, from Sixtus IV, a warrior pope, to Alexander VI, immoral and nepotist, from Julius II, soldier and patron, to Leo X Medici, who gave his name to this period ("the century of Leo X"), all devoted their energy to the greatness and the beauty of the Eternal City and to the patronage of the arts.[65]

During those years, the centre of the Italian Renaissance moved to Rome from Florence. Majestic works, as the new Saint Peter's Basilica, the Sistine Chapel and Ponte Sisto (the first bridge to be built across the Tiber since antiquity, although on Roman foundations) were created. To accomplish that, the Popes engaged the best artists of the time, including Michelangelo, Perugino, Raphael, Ghirlandaio, Luca Signorelli, Botticelli, and Cosimo Rosselli.

The period was also infamous for papal corruption, with many Popes fathering children, and engaging in nepotism and simony. The corruption of the Popes and the huge expenses for their building projects led, in part, to the Reformation and, in turn, the Counter-Reformation. Under extravagant and rich popes, Rome was transformed into a centre of art, poetry, music, literature, education and culture. Rome became able to compete with other major European cities of the time in terms of wealth, grandeur, the arts, learning and architecture.

The Renaissance period changed the face of Rome dramatically, with works like the Pietà by Michelangelo and the frescoes of the Borgia Apartments. Rome reached the highest point of splendour under Pope Julius II della Rovere (1503–1513) and his successors Leo X and Clement VII, both members of the Medici family.

In this twenty-year period, Rome became one of the greatest centres of art in the world. The old St. Peter's Basilica built by Emperor Constantine the Great[66] (which by then was in a dilapidated state) was demolished and a new one begun. The city hosted artists like Ghirlandaio, Perugino, Botticelli and Bramante, who built the temple of San Pietro in Montorio and planned a great project to renovate the Vatican. Raphael, who in Rome became one of the most famous painters of Italy, created frescoes in the Villa Farnesina, the Raphael's Rooms, plus many other famous paintings. Michelangelo started the decoration of the ceiling of the Sistine Chapel and executed the famous statue of the Moses for the tomb of Julius II.

Its economy was rich, with the presence of several Tuscan bankers, including Agostino Chigi, who was a friend of Raphael and a patron of arts. Before his early death, Raphael also promoted for the first time the preservation of the ancient ruins. The War of the League of Cognac caused the first plunder of the city in more than five hundred years since the previous sack; in 1527, the Landsknechts of Emperor Charles V sacked the city, bringing an abrupt end to the golden age of the Renaissance in Rome.[65]

Beginning with the Council of Trent in 1545, the Church began the Counter-Reformation in response to the Reformation, a large-scale questioning of the Church's authority on spiritual matters and governmental affairs. This loss of confidence led to major shifts of power away from the Church.[65] Under the popes from Pius IV Medici to Sixtus V, Rome became the centre of a reformed Catholicism and saw the building of new monuments which celebrated the papacy.[67] The popes and cardinals of the 17th and early 18th centuries continued the movement by having the city's landscape enriched with baroque buildings.[67]

This was another nepotistic age; the new aristocratic families (Barberini, Pamphili, Chigi, Rospigliosi, Altieri, Odescalchi) were protected by their respective popes, who built huge baroque palazzi for their relatives.[67] During the Age of Enlightenment, new ideas reached the Eternal City, where the papacy supported archaeological studies and improved the people's welfare.[65] But not everything went well for the Church during the Counter-Reformation. There were setbacks in the attempts to assert the Church's power, a notable example being in 1773 when Pope Clement XIV was forced by secular powers to have the Jesuit order suppressed.[65]

Late modern and contemporary

The rule of the Popes was interrupted by the short-lived Roman Republic (1798–1800), which was established under the influence of the French Revolution. The Papal States were restored in June 1800, but during Napoleon's reign Rome was annexed as a Département of the French Empire: first as Département du Tibre (1809–1810) and then as Département Rome (1810–1814). After the fall of Napoleon, the Papal States were reconstituted by a decision of the Congress of Vienna of 1814.

In 1849, a second Roman Republic was proclaimed during a year of revolutions in 1848. Two of the most influential figures of the Italian unification, Giuseppe Mazzini and Giuseppe Garibaldi, fought for the short-lived republic.

Rome then became the focus of hopes of Italian reunification after the rest of Italy was united as the Kingdom of Italy in 1861 with the temporary capital in Florence. That year Rome was declared the capital of Italy even though it was still under the Pope's control. During the 1860s, the last vestiges of the Papal States were under French protection thanks to the foreign policy of Napoleon III. French troops were stationed in the region under Papal control. In 1870 the French troops were withdrawn due to the outbreak of the Franco-Prussian War. Italian troops were able to capture Rome entering the city through a breach near Porta Pia. Pope Pius IX declared himself a prisoner in the Vatican. In 1871 the capital of Italy was moved from Florence to Rome.[68] In 1870 the population of the city was 212,000, all of whom lived with the area circumscribed by the ancient city, and in 1920, the population was 660,000. A significant portion lived outside the walls in the north and across the Tiber in the Vatican area.

Soon after World War I in late 1922 Rome witnessed the rise of Italian Fascism led by Benito Mussolini, who led a march on the city. He did away with democracy by 1926, eventually declaring a new Italian Empire and allying Italy with Nazi Germany in 1938. Mussolini demolished fairly large parts of the city centre in order to build wide avenues and squares which were supposed to celebrate the fascist regime and the resurgence and glorification of classical Rome.[69] The interwar period saw a rapid growth in the city's population which surpassed one million inhabitants soon after 1930. During World War II, due to the art treasuries and the presence of the Vatican, Rome largely escaped the tragic destiny of other European cities. However, on 19 July 1943, the San Lorenzo district was subject to Allied bombing raids, resulting in about 3,000 fatalities and 11,000 injuries, of whom another 1,500 died.[70] Mussolini was arrested on 25 July 1943. On the date of the Italian Armistice 8 September 1943 the city was occupied by the Germans. Allied bombing raids continued throughout 1943 and extended into 1944. Rome was liberated on 4 June 1944.

Rome developed greatly after the war as part of the "Italian economic miracle" of post-war reconstruction and modernisation in the 1950s and early 1960s. During this period, the years of la dolce vita ("the sweet life"), Rome became a fashionable city, with popular classic films such as Ben Hur, Quo Vadis, Roman Holiday and La Dolce Vita filmed in the city's iconic Cinecittà Studios. The rising trend in population growth continued until the mid-1980s when the comune had more than 2.8 million residents. After this, the population declined slowly as people began to move to nearby suburbs.

Geography

Location

Rome is in the Lazio region of central Italy on the Tiber (Italian: Tevere) river. The original settlement developed on hills that faced onto a ford beside the Tiber Island, the only natural ford of the river in this area. The Rome of the Kings was built on seven hills: the Aventine Hill, the Caelian Hill, the Capitoline Hill, the Esquiline Hill, the Palatine Hill, the Quirinal Hill, and the Viminal Hill. Modern Rome is also crossed by another river, the Aniene, which flows into the Tiber north of the historic centre.

Although the city centre is about 24 km (15 mi) inland from the Tyrrhenian Sea, the city territory extends to the shore, where the south-western district of Ostia is located. The altitude of the central part of Rome ranges from 13 m (43 ft) above sea level (at the base of the Pantheon) to 139 m (456 ft) above sea level (the peak of Monte Mario).[71] The Comune of Rome covers an overall area of about 1,285 km2 (496 sq mi), including many green areas.

Parks and gardens

Public parks and nature reserves cover a large area in Rome, and the city has one of the largest areas of green space among European capitals.[72] The most notable part of this green space is represented by the large number of villas and landscaped gardens created by the Italian aristocracy. While most of the parks surrounding the villas were destroyed during the building boom of the late 19th century, some of them remain. The most notable of these are the Villa Borghese, Villa Ada, and Villa Doria Pamphili. Villa Doria Pamphili is west of the Janiculum Hill, comprising some 1.8 km2 (0.7 sq mi). The Villa Sciarra is on the hill, with playgrounds for children and shaded walking areas. In the nearby area of Trastevere, the Orto Botanico (Botanical Garden) is a cool and shady green space. The old Roman hippodrome (Circus Maximus) is another large green space: it has few trees but is overlooked by the Palatine and the Rose Garden ('roseto comunale'). Nearby is the lush Villa Celimontana, close to the gardens surrounding the Baths of Caracalla. The Villa Borghese garden is the best known large green space in Rome, with famous art galleries among its shaded walks. Overlooking Piazza del Popolo and the Spanish Steps are the gardens of the Pincio and Villa Medici. There is also a notable pine wood at Castelfusano, near Ostia. Rome also has a number of regional parks of much more recent origin, including the Pineto Regional Park and the Appian Way Regional Park. There are also nature reserves at Marcigliana and at Tenuta di Castelporziano.

Climate

Rome has a Mediterranean climate (Köppen climate classification: Csa),[73] with hot, dry summers and mild, humid winters.

Its average annual temperature is above 21 °C (70 °F) during the day and 9 °C (48 °F) at night. In the coldest month, January, the average temperature is 12.6 °C (54.7 °F) during the day and 2.1 °C (35.8 °F) at night. In the warmest month, August, the average temperature is 31.7 °C (89.1 °F) during the day and 17.3 °C (63.1 °F) at night.

December, January and February are the coldest months, with a daily mean temperature of approximately 8 °C (46 °F). Temperatures during these months generally vary between 10 and 15 °C (50 and 59 °F) during the day and between 3 and 5 °C (37 and 41 °F) at night, with colder or warmer spells occurring frequently. Snowfall is rare but not unheard of, with light snow or flurries occurring on some winters, generally without accumulation, and major snowfalls on a very rare occurrence (the most recent ones were in 2018, 2012 and 1986).[74]

The average relative humidity is 75%, varying from 72% in July to 77% in November. Sea temperatures vary from a low of 13.9 °C (57.0 °F) in February to a high of 25.0 °C (77.0 °F) in August.[75]

The highest temperature ever recorded in Rome was 42.9 °C (109.2 °F) on 18 July 2023.[76]

Climate data for Rome Urbe Airport (1991–2020 averages, extremes 1862–present)
Month Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec Year
Record high °C (°F) 20.2
(68.4)
23.6
(74.5)
27.0
(80.6)
30.1
(86.2)
34.5
(94.1)
40.1
(104.2)
42.9
(109.2)
40.7
(105.3)
38.4
(101.1)
32.4
(90.3)
26.8
(80.2)
22.8
(73.0)
42.9
(109.2)
Mean maximum °C (°F) 16.4
(61.5)
18.2
(64.8)
21.9
(71.4)
25.4
(77.7)
30.1
(86.2)
34.6
(94.3)
37.5
(99.5)
37.8
(100.0)
33.2
(91.8)
28.1
(82.6)
21.6
(70.9)
17.3
(63.1)
38.6
(101.5)
Mean daily maximum °C (°F) 12.6
(54.7)
13.8
(56.8)
16.8
(62.2)
20.0
(68.0)
24.8
(76.6)
29.5
(85.1)
32.6
(90.7)
32.7
(90.9)
27.9
(82.2)
22.8
(73.0)
17.1
(62.8)
13.2
(55.8)
22.0
(71.6)
Daily mean °C (°F) 7.9
(46.2)
8.6
(47.5)
11.2
(52.2)
14.2
(57.6)
18.7
(65.7)
23.1
(73.6)
26.0
(78.8)
26.1
(79.0)
21.9
(71.4)
17.4
(63.3)
12.4
(54.3)
8.7
(47.7)
16.4
(61.5)
Mean daily minimum °C (°F) 3.2
(37.8)
3.4
(38.1)
5.6
(42.1)
8.3
(46.9)
12.5
(54.5)
16.7
(62.1)
19.3
(66.7)
19.5
(67.1)
15.9
(60.6)
12.1
(53.8)
7.7
(45.9)
4.2
(39.6)
10.7
(51.3)
Mean minimum °C (°F) −2.5
(27.5)
−2.1
(28.2)
−0.4
(31.3)
2.8
(37.0)
7.1
(44.8)
11.3
(52.3)
14.4
(57.9)
14.6
(58.3)
10.8
(51.4)
6.5
(43.7)
1.5
(34.7)
−1.6
(29.1)
−3.8
(25.2)
Record low °C (°F) −9.8
(14.4)
−9.0
(15.8)
−6.0
(21.2)
−2.5
(27.5)
−0.4
(31.3)
6.0
(42.8)
9.8
(49.6)
8.6
(47.5)
5.4
(41.7)
−2.7
(27.1)
−7.2
(19.0)
−5.4
(22.3)
−9.8
(14.4)
Average precipitation mm (inches) 65.6
(2.58)
62.8
(2.47)
58.6
(2.31)
68.6
(2.70)
56.9
(2.24)
30.1
(1.19)
19.8
(0.78)
30.2
(1.19)
64.9
(2.56)
88.1
(3.47)
108.2
(4.26)
98.3
(3.87)
752.0
(29.61)
Average precipitation days (≥ 1 mm) 7.5 7.4 6.9 7.4 5.5 3.4 2.2 2.2 6.0 7.3 8.8 9.4 74.0
Average relative humidity (%) 75.8 71.5 70.6 70.4 69.0 65.4 63.3 64.1 69.1 74.0 77.9 77.2 70.7
Average dew point °C (°F) 3.9
(39.0)
3.5
(38.3)
5.8
(42.4)
8.5
(47.3)
12.1
(53.8)
15.1
(59.2)
16.9
(62.4)
17.7
(63.9)
15.5
(59.9)
12.9
(55.2)
9.3
(48.7)
5.2
(41.4)
10.5
(50.9)
Mean monthly sunshine hours 155.9 171.9 203.1 221.1 276.5 298.8 337.6 320.2 237.9 200.6 153.3 146.9 2,723.9
Percentage possible sunshine 53 58 55 56 61 65 73 75 63 58 51 51 60
Source: National Oceanic and Atmospheric Administration (NOAA)[77]
Climate data for Rome Ciampino Airport, elevation: 129 m or 423 ft, 1991–2020 normals, extremes 1944–present
Month Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec Year
Record high °C (°F) 20.8
(69.4)
23.0
(73.4)
26.6
(79.9)
30.0
(86.0)
34.2
(93.6)
39.3
(102.7)
42.9
(109.2)
40.6
(105.1)
40.0
(104.0)
32.0
(89.6)
26.1
(79.0)
21.2
(70.2)
40.6
(105.1)
Mean daily maximum °C (°F) 12.0
(53.6)
13.0
(55.4)
15.8
(60.4)
18.8
(65.8)
22.3
(72.1)
28.1
(82.6)
31.0
(87.8)
31.6
(88.9)
26.7
(80.1)
22.2
(72.0)
16.9
(62.4)
12.7
(54.9)
21.0
(69.8)
Daily mean °C (°F) 7.5
(45.5)
8.0
(46.4)
10.7
(51.3)
13.6
(56.5)
18.0
(64.4)
22.5
(72.5)
25.1
(77.2)
25.4
(77.7)
21.0
(69.8)
17.0
(62.6)
12.4
(54.3)
8.5
(47.3)
15.8
(60.4)
Mean daily minimum °C (°F) 3.4
(38.1)
3.4
(38.1)
5.9
(42.6)
8.6
(47.5)
12.6
(54.7)
16.7
(62.1)
19.3
(66.7)
19.8
(67.6)
16.0
(60.8)
12.4
(54.3)
8.5
(47.3)
4.7
(40.5)
10.9
(51.6)
Record low °C (°F) −11.0
(12.2)
−6.9
(19.6)
−6.5
(20.3)
−2.4
(27.7)
1.8
(35.2)
5.6
(42.1)
9.1
(48.4)
9.3
(48.7)
4.3
(39.7)
0.8
(33.4)
−5.2
(22.6)
−6.6
(20.1)
−11.0
(12.2)
Average precipitation mm (inches) 65.6
(2.58)
62.8
(2.47)
58.6
(2.31)
68.6
(2.70)
56.9
(2.24)
30.1
(1.19)
19.8
(0.78)
30.2
(1.19)
64.9
(2.56)
88.1
(3.47)
108.2
(4.26)
98.3
(3.87)
752.0
(29.61)
Average precipitation days (≥ 1.0 mm) 7.40 7.48 6.85 7.42 5.54 3.38 2.16 2.20 6.00 7.32 8.84 9.44 74.03
Average relative humidity (%) 75.8 71.5 70.6 70.4 69.0 65.4 63.3 64.1 69.1 74.0 77.9 77.2 70.7
Average dew point °C (°F) 3.9
(39.0)
3.5
(38.3)
5.8
(42.4)
8.5
(47.3)
12.1
(53.8)
15.1
(59.2)
16.9
(62.4)
17.7
(63.9)
15.5
(59.9)
12.9
(55.2)
9.3
(48.7)
5.2
(41.4)
10.5
(50.9)
Mean monthly sunshine hours 155.9 171.9 203.1 221.1 276.5 298.8 337.6 320.2 237.9 200.6 153.3 146.9 2,723.9
Percentage possible sunshine 53 58 55 56 61 65 73 75 63 58 51 51 60
Source 1: NOAA[78]
Source 2: Temperature extreme in Toscana[79]

[76]

Demographics

Historical population
Year Pop. ±%
1871 212,386
1881 273,893 +29.0%
1901 422,319 +54.2%
1911 518,804 +22.8%
1921 660,091 +27.2%
1931 930,723 +41.0%
1936 1,150,338 +23.6%
1951 1,632,402 +41.9%
1961 2,163,555 +32.5%
1971 2,750,370 +27.1%
1981 2,805,109 +2.0%
1991 2,733,908 −2.5%
2001 2,546,804 −6.8%
2011 2,617,175 +2.8%
2019 2,860,009 +9.3%
2021 2,749,031 −3.9%
Source: ISTAT[80][81]

By 550 BC, Rome was the second largest city in Italy after only Taras (modern Taranto) on the Salento Peninsula.[82] It had an area of about 285 ha (700 acres) and an estimated population of 35,000. Other sources suggest the population was just under 100,000 from 600 to 500 BC.[83][84] When the Republic was founded in 509 BC the census recorded a population of 130,000.[85] The republic included the city itself and the immediate surroundings. Other sources suggest a population of 150,000 in 500 BC. It surpassed 300,000 by 150 BC.[86]

The size of the city at the time of the Emperor Augustus is a matter of speculation, with estimates based on grain distribution, grain imports, aqueduct capacity, city limits, population density, census reports, and assumptions about the number of unreported women, children and slaves providing a very wide range. Glenn Storey estimates 450,000 people, Whitney Oates estimates 1.2 million, Neville Morely provides a rough estimate of 800,000 and excludes earlier suggestions of 2 million.[87] Estimates of the city's population towards and after the end of the Roman empire also vary. A.H.M. Jones estimated the population at 650,000 in the mid-fifth century. The damage caused by the sackings may have been overestimated. The population had already started to decline from the late fourth century onward, although around the middle of the fifth century it seems that Rome continued to be the most populous city of the two parts of the Empire.[88] According to Krautheimer it was still close to 800,000 in 400 AD; had declined to 500,000 by 452, and dwindled to perhaps 100,000 in 500 AD. After the Gothic Wars, 535–552, the population may have dwindled temporarily to 30,000. During the pontificate of Pope Gregory I (590–604), it may have reached 90,000, augmented by refugees.[89] Lancon estimates 500,000 based on the number of 'incisi' enrolled as eligible to receive bread, oil and wine rations; the number fell to 120,000 in the reform of 419.[90] Neil Christie, citing free rations for the poorest, estimated 500,000 in the mid-fifth century and still a quarter of a million at the end of the century.[91] Novel 36 of Emperor Valentinian III records 3.629 million pounds of pork to be distributed to the needy at 5 lbs. per month for the five winter months, sufficient for 145,000 recipients. This has been used to suggest a population of just under 500,000. Supplies of grain remained steady until the seizure of the remaining provinces of North Africa in 439 by the Vandals, and may have continued to some degree afterwards for a while. The city's population declined to less than 50,000 people in the Early Middle Ages from 700 onward. It continued to stagnate or shrink until the Renaissance.[92]

When the Kingdom of Italy annexed Rome in 1870, the city had a population of about 225,000. Less than half the city within the walls was built up in 1881 when the population recorded was 275,000. This increased to 600,000 by the eve of World War I. The Fascist regime of Mussolini tried to block an excessive demographic rise of the city but failed to prevent it from reaching one million people by the early 1930s. Population growth continued after the Second World War, helped by a post-war economic boom. A construction boom also created many suburbs during the 1950s and 1960s.

In mid-2010, there were 2,754,440 residents in the city proper, while some 4.2 million people lived in the greater Rome area (which can be approximately identified with its administrative metropolitan city, with a population density of about 800 inhabitants/km2 stretching over more than 5,000 km2 (1,900 sq mi)). Minors (children ages 18 and younger) totalled 17.00% of the population compared to pensioners who number 20.76%. This compares with the Italian average of 18.06% (minors) and 19.94% (pensioners). The average age of a Roman resident is 43 compared to the Italian average of 42. In the five years between 2002 and 2007, the population of Rome grew by 6.54%, while Italy as a whole grew by 3.56%.[93] The current birth rate of Rome is 9.10 births per 1,000 inhabitants compared to the Italian average of 9.45 births.

The urban area of Rome extends beyond the administrative city limits with a population of around 3.9 million.[94] Between 3.2 and 4.2 million people live in the Rome metropolitan area.[95]

Origin groups

According to the 2011 statistics conducted by ISTAT,[96] approximately 9.5% of the population consists of non-Italians. About half of the immigrant population consists of those of various other European origins (chiefly Romanian, Polish, Ukrainian, and Albanian) numbering a combined total of 131,118 or 4.7% of the population. The remaining 4.8% are those with non-European origins, chiefly Filipinos (26,933), Bangladeshis (12,154), and Chinese (10,283).

The Esquilino rione, off Termini Railway Station, has evolved into a largely immigrant neighbourhood. It is perceived as Rome's Chinatown. Immigrants from more than a hundred different countries reside there. A commercial district, Esquilino contains restaurants featuring many kinds of international cuisine. There are wholesale clothes shops. Of the 1,300 or so commercial premises operating in the district 800 are Chinese-owned; around 300 are run by immigrants from other countries around the world; 200 are owned by Italians.[97]

Summary table

Country of citizenship, 1 January 2023 Population[98]
All countries of the world 511,332
European Union (28 countries) 193,427
Other European non-EU-28 countries 61,566
Northern Africa 31,237
Western Africa 20,489
Eastern Africa 8,568
Central and South Africa 2,845
Western Asia 9,073
Eastern Asia 65,431
Central and South Asia 74,060
Northern America 2,903
Central and South America 41,279
Oceania 303
Stateless 151

Language

Rome's historic contribution to language in a worldwide sense is extensive. Through the process of Romanization, the peoples of Italy, Gallia, the Iberian Peninsula and Dacia developed languages which derive directly from Latin and were adopted in large areas of the world, all through cultural influence, colonisation and migration. Moreover, also modern English, because of the Norman Conquest, borrowed a large percentage of its vocabulary from the Latin language. The Roman or Latin alphabet is the most widely used writing system in the world used by the greatest number of languages.[99]

The medieval Roman dialect belonged to the southern family of Italian dialects, and was thus much closer to the Neapolitan language than to the Florentine.[100][101] A typical example of Romanesco of that period is Vita di Cola di Rienzo ("Life of Cola di Rienzo"), written by an anonymous Roman during the 14th century.[100] Starting with the 16th century, the Roman dialect underwent a stronger and stronger influence from the Tuscan dialect (from which modern Italian derives) starting with the reigns of the two Medici popes (Leo X and Clement VII) and with the Sack of Rome in 1527, two events which provoked a large immigration from Tuscany.[102][103] Therefore, current Romanesco has grammar and roots that are rather different from other dialects in Central Italy.[103]

Religion

Much like the rest of Italy, Rome is predominantly Christian, and the city has been an important centre of religion and pilgrimage for centuries, the base of the ancient Roman religion with the pontifex maximus and later the seat of the Vatican and the pope. Before the arrival of the Christians in Rome, the Religio Romana (literally, the "Roman Religion") was the major religion of the city in classical antiquity. The first gods held sacred by the Romans were Jupiter, the Most High, and Mars, the god of war, and father of Rome's twin founders, Romulus and Remus, according to tradition. Other deities such as Vesta and Minerva were honoured. Rome was also the base of several mystery cults, such as Mithraism. Later, after St Peter and St Paul were martyred in the city, and the first Christians began to arrive, Rome became Christian, and the Old St. Peter's Basilica was constructed in 313 AD. Despite some interruptions (such as the Avignon papacy), Rome has for centuries been the home of the Roman Catholic Church and the Bishop of Rome, otherwise known as the Pope.

Despite the fact that Rome is home to the Vatican City and St. Peter's Basilica, Rome's cathedral is the Archbasilica of Saint John Lateran, in the south-east of the city centre. There are around 900 churches in Rome in total. Aside from the cathedral itself, some others of note include the Basilica di Santa Maria Maggiore, the Basilica of Saint Paul Outside the Walls, the Basilica di San Clemente, San Carlo alle Quattro Fontane and the Church of the Gesù. There are also the ancient Catacombs of Rome underneath the city. Numerous highly important religious educational institutions are also in Rome, such as the Pontifical Lateran University, Pontifical Biblical Institute, Pontifical Gregorian University, and Pontifical Oriental Institute.

The territory of Vatican City is part of the Mons Vaticanus (Vatican Hill), and of the adjacent former Vatican Fields, where St. Peter's Basilica, the Apostolic Palace, the Sistine Chapel, and museums were built, along with various other buildings. The area was part of the Roman rione of Borgo until 1929. Being separated from the city on the west bank of the Tiber, the area was a suburb that was protected by being included within the walls of Leo IV, later expanded by the current fortification walls of Paul III, Pius IV, and Urban VIII. When the Lateran Treaty of 1929 that created the Vatican state was being prepared, the boundaries of the proposed territory were influenced by the fact that much of it was all but enclosed by this loop.

Rome has been a major Christian pilgrimage site since the Middle Ages. People from all over the Christian world visit Vatican City, within the city of Rome, the seat of the papacy. The city became a major pilgrimage site during the Middle Ages. Apart from brief periods as an independent city during the Middle Ages, Rome kept its status as Papal capital and holy city for centuries, even when the Papacy briefly relocated to Avignon (1309–1377). The Vatican is the last resting place of St. Peter. Pilgrimages to Rome can involve visits to many sites, both within Vatican City and in Italian territory. A popular stopping point is the Pilate's stairs: these are, according to the Christian tradition, the steps that led up to the praetorium of Pontius Pilate in Jerusalem, which Jesus Christ stood on during his Passion on his way to trial.[104]

In addition, since the end of the Roman Republic, Rome has hosted a Jewish community,[105] which was once based in Trastevere, and later confined to living in a ghetto that was eventually abolished in 1870. In the area of the former ghetto lies the synagogue, the Tempio Maggiore.

Rome also hosts multiple Buddhist temples,[106] and a variety of Roman modern pagan temples [107] held by the Associazione Tradizionale Pietas which every year takes part in the religious festivities of the Natale di Roma, historically known as Dies Romana and also referred to as Romaia, the festival linked to the foundation of Rome, celebrated on 21 April.[108] According to legend, Romulus is said to have founded the city of Rome on 21 April, 753 BC. From this date, the Roman chronology derived its system, known by the Latin phrase Ab Urbe condita, meaning "from the founding of the City", which counted the years from this presumed foundation.

Government

Rome constitutes a comune speciale, named "Roma Capitale",[109] and is the largest both in terms of land area and population among the 8,101 comuni of Italy. It is governed by a mayor and a city council. The seat of the comune is the Palazzo Senatorio on the Capitoline Hill, the historic seat of the city government. The local administration in Rome is commonly referred to as "Campidoglio", the Italian name of the hill. Palazzo Senatorio, seat of the municipality of Rome, has been a town hall since AD 1144, making it the oldest town hall in the world.[110]

Since 1972, the city has been divided into administrative areas, called municipi (sing. municipio) (until 2001 named circoscrizioni).[111] They were created for administrative reasons to increase decentralisation in the city. Each municipio is governed by a president and a council of twenty-five members who are elected by its residents every five years. The municipi frequently cross the boundaries of the traditional, non-administrative divisions of the city. The municipi were originally 20, then 19,[112] and in 2013, their number was reduced to 15.[113]

Rome is also divided into differing types of non-administrative units. The historic centre is divided into 22 rioni, all of which are located within the Aurelian Walls except Prati and Borgo. These originate from the 14 regions of Augustan Rome, which evolved in the Middle Ages into the medieval rioni.[114] In the Renaissance, under Pope Sixtus V, they again reached fourteen, and their boundaries were finally defined under Pope Benedict XIV in 1743.

Rome is the principal town of the Metropolitan City of Rome, operative since 1 January 2015. The Metropolitan City replaced the old provincia di Roma, which included the city's metropolitan area and extends further north until Civitavecchia. The Metropolitan City of Rome is the largest by area in Italy. At 5,352 km2 (2,066 sq mi), its dimensions are comparable to the region of Liguria. Moreover, the city is also the capital of the Lazio region.[115]

Rome is the national capital of Italy and is the seat of the Italian Government. The official residences of the President of the Italian Republic and the Italian Prime Minister, the seats of both houses of the Italian Parliament and that of the Italian Constitutional Court are located in the historic centre. The state ministries are spread out around the city; these include the Ministry of Foreign Affairs, which is located in Palazzo della Farnesina near the Olympic stadium.

International relations

Among the global cities, Rome is unique in having two sovereign entities located entirely within its city limits, the Holy See, represented by the Vatican City State, and the territorially smaller Sovereign Military Order of Malta. The Vatican is an enclave of the Italian capital city and a sovereign possession of the Holy See, which is the Diocese of Rome and the supreme government of the Roman Catholic Church. For this reason, Rome has sometimes been described as the capital of two states.[116][117] Rome is the seat of the so-called "Polo Romano" made up by three main international agencies of the United Nations: the Food and Agriculture Organization, the World Food Programme and the International Fund for Agricultural Development.[118]

Rome has traditionally been involved in the process of European political integration. The Treaties of the EU are located in Palazzo della Farnesina. In 1957 the city hosted the signing of the Treaty of Rome, which established the European Economic Community (predecessor to the European Union), and also played host to the official signing of the proposed European Constitution in July 2004. Rome is the seat of the European Olympic Committee and of the NATO Defense College. The city is the place where the Statute of the International Criminal Court and the European Convention on Human Rights were formulated. The city hosts also other important international entities such as the International Development Law Organization, the International Centre for the Study of the Preservation and Restoration of Cultural Property and the UNIDROIT (International Institute for the Unification of Private Law).

Twin towns and sister cities

Since April 1956, Rome is exclusively and reciprocally twinned with Paris, France

Solo Parigi è degna di Roma; solo Roma è degna di Parigi. (in Italian)
Seule Paris est digne de Rome; seule Rome est digne de Paris. (in French)
"Only Paris is worthy of Rome; only Rome is worthy of Paris."[119]

Rome's other partner cities are:[120]

Economy

As the capital of Italy, Rome hosts the country's principal political institutions, including the Presidency of the Republic, the government and its ministries, the Parliament, and the country's highest judicial institutions. The city is also home to the diplomatic missions accredited to Italy and to the Holy See. Rome hosts numerous international institutions and cultural and scientific organisations, including the American Academy in Rome, the British School at Rome, the French Academy at Rome, the German Archaeological Institute, and several Scandinavian research institutes. There are also several specialised agencies and organisations of the United Nations based in Rome, notably the Food and Agriculture Organization (FAO), the International Fund for Agricultural Development (IFAD), and the World Food Programme (WFP). Rome is also home to the NATO Defense College and the International Centre for the Study of the Preservation and Restoration of Cultural Property (ICCROM).

According to the Globalization and World Cities Research Network (GaWC), Rome was classified as a "Beta+" world city in 2024.[136] In the 2025 Kearney Global Cities Index, Rome ranked 27th worldwide, rising four places from 31st in 2024 and ranking ahead of Milan, which placed 30th.[137]

Rome's economy is predominantly service-based, with major sectors including public administration, tourism, commerce, finance and insurance, information technology, telecommunications, aerospace and defence, research, construction, media, and the creative industries. The city is also an important centre for energy, transport, professional services, and higher education. Rome hosts the headquarters of several of Italy's largest companies, including Enel, Eni, Leonardo, Poste Italiane, and Ferrovie dello Stato Italiane.

Leonardo da Vinci–Fiumicino Airport, the principal airport serving Rome, is the busiest airport in Italy. In 2025, it handled approximately 50.9 million arriving and departing passengers, exceeding the 50-million-passenger threshold for the first time; including direct transit passengers, total traffic amounted to approximately 51.3 million.[138] It is also one of Europe's major international aviation hubs. And for the eighth time since 2018, and for the fifth consecutive year, ACI has ranked the airport as the best airport in Europe.[139]

Rome is an important centre for higher education, research, broadcasting, and film production. The city is home to Cinecittà, one of the principal centres of the Italian film industry, which has operated since its establishment in the 1930s.

The city's principal concentrations of modern office, commercial, and business activity include EUR, Torrino, Magliana, Parco de' Medici, and the Tiburtina Valley, particularly along the Via Tiburtina. Other important concentrations of economic and professional activity are found in the city centre and in areas such as Ostiense and Flaminio.

Tourism

Rome today is one of the most important tourist destinations of the world, due to the incalculable immensity of its archaeological and artistic treasures, as well as for the charm of its unique traditions, the beauty of its panoramic views, and the majesty of its magnificent "villas" (parks). Among the most significant resources are the many museums – Capitoline Museums, the Vatican Museums and the Galleria Borghese and others dedicated to modern and contemporary art – aqueducts, fountains, churches, palaces, historical buildings, the monuments and ruins of the Roman Forum, and the Catacombs. Rome is the third most visited city in the EU, after London and Paris, and receives an average of 7–10 million tourists a year, which sometimes doubles on holy years. The Colosseum (4 million tourists) and the Vatican Museums (4.2 million tourists) are the 39th and 37th (respectively) most visited places in the world, according to a recent study.[140]

Rome is a major archaeological hub, and one of the world's main centres of archaeological research. There are numerous cultural and research institutes located in the city, such as the American Academy in Rome,[141] and The Swedish Institute at Rome.[142] Rome contains numerous ancient sites, including the Forum Romanum, Trajan's Market, Trajan's Forum,[143] the Colosseum, and the Pantheon, to name but a few. The Colosseum, arguably one of Rome's most iconic archaeological sites, is regarded as a wonder of the world.[144][145]

Rome contains a vast collection of art, sculpture, fountains, mosaics, frescos, and paintings, from all different periods. Rome first became a major artistic centre during ancient Rome, with forms of important Roman art such as architecture, painting, sculpture and mosaic work. Metal-work, coin die and gem engraving, ivory carvings, figurine glass, pottery, and book illustrations are considered to be 'minor' forms of Roman artwork.[146] Rome later became a major centre of Renaissance art, since the popes spent vast sums of money for the constructions of grandiose basilicas, palaces, piazzas and public buildings in general. Rome became one of Europe's major centres of Renaissance artwork along with Florence, and able to compare to other major cities and cultural centres, such as Paris and Venice. Some of the greatest artists of this time found work in Rome: Michelangelo, Raffaello Sanzio, Donato Bramante, Sandro Botticelli, Ghirlandaio, Piero della Francesca, Pietro Perugino, Cosimo Rosselli, Gentile da Fabriano, Beato Angelico, Leon Battista Alberti, Giovanni Battista Penni, Giulio Romano, Rosso Fiorentino, Parmigianino, Bernardo Rossellino, Benozzo Gozzoli, Pisanello and others. The city was affected greatly by the baroque, and Rome became the home of numerous artists and architects, such as Bernini, Caravaggio, Carracci, Borromini, Stefano Maderno, Francesco Mochi, Domenichino, Pietro Paolo Rubens, Guido Reni, Diego Velázquez, Artemisia Gentileschi, Orazio Gentileschi, Andrea Pozzo, Baciccia and Cortona.[147]

In the late 18th century and early 19th century, the city was one of the centres of the Grand Tour,[148] when wealthy, young English and other European aristocrats visited the city to learn about ancient Roman culture, art, philosophy, and architecture. Rome hosted a great number of neoclassical and rococo artists, such as Pannini and Bernardo Bellotto. Today, the city is a major artistic centre, with numerous art institutes[149] and museums.

Rome has a growing stock of contemporary and modern art and architecture. The National Gallery of Modern Art has works by Balla, Morandi, Pirandello, Carrà, De Chirico, De Pisis, Guttuso, Fontana, Burri, Mastroianni, Turcato, Kandisky, and Cézanne on permanent exhibition. 2010 saw the opening of Rome's newest arts foundation, a contemporary art and architecture gallery designed by acclaimed Iraqi architect Zaha Hadid. Known as MAXXI – National Museum of the 21st Century Arts it restores a dilapidated area with striking modern architecture. Maxxi[150] features a campus dedicated to culture, experimental research laboratories, international exchange and study and research. It is one of Rome's most ambitious modern architecture projects alongside Renzo Piano's Auditorium Parco della Musica[151] and Massimiliano Fuksas' Rome Convention Center, Centro Congressi Italia EUR, in the EUR district, due to open in 2016.[152] The convention centre features a huge translucent container inside which is suspended a steel and teflon structure resembling a cloud and which contains meeting rooms and an auditorium with two piazzas open to the neighbourhood on either side.

Education

Rome is a nationwide and major international centre for higher education, containing numerous academies, colleges and universities. It boasts a large variety of academies and colleges, and has always been a major worldwide intellectual and educational centre, especially during Ancient Rome and the Renaissance, along with Florence.[153] According to the City Brands Index, Rome is considered the world's second most historically, educationally and culturally interesting and beautiful city.[154]

Rome has many universities and colleges. Its first university, La Sapienza (founded in 1303), is one of the largest in the world, with more than 140,000 students attending; in 2005 it ranked as Europe's 33rd best university[155] and in 2013 the Sapienza University of Rome ranked as the 62nd in the world and the top in Italy in its World University Rankings,[156] and has been ranked among Europe's 50 and the world's 150 best colleges.[157] In order to decrease the overcrowding of La Sapienza, two new public universities were founded during the last decades: Tor Vergata in 1982, and Roma Tre in 1992. Rome hosts also the LUISS School of Government,[158] Italy's most important graduate university in the areas of international affairs and European studies as well as LUISS Business School, Italy's most important business school. Rome ISIA was founded in 1973 by Giulio Carlo Argan and is Italy's oldest institution in the field of industrial design.

Rome contains many pontifical universities and other institutes, including the British School at Rome, the French Academy in Rome, the Pontifical Gregorian University (the oldest Jesuit university in the world, founded in 1551), Istituto Europeo di Design, the Scuola Lorenzo de' Medici, the Link Campus of Malta, and the Università Campus Bio-Medico. Rome is also the location of two American Universities; The American University of Rome[159] and John Cabot University as well as St. John's University branch campus, John Felice Rome Center, a campus of Loyola University Chicago and Temple University Rome, a campus of Temple University.[160] The Roman Colleges are several seminaries for students from foreign countries studying for the priesthood at the Pontifical Universities.[161] Examples include the Venerable English College, the Pontifical North American College, the Scots College, and the Pontifical Croatian College of St. Jerome. Rome's major libraries include: the Biblioteca Angelica, opened in 1604, making it Italy's first public library; the Biblioteca Vallicelliana, established in 1565; the Biblioteca Casanatense, opened in 1701; the National Central Library, one of the two national libraries in Italy, which contains 4,126,002 volumes; The Biblioteca del Ministero degli Affari Esteri, specialised in diplomacy, foreign affairs and modern history; the Biblioteca dell'Istituto dell'Enciclopedia Italiana; the Biblioteca Don Bosco, one of the largest and most modern of all Salesian libraries; the Biblioteca e Museo teatrale del Burcardo, a museum-library specialised in history of drama and theatre; the Biblioteca della Società Geografica Italiana, which is based in the Villa Celimontana and is the most important geographical library in Italy, and one of Europe's most important;[162] and the Vatican Library, one of the oldest and most important libraries in the world, which was formally established in 1475, though in fact much older and has 75,000 codices, as well as 1.1 million printed books, which include some 8,500 incunabula.

There are also many specialist libraries attached to various foreign cultural institutes in Rome, among them that of the American Academy in Rome, the French Academy in Rome and the Bibliotheca Hertziana – Max Planck Institute of Art History, a German library, often noted for excellence in the arts and sciences.[163]

Culture

Architecture

The architecture of Rome over the centuries has greatly developed from Ancient Roman architecture to Italian modern and contemporary architecture. Rome was once the world's main epicentres of Classical architecture, developing new forms such as the arch, the dome and the vault. The Romanesque style in the 11th, 12th and 13th centuries was also widely used in Roman architecture, and later the city became one of the main centres of Renaissance and Baroque architecture.[164] Rome's cityscape is also widely Neoclassical and Fascist in style.

Fountains and aqueducts

Rome is a city known for its numerous fountains, built-in all different styles, from Classical and Medieval, to Baroque and Neoclassical. The city has had fountains for more than two thousand years, and they have provided drinking water and decorated the piazzas of Rome. During the Roman Empire, in 98 AD, according to Sextus Julius Frontinus, the Roman consul who was named curator aquarum or guardian of the water of the city, Rome had nine aqueducts which fed 39 monumental fountains and 591 public basins, not counting the water supplied to the Imperial household, baths, and owners of private villas. Each of the major fountains was connected to two different aqueducts, in case one was shut down for service.[165]

During the 17th and 18th century, the Roman popes reconstructed other degraded Roman aqueducts and built new display fountains to mark their termini, launching the golden age of the Roman fountain. The fountains of Rome, like the paintings of Rubens, were expressions of the new style of Baroque art. In these fountains, sculpture became the principal element, and the water was used simply to animate and decorate the sculptures. They, like baroque gardens, were "a visual representation of confidence and power".[166]

Statues

Rome is well known for its statues but, in particular, the talking statues of Rome. These are usually ancient statues which have become popular soapboxes for political and social discussion, and places for people to (often satirically) voice their opinions. There are two main talking statues: the Pasquino and the Marforio, yet there are four other noted ones: il Babuino, Madama Lucrezia, il Facchino and Abbot Luigi. Most of these statues are ancient Roman or classical, and most of them also depict mythical gods, ancient people or legendary figures; il Pasquino represents Menelaus, Abbot Luigi is an unknown Roman magistrate, il Babuino is supposed to be Silenus, Marforio represents Oceanus, Madama Lucrezia is a bust of Isis, and il Facchino is the only non-Roman statue, created in 1580, and not representing anyone in particular. They are often, due to their status, covered with placards or graffiti expressing political ideas and points of view. Other statues in the city, which are not related to the talking statues, include those of the Ponte Sant'Angelo, or several monuments scattered across the city, such as that to Giordano Bruno in the Campo de'Fiori.

Obelisks and columns

The city hosts eight ancient Egyptian and five ancient Roman obelisks, together with a number of more modern obelisks; there was also formerly (until 2005) an ancient Ethiopian obelisk in Rome.[167] The city contains some of obelisks in piazzas, such as in Piazza Navona, St Peter's Square, Piazza Montecitorio, and Piazza del Popolo, and others in villas, thermae parks and gardens, such as in Villa Celimontana, the Baths of Diocletian, and the Pincian Hill. Moreover, the centre of Rome hosts also Trajan's and Antonine Column, two ancient Roman columns with spiral relief. The Column of Marcus Aurelius is located in Piazza Colonna and it was built around AD 180 by Commodus in memory of his parents. The Column of Marcus Aurelius was inspired by Trajan's Column at Trajan's Forum, which is part of the Imperial Fora.[168]

Bridges

The city of Rome contains numerous famous bridges which cross the Tiber. The only bridge to remain unaltered until today from the classical age is Ponte dei Quattro Capi, which connects the Isola Tiberina with the left bank. The other surviving – albeit modified – ancient Roman bridges crossing the Tiber are Ponte Cestio, Ponte Sant'Angelo and Ponte Milvio. Considering Ponte Nomentano, also built during ancient Rome, which crosses the Aniene, currently there are five ancient Roman bridges still remaining in the city.[169] Other noteworthy bridges are Ponte Sisto, the first bridge built in the Renaissance above Roman foundations; Ponte Rotto, actually the only remaining arch of the ancient Pons Aemilius, collapsed during the flood of 1598 and demolished at the end of the 19th century; and Ponte Vittorio Emanuele II, a modern bridge connecting Corso Vittorio Emanuele and Borgo. Most of the city's public bridges were built in Classical or Renaissance style, but also in Baroque, Neoclassical and Modern styles. According to the Encyclopædia Britannica, the finest ancient bridge remaining in Rome is the Ponte Sant'Angelo, which was completed in 135 AD, and was decorated with ten statues of the angels, designed by Bernini in 1688.[170]

Catacombs

Rome has an extensive amount of ancient catacombs, or underground burial places under or near the city, of which there are at least forty, some discovered only in recent decades. Though most famous for Christian burials, they include pagan and Jewish burials, either in separate catacombs or mixed together. The first large-scale catacombs were excavated from the 2nd century onwards. Originally they were carved through tuff, a soft volcanic rock, outside the boundaries of the city, because Roman law forbade burial places within city limits. Currently, maintenance of the catacombs is in the hands of the Papacy which has invested in the Salesians of Don Bosco the supervision of the Catacombs of St. Callixtus on the outskirts of Rome.

Entertainment and performing arts

Rome is an important centre for music, and it has an intense musical scene, including several prestigious music conservatories and theatres. It hosts the Accademia Nazionale di Santa Cecilia (founded in 1585), for which new concert halls have been built in the new Parco della Musica, one of the largest musical venues in the world. Rome also has an opera house, the Teatro dell'Opera di Roma, as well as several minor musical institutions. The city also played host to the Eurovision Song Contest in 1991 and the MTV Europe Music Awards in 2004.

Rome has also had a major impact on music history. The Roman School was a group of composers of predominantly church music, which were active in the city during the 16th and 17th centuries, therefore spanning the late Renaissance and early Baroque eras. The term also refers to the music they produced. Many of the composers had a direct connection to the Vatican and the papal chapel, though they worked at several churches; stylistically they are often contrasted with the Venetian School of composers, a concurrent movement which was much more progressive. By far the most famous composer of the Roman School is Giovanni Pierluigi da Palestrina, whose name has been associated for four hundred years with smooth, clear, polyphonic perfection. However, there were other composers working in Rome, and in a variety of styles and forms.

Between 1960 and 1970 Rome was considered to be as a "new Hollywood" because of the many actors and directors who worked there; Via Vittorio Veneto had transformed into a glamour place where you could meet famous people.[171]

Fashion

Rome is also widely recognised as a world fashion capital. Although not as important as Milan, Rome is the fourth most important centre for fashion in the world, according to the 2009 Global Language Monitor after Milan, New York, and Paris, and beating London.[172]

Major luxury fashion houses and jewellery chains, such as Valentino, Bulgari, Fendi,[173] Laura Biagiotti, Brioni, and Renato Balestra, are headquartered or were founded in the city. Also, other major labels, such as Gucci, Chanel, Prada, Dolce & Gabbana, Armani, and Versace have luxury boutiques in Rome, primarily along its prestigious and upscale Via dei Condotti.

Cuisine

Rome's cuisine has evolved through centuries and periods of social, cultural, and political changes. Rome became a major gastronomical centre during the ancient age. Ancient Roman cuisine was highly influenced by Ancient Greek culture, and after, the empire's enormous expansion exposed Romans to many new, provincial culinary habits and cooking techniques.[174]

Later, during the Renaissance, Rome became well known as a centre of high-cuisine, since some of the best chefs of the time worked for the popes. An example of this was Bartolomeo Scappi, who was a chef working for Pius IV; he acquired fame in 1570 when his cookbook Opera dell'arte del cucinare was published. In the book he lists approximately 1,000 recipes of the Renaissance cuisine and describes cooking techniques and tools, giving the first known picture of a fork.[175]

The Testaccio, Rome's trade and slaughterhouse area, was often known as the "belly" or "slaughterhouse" of Rome, and was inhabited by butchers, or vaccinari.[176] The most common or ancient Roman cuisine included the "fifth quarter".[176] The old-fashioned coda alla vaccinara (oxtail cooked in the way of butchers)[176] is still one of the city's most popular meals and is part of most of Rome's restaurants' menus. Lamb is also a very popular part of Roman cuisine, and is often roasted with spices and herbs.[176]

In the modern age, the city developed its own peculiar cuisine, based on products of the nearby Campagna, globe artichokes are common.[177] In parallel, Roman Jews – present in the city since the 1st century BC – developed their own cuisine, the cucina giudaico-romanesca. The Roman cuisine widely use offal, resulting in dishes such as the entrail-based rigatoni with pajata sauce. Abbacchio is a meat dish based on lamb from the Roman cuisine.

Examples of Roman dishes include saltimbocca alla romana – a veal cutlet, Roman-style, topped with raw ham and sage and simmered with white wine and butter; carciofi alla romana – artichokes Roman-style, outer leaves removed, stuffed with mint, garlic, breadcrumbs and braised; carciofi alla giudia – artichokes fried in olive oil, typical of Roman Jewish cooking, outer leaves removed, stuffed with mint, garlic, breadcrumbs and braised; spaghetti alla carbonaraspaghetti with bacon, eggs and pecorino romano; spaghetti cacio e pepe – spaghetti with pecorino romano and black pepper; and gnocchi di semolino alla romanasemolina dumpling, Roman-style.[178]

Cinema

Rome hosts the Cinecittà Studios,[179] the largest film and television production facility in continental Europe and the centre of the Italian cinema, where many of today's biggest box office hits are filmed. The 99-acre (40 ha) studio complex is 9.0 km (5.6 mi) from the centre of Rome and is part of one of the biggest production communities in the world, second only to Hollywood, with well over 5,000 professionals – from period costume makers to visual effects specialists. More than 3,000 productions have been made on its lot.[180]

Founded in 1937 by Benito Mussolini, the studios were bombed by the Western Allies during the Second World War. In the 1950s, Cinecittà was the filming location for several large American film productions, and subsequently became the studio most closely associated with Federico Fellini. Today, Cinecittà is the only studio in the world with pre-production, production, and full post-production facilities on one lot, allowing directors and producers to walk in with their script and "walkout" with a completed film.

Sports

Association football is the most popular sport in Rome, as in the rest of the country. The city hosted the final games of the 1934 and 1990 FIFA World Cup. The latter took place in the Stadio Olimpico, which is also the shared home stadium for local Serie A clubs SS Lazio, founded in 1900, and AS Roma, founded in 1927, whose rivalry in the Derby della Capitale has become a staple of Roman sports culture.[181] Footballers who play for these teams and are also born in the city tend to become especially popular, as has been the case with players such as Francesco Totti and Daniele De Rossi (both for AS Roma), and Alessandro Nesta (for SS Lazio).

Rome hosted the 1960 Summer Olympics, with great success, using many ancient sites such as the Villa Borghese and the Thermae of Caracalla as venues. For the Olympic Games many new facilities were built, notably the new large Olympic Stadium (which was then enlarged and renewed to host several matches and the final of the 1990 FIFA World Cup), the Stadio Flaminio, the Villaggio Olimpico (Olympic Village, created to host the athletes and redeveloped after the games as a residential district), ecc. Rome made a bid to host the 2020 Summer Olympics but it was withdrawn.[182][183]

Further, Rome hosted the EuroBasket 1991 and is home to the internationally recognised basketball team Virtus Roma. Rugby union is gaining wider acceptance. Until 2011 the Stadio Flaminio was the home stadium for the Italy national rugby union team, which has been playing in the Six Nations Championship since 2000. The team now plays home games at the Stadio Olimpico because the Stadio Flaminio needs works of renovation in order to improve both its capacity and safety. Rome is home to local rugby union teams such as Rugby Roma (winner of five Italian championships), Unione Rugby Capitolina and S.S. Lazio Rugby 1927 (rugby union branch of the multisport club S.S. Lazio).

Every May, Rome hosts the Italian Open, an ATP Masters 1000 tennis tournament, on the clay courts of the Foro Italico. Cycling was popular in the post-World War II period, although its popularity has faded. Rome has hosted the final portion of the Giro d'Italia three times, in 1911, 1950, and 2009. Other local sports teams include volleyball (M. Roma Volley), handball or waterpolo.

Transport

Rome is at the centre of the radial network of roads that roughly follow the lines of the ancient Roman roads which began at the Capitoline Hill and connected Rome with its empire. Today central Rome is circled, at a distance of about 10 km (6 mi) from the Capitol, by the ring-road (the Grande Raccordo Anulare or GRA).

Due to its location in the centre of the Italian peninsula, Rome is the principal railway node for central Italy. Rome's main railway station, Termini, is one of the largest railway stations in Europe and the most heavily used in Italy, with around 400 thousand travellers passing through every day. The second-largest station in the city, Roma Tiburtina, has been redeveloped as a high-speed rail terminus.[184] As well as frequent high-speed day trains to all major Italian cities, Rome is linked nightly by 'boat train' sleeper services to Sicily, and internationally by overnight sleeper services to Munich and Vienna.

Rome is served by three airports. The intercontinental Leonardo da Vinci International Airport, Italy's chief airport is located in the nearby Fiumicino, south-west of Rome. The older Rome Ciampino Airport is a joint civilian and military airport. It is commonly referred to as "Ciampino Airport", as it is located beside Ciampino, south-east of Rome. A third airport, the Rome Urbe Airport, is a small, low-traffic airport located about 6 km (4 mi) north of the city centre, which handles most helicopter and private flights. The main city airport of Fiumicino, with over 49 million passengers transported in 2024, is the largest and busiest airport in Italy.

Although the city has its own quarter on the Mediterranean Sea (Lido di Ostia), this has only a marina and a small channel-harbour for fishing boats. The main harbour which serves Rome is Port of Civitavecchia, located about 62 km (39 mi) northwest of the city.[185]

The city suffers from traffic problems largely due to this radial street pattern, making it difficult for Romans to move easily from the vicinity of one of the radial roads to another without going into the historic centre or using the ring-road. These problems are not helped by the limited size of Rome's metro system when compared to other cities of similar size. Rome has only 21 taxis for every 10,000 inhabitants, far below other major European cities.[186] Chronic congestion caused by cars during the 1970s and 1980s led to restrictions being placed on vehicle access to the inner city-centre during daylight hours. Areas, where these restrictions apply, are known as Limited Traffic Zones (Zona a Traffico Limitato (ZTL)). More recently, heavy night-time traffic in Trastevere, Testaccio and San Lorenzo has led to the creation of night-time ZTLs in those districts.

A three-line metro system called the Metropolitana operates in Rome. Construction on the first branch started in the 1930s.[187] The line had been planned to quickly connect the main railway station with the newly planned E42 area in the southern suburbs, where the 1942 World Fair was supposed to be held. The event never took place because of war, but the area was later partly redesigned and renamed Esposizione Universale Roma in the 1950s to serve as a modern business district. The line was finally opened in 1955, and it is now the south part of the B Line.

The A line opened in 1980 from Ottaviano to Anagnina stations, later extended in stages (1999–2000) to Battistini. In the 1990s, an extension of the B line was opened from Termini to Rebibbia. The A and B lines intersect at Roma Termini station. A new branch of the B line (B1) opened on 13 June 2012 after an estimated building cost of €500 million. B1 connects to line B at Piazza Bologna and has four stations over a distance of 3.9 km (2 mi).

A third line, the C line, is under construction with an estimated cost of €3 billion and will have 30 stations over a distance of 25.5 km (16 mi). It will partly replace the existing Termini-Pantano rail line. It will feature full automated, driverless trains.[188] The first section with 15 stations connecting Pantano with the quarter of Centocelle in the eastern part of the city, opened on 9 November 2014.[189] The end of the work was scheduled in 2015, but archaeological findings often delay underground construction work.

A fourth line, D line, is also planned. It will have 22 stations over a distance of 20 km (12 mi). The first section was projected to open in 2015 and the final sections before 2035, but due to the city's financial crisis, the project has been put on hold.

Above-ground public transport in Rome is made up of a bus, tram and urban train network (FR lines). The bus network has in excess of 350 bus lines and over eight thousand bus stops, whereas the more-limited tram system has 39 km (24 mi) of track and 192 stops.[190] There are also trolleybuses.[191]

See also

From the 1913 Catholic Encyclopedia

The significance of Rome lies primarily in the fact that it is the city of the pope. The Bishop of Rome, as the successor of St. Peter, is the Vicar of Christ on earth and the visible head of the Catholic Church. Rome is consequently the centre of unity in belief, the source of ecclesiastical jurisdiction and the seat of the supreme authority which can bind by its enactments the faithful throughout the world. The Diocese of Rome is known as the "See of Peter", the "Apostolic See", the "Holy Roman Church" the "Holy See" — titles which indicate its unique position in Christendom and suggest the origin of its preeminence. Rome, more than any other city, bears witness both to the past splendour of the pagan world and to the triumph of Christianity. It is here that the history of the Church can be traced from the earliest days, from the humble beginnings in the Catacombs to the majestic ritual of St. Peter's. At every turn one comes upon places hallowed by the deaths of the martyrs, the lives of innumerable saints, the memories of wise and holy pontiffs. From Rome the bearers of the Gospel message went out to the peoples of Europe and eventually to the uttermost ends of the earth. To Rome, again, in every age countless pilgrims have thronged from all the nations, and especially from English-speaking countries. With religion the missionaries carried the best elements of ancient culture and civilization which Rome had preserved amid all the vicissitudes of barbaric invasion. To these treasures of antiquity have been added the productions of a nobler art inspired by higher ideals, that have filled Rome with masterpieces in architecture, painting, and sculpture. These appeal indeed to every mind endowed with artistic perception; but their full meaning only the Catholic believer can appreciate, because he alone, in his deepest thought and feeling, is at one with the spirit that pulsates here in the heart of the Christian world.

Many details concerning Rome have been set forth in other articles of THE CATHOLIC ENCYCLOPEDIA. For the prerogatives of the papacy the reader is referred to POPE; for the ecclesiastical government of the city and diocese, to CARDINAL VICAR; for liturgical matters, to ROMAN RITE; for education, to ROMAN COLLEGES; for literary development, to ROMAN ACADEMIES; for history, to the biographical articles on the various popes, and the articles CONSTANTINE THE GREAT, CHARLEMAGNE, etc. There is a special article on each of the religious orders, saints, and artists mentioned in this article, while the details of the papal administration, both spiritual and temporal, will be found treated under APOSTOLIC CAMERA; PONTIFICAL AUDIENCES; APOSTOLIC EXAMINERS; HOLY SEE; PAPAL RESCRIPTS; ROMAN CONGREGATIONS; ROMAN CURIA; SACRA ROMANA ROTA; STATES OF THE CHURCH, etc. Of the great Christian monuments of the Eternal City, special articles are devoted to BASILICA OF ST. PETER; TOMB OF ST. PETER; LATERAN BASILICA; VATICAN; CHAIR OF PETER.

The present article will be divided:

  • Topography and Existing Conditions;
  • General History of the City;
  • Churches and other Monuments.

I. Topography and Existing Conditions

The City of Rome rises on the banks of the Tiber at a distance of from 16 to 19 miles from the mouth of that river, which makes a deep furrow in the plain which extends between the Alban hills, to the south; the hills of Palestrina and Tivoli, and the Sabine hills, to the east: and the Umbrian hills and Monte Tolfa, to the north. The city stands in latitude 41°54' N. and longitude 12°30' E. of Greenwich. It occupies, on the left bank, not only the plain, but also the adjacent heights, namely, portions of the Parioli hills, of the Pincian, the Quirinal, the Viminal, the Esquiline (which are only the extremities of a mountain-mass of tufa extending to the Alban hills), the Capitoline, the Cælian, the Palatine, and the Aventine — hills which are now isolated. On the right bank is the valley lying beneath Monte Mario the Vatican, and the Janiculan, the last-named of which has now become covered with houses and gardens. The Tiber, traversing the city, forms two sharp bends and an island (S. Bartolomeo), and within the city its banks are protected by the strong and lofty walls which were begun in 1875. The river is crossed by fourteen bridges, one of them being only provisional, while ten have been built since 1870. There is also a railroad drawbridge near St. Paul's. Navigation on the river is practicable only for vessels of light draught, which anchor at Ripa Grande, taking cargoes of oil and other commodities.

For the cure of souls, the city is divided into 54 parishes (including 7 in the suburbs), administered partly by secular clergy, partly by regular. The boundaries of the parishes have been radically changed by Pius X, to meet new needs arising out of topographical changes. Each parish has, besides its parish priest, one or two assistant priests, a chief sacristan, and an indeterminate number of chaplains. The parish priests every year elect a chamberlain of the clergy, whose position is purely honorary; every month they assemble for a conference to discuss cases in moral theology and also the practical exigencies of the ministry. In each parish there is a parochial committee for Catholic works; each has its various confraternities, many of which have their own church and oratory. In the vast extent of country outside of Rome, along the main highways, there are chapels for the accommodation of the few settled inhabitants, and the labourers and shepherds who from October to July are engaged in the work of the open country. In former times most of these chapels had priests of their own, who also kept schools; nowadays, through the exertions of the Society for the Religious Aid of the Agro Romano (i. e. the country districts around Rome), priests are taken thither from Rome every Sunday to say Mass, catechize, and preach on the Gospel. The houses of male religious number about 160; of female religious, 205, for the most part devoted to teaching, ministering to the sick in public and private hospitals, managing various houses of retreat etc. Besides the three patriarchal chapters (see below, under "Churches"), there are at Rome eleven collegiate chapters.

In the patriarchal basilicas there are confessors for all the principal languages. Some nations have their national churches (Germans, Anima and Campo Santo; French, S. Luigi and S. Claudio; Croats, S. Girolamo dei Schiavoni; Belgians, S. Giuliano; Portuguese, S. Antonio; Spaniards, S. Maria in Monserrato; to all which may be added the churches of the Oriental rites). Moreover, in the churches and chapels of many religious houses, particularly the generalates, as well as in the various national colleges, it is possible for foreigners to fulfil their religious obligations. For English-speaking persons the convents of the Irish Dominicans (S. Clemente) and of the Irish Franciscans (S. Isidoro), the English, Irish, and American Colleges, the new Church of S. Patrizio in the Via Ludovisi, that of S. Giorgio of the English Sisters in the Via S. Sebastianello, and particularly S. Silvestro in Capite (Pallottini) should be mentioned. In these churches, too, there are, regularly, sermons in English on feast-day afternoons, during Lent and Advent, and on other occasions. Sometimes there are sermons in English in other churches also, notice being given beforehand by bills posted outside the churches and by advertisements in the papers. First Communions are mostly made in the parish churches; many parents place their daughters in seclusion during the period of immediate preparation, in some educational institution. There are also two institutions for the preparation of boys for their First Communion, one of them without charge (Ponte Rotto). Christian doctrine is taught both in the day and night schools which are dependent either on the Holy See, or on religious congregations or Catholic associations. For those who attend the public elementary schools, parochial catechism is provided on Sunday and feast-day afternoons. For intermediate and university students suitable schools of religious instruction have been formed, connected with the language schools and the scholastic ripetizioni, so as to attract the young men. The confraternities, altogether 92 in number, are either professional (for members of certain professions or trades), or national, or for some charitable object (e. g., for charity to prisoners; S. Lucia del Gonfalone and others like it, for giving dowries to poor young women of good character; the Confraternità della Morte, for burying those who die in the country districts, and various confraternities for escorting funerals, of which the principal one is that of the Sacconi; that of S. Giovanni Decollato, to assist persons condemned to death), or again they have some purely devotional aim, like the Confraternities of the Blessed Sacrament, of the Christian Doctrine, of the various mysteries of religion, and of certain saints.

For ecclesiastical instruction there are in the city, besides the various Italian and foreign colleges, three great ecclesiastical universities: the Gregorian, under the Jesuits; the Schools of the Roman Seminary, at S. Apollinare; the Collegio Angelico of the Dominicans, formerly known as the Minerva. Several religious orders also have schools of their own — the Benedictines at S. Anselmo, the Franciscans at S. Antonio, the Redemptorists at S. Alfonso, the Calced Carmelites at the College of S. Alberto, the. Capuchina the Minor Conventuals, the Augustinians, and others. (See ROMAN COLLEGES.) For classical studies there are, besides the schools of S. Apollinare, the Collegio Massimo, under the Jesuits, comprising also elementary and technical schools; the Collegio Nazareno (Piarists), the gymnasium and intermediate school of which take rank with those of the Government; the Instituto Angelo Mai (Barnabite). The Brothers of the Christian Schools have a flourishing technical institute (de Merode) with a boarding-house (convitto). There are eight colleges for youths under the direction of ecclesiastics or religious. The Holy See and the Society for the Protection of Catholic Interests also maintain forty-six elementary schools for the people mostly under the care of religious congregations. For the education of girls there are twenty-six institutions directed by Sisters, some of which also receive day-pupils. The orphanages are nine in number, and some of them are connected with technical and industrial schools. The Salesians, too, have a similar institution, and there are two agricultural institutions. Hospices are provided for converts from the Christian sects and for Hebrew neophytes. Thirty other houses of refuge, for infants, orphans, old people, etc., are directed by religious men or women.

As the capital of Italy, Rome is the residence of the reigning house, the ministers, the tribunals, and the other civil and military officials of both the national Government and the provincial. For public instruction there are the university, two technical institutes, a commercial high school, five gymnasium-lyceums, eight technical schools, a female institute for the preparation of secondary teachers, a national boarding school, and other lay institutions, besides a military college. There are also several private schools for languages etc. — the Vaticana, the Nazionale (formed out of the libraries of the Roman College, of the Aracœli Convent and other monastic libraries partially ruined), the Corsiniana (now the School of the Accademia dei Lincei), the Casanatense (see CASANATTA), the Angelica (formerly belonging to the Augustinians), the Vallicellana (Oratorians, founded by Cardinal Baronius), the Militare Centrale, the Chigiana, and others. (For the academies see ACADEMIES, ROMAN.) Foreign nations maintain institutions for artistic, historical, or archæological study (America, Great Britain, Austria-Hungary, Prussia, Holland, Belgium, France). There are three astronomical and meteorological observatories: the Vatican, the Capitol (Campidoglio), and the Roman College (Jesuit), the last-named, situated on the Janiculan, has been suppressed. The museums and galleries worthy of mention are the Vatican (see VATICAN), those of Christian and of profane antiquities at the Lateran (famous for the "Dancing Satyr"; the "Sophocles", one of the finest of portrait statues in existence found at Terracina; the "Neptune", the pagan and Christian sarcophagi with decorations in relief, and the statue of Hippolytus). In the gallery at the Lateran there are paintings by Crivelli, Gozzoli, Lippi, Spagna, Francia, Palmezzano, Sassoferrato, and Seitz. The Capitoline Museum contains Roman prehistoric tombs and household furniture, reliefs from the Arch of Marcus Aurelius, a head of Amalasunta, a half-length figure of the Emperor Commodus, the epitaph of the infant prodigy Quintus Sulpicius Maximus, the Esquiline and the Capitoline Venuses, "Diana of the Ephesians", the Capitoline Wolf (Etruscan work of the fifth century B.C.), Marforius, the Dying Gladiator, busts of the emperors and other famous men of antiquity, and Vespasian's "Lex regia"; the Gallery contains works by Spagna, Tintoretto, Caracci, Caravaggio, Guercino (St. Petronilla, the original of the mosaic in St. Peter's), Guido Reni, Titian, Van Dyke, Domenichino, Paolo Veronese, and other masters. There are important numismatic collections and collections of gold jewelry. The Villa Giulia has a collection of Etruscan terracotta; the Museo Romano, objects recently excavated; the Museo Kircheriano has been enlarged into an ethnographical museum. The Borghese Gallery is in the villa of the same name. The National Gallery, in the Exposition Building (Palazzo dell' Esposizione), is formed out of the Corsini, Sciarra, and Torlonia collections, together with modern acquisitions. There are also various private collections in different parts of the city.

The institutions of public charity are all consolidated in the Congregazione di Carità, under the Communal Administration. There are twenty-seven public hospitals, the most important of which are: the Polyclinic, which is destined to absorb all the others; S. Spirito, to which is annexed the lunatic asylum and the foundling hospital; S. Salvatore, a hospital for women, in the Lateran; S. Giacomo; S. Antonio; the Consolazione; two military hospitals. There are also an institute for the blind, two clinics for diseases of the eye, twenty-five asylums for abandoned children, three lying-in hospitals, and numerous private clinics for paying patients. The great public promenades are the Pincian, adjoining the Villa Borghese and now known as the Umberto Primo, where a zoological garden has recently been installed, and the Janiculum. Several private parks or gardens, as the Villa Pamphili, are also accessible to the public every day.

The population of Rome in 1901 was 462,783. Of these 5000 were Protestants, 7000 Jews, 8200 of other religions and no religion. In the census now (1910) being made an increase of more than 100,000 is expected. Rome is now the most salubrious of all the large cities of Italy, its mortality for 1907 being 18.8 per thousand, against 19.9 at Milan and 19.6 at Turin. The Press is represented by five agencies: there are 17 daily papers, two of them Catholic ("Osservatore Romano" and "Corriere d'Italia"); 8 periodicals are issued once or oftener in the week (5 catholic, 4 in English — "Rome", "Roman Herald", "Roman Messenger", "Roman World"); 88 are issued more than once a month (7 Catholic); there are 101 monthlies (19 Catholic); 55 periodicals appear less frequently than once a month.

II. General History of the City

Arms and implements of the Palæolithic Age, found in the near vicinity of Rome, testify to the presence of man here in those remote times. The most recent excavations have established that as early as the eighth century B.C. or, according to some, several centuries earlier, there was a group of human habitations on the Palatine Hill, a tufaceous ledge rising in the midst of marshy ground near the Tiber. (That river, it may be observed here, was known to the primitive peoples by the name of Rumo, "the River".) Thus is the traditional account of the origin of Rome substantially verified. At the same time, or very little later, a colony of Sabines was formed on the Quirinal, and on the Esquiline an Etruscan colony. Between the Palatine and the Quirinal rose the Capitoline, once covered by two sacred groves, afterwards occupied by the temple of Jupiter and the Rock. Within a small space, therefore, were established the advance guards of three distinct peoples of different characters; the Latins, shepherds; the Sabines, tillers of the soil; the Etruscans, already far advanced in civilization, and therefore in commerce and the industries. How these three villages became a city, with, first, the Latin influence preponderating, then the Sabine, then the Etruscan (the two Tarquins), is all enveloped in the obscurity of the history of the seven kings (753-509 B.C.). The same uncertainty prevails as to the conquests made at the expense of the surrounding peoples. it is unquestionable that all those conquests had to be made afresh after the expulsion of the kings.

But the social organization of the new city during this period stands out clearly: There were three original tribes: the Ramnians (Latins), the Titians (Sabines), and the Luceres (Etruscans). Each tribe was divided into ten curiœ, each curia into ten gentes; each gens into ten (or thirty) families. Those who belonged to these, the most ancient, tribes were Patricians, and the chiefs of the three hundred gentes formed the Senate. In the course of time and the wars with surrounding peoples, new inhabitants occupied the remaining hills; thus, under Tullus Hostilius, the Cælian was assigned to the population of the razed Alba Longa (Albano); the Sabines, conquered by Ancus Martius, had the Aventine. Later on, the Viminal was occupied. The new inhabitants formed the Plebeians (Plebs), and their civil rights were less than those of the older citizens. The internal history of Rome down to the Imperial Period is nothing but a struggle of plebeians against patricians for the acquisition of greater civil rights, and these struggles resulted in the civil, political, and juridical organization of Rome. The king was high-priest, judge, leader in war and head of the Government; the Senate and the Comitia of the People were convoked by him at his pleasure, and debated the measures proposed by him. Moreover, the kingly dignity was hereditary. Among the important public works in this earliest period were the drains, or sewers (cloacœ), for draining the marshes around the Palatine, the work of the Etruscan Tarquinius Priscus; the city wall was built by Servius Tullius, who also organized the Plebeians, dividing them into thirty tribes; the Sublician Bridge was constructed to unite the Rome of that time with the Janiculan.

During the splendid reign of Tarquinius Superbus, Rome was the mistress of Latium as far as Circeii and Signia. But, returning victorious from Ardea, the king found the gates of the city closed against him. Rome took to itself a republican form of government, with two consuls, who held office for only one year; only in times of difficulty was a dictator elected, to wield unlimited power. In the expulsion of Tarquinius Superbus some historians have seen a revolt of the Latin element against Etruscan domination. Besides wars and treaties with the Latins and other peoples, the principal events, down to the burning of Rome by the Gauls, were the institution of the tribunes of the people (tribuni plebis), the establishment of the laws of the Twelve Tables, and the destruction of Veii. In 390 the Romans were defeated by the Gauls near the River Allia; a few days later the city was taken and set on fire, and after the Gauls had departed it was rebuilt without plan or rule. Cumillus, the dictator, reorganized the army and, after long resistance to the change, at last consented that one of the consuls should be a plebeian. Southern Etruria became subject to Rome, with the capture of Nepi and Sutri in 386. The Appian Way and Aqueduct were constructed at this period. Very soon it was possible to think of conquering the whole peninsula. The principal stages of this conquest are formed by the three wars against the Samnites (victory of Suesaula 343); the victory of Bovianum, 304; those over the Etruscans and Umbrians, in 310 and 308; lastly the victory of Sentinum, in 295, over the combined Samnites, Etruscans, and Gauls. The Tarentine (282-272) and the First and Second Punic Wars (264-201) determined the conquest of the rest of Italy, with the adjacent islands, as well as the first invasion of Spain.

Soon after this, the Kingdom of Macedonia (Cynoscephalæ, 197; Pydna, 168) and Greece (capture of Corinth, 146) were subdued, while the war against Antiochus of Syria (192-89) and against the Galatians (189) brought Roman supremacy into Asia, In 146 Carthage was destroyed, and Africa reduced to subjection; between 149 and 133 the conquest of Spain was completed. Everywhere Roman colonies sprang up. With conquest, the luxurious vices of the conquered peoples also came to Rome, and thus the contrast between patricians and plebeians was accentuated. To champion the cause of the plebeians there arose the brothers Tiberius and Calus Gracchus. The Servile Wars (132-171) and the Jugurthine War (111-105) revealed the utter corruption of Roman society. Marius and Sulla, both of whom had won glory in foreign wars, rallied to them the two opposing parties, Democratic and Aristocratic, respectively. Sulla firmly established his dictatorship with the victory of the Colline Gate (83), reorganized the administration, and enacted some good laws to arrest the moral decay of the city. But the times were ripe for the oligarchy, which was to lead in the natural course of events to the monarchy. In the year 60, Cæsar, Pompey, and Crassus formed the first Triumvirate. While Cæsar conquered Gaul (58-50), and Crassus waged an unsuccessful war against the Parthians (54-53), Pompey succeeded in gaining supreme control of the capital. The war between Pompey to whom the nobles adhered, and Cæsar, who had the democracy with him, was inevitable. The battle of Pharsalia (48) decided the issue; in 45 Cæsar was already thinking of establishing monarchical government; his assassination (44) could do no more than delay the movement towards monarchy. Another triumvirate was soon formed by Antony, Lepidus, and Octavian; Antony and Octavian disagreed, and at Actium (32) the issue was decided in Octavian's favour. Roman power had meanwhile been consolidated and extended in Spain, in Gaul, and even as far as Pannonia, in Pontus, in Palestine, and in Egypt. Henceforward Roman history is no longer the history of the City of Rome, although it was only under Caracalla (A.D. 211) that Roman citizenship was accorded to all free subjects of the empire.

In the midst of these political vicissitudes the city was growing and being beautified with temples and other buildings, public and private. On the Campus Martius and beyond the Tiber, at the foot of the Janiculan, new and populous quarters sprang up with theatres (those of Pompey and of Marcellus) and circuses (the Maximus and the Flaminius, 221 B.C.). The centre of political life was the Forum, which had been the market before the centre of buying and selling was transferred, in 388, to the Campus Martius (Forum Holitorium), leaving the old Forum Romanum to the business of the State. Here were the temples of Concord (366), Saturn (497), the Dî Consentes, Castor and Pollux (484), the Basilica Æmilia (179), the Basilica Julia (45), the Curia Hostilia (S. Adriano), the Rostra, etc. Scarcely had the empire been consolidated when Augustus turned his attention to the embellishment of Rome, and succeeding emperors followed his example: brick-built Rome became marble Rome. After the sixth decade B.C. many Hebrews had settled at Rome, in the Trastevere quarter and that of the Porta Capena, and soon they became a financial power. They were incessantly making proselytes, especially among the women of the upper classes. The names of thirteen synagogues are known as existing (though not all at the same time) at Rome during the Imperial Period. Thus was the way prepared for the Gospel, whereby Rome, already mistress of the world, was to be given a new sublimer and more lasting, title to that dominion — the dominion over the souls of all mankind.

Even on the Day of Pentecost, "Roman strangers" (advenœ Romani, Acts, ii, 10) were present at Jerusalem, and they surely must have carried the good news to their fellow-citizens at Rome. Ancient tradition assigns to the year 42 the first coming of St. Peter to Rome, though, according to the pseudo-Clementine Epistles, St. Barnabas was the first to preach the Gospel in the Eternal City. Under Claudius (c. A.D. 50), the name of Christ had become such an occasion of discord among the Hebrews of Rome that the emperor drove them all out of the city, though they were not long in returning. About ten years later Paul also arrived, a prisoner, and exercised a vigorous apostolate during his sojourn. The Christians were numerous at that time, even at the imperial Court. The burning of the city — by order of Nero, who wished to effect a thorough renovation — was the pretext for the first official persecution of the Christian name. Moreover, it was very natural that persecution, which had been occasional, should in course of time have become general and systematic; hence it is unnecessary to transfer the date of the Apostles' martyrdom from the year 67, assigned by tradition, to the year 64 (see PETER, SAINT; PAUL, SAINT). Domitian's reign took its victims both from among the opponents of absolutism and from the Christians; among them some who were of very exalted rank — Titus Flavius Clemens, Acilius Glabrio (Cemetery of Priscilla), and Flavia Domitilla, a relative of the emperor. It must have been then, too, that St. John, according to a very ancient legend (Tertullian), was brought to Rome.

The reign of Trajan and Adrian was the culminating point of the arts at Rome. The Roman martyrdoms attributed to this period are, with the exception of St. Ignatius's, somewhat doubtful. At the same time the heads of various Gnostic sects settled at Rome, notably Valentinus, Cerdon, and Marcion; but it does not appear that they had any great following. Under Antoninus, Marcus Aurelius, and Commodus, several Roman martyrs are known — Pope St. Telesphorus, Sts. Lucius, Ptolemæus, Justin and companions, and the Senator Apollonius. Under Commodus, thanks to Martia, his morganatic wife, the condition of the Christians improved. At the same time the schools of Rhodon, St. Justin, and others flourished. But three new heresies from the East brought serious trouble to the internal peace of the Church: that of Theodotus, the shoemaker of Byzantium; that of Noetus brought in by one Epigonus; and Montanism. In the struggle against these heresies, particularly the last-named, the priest Hippolytus, a disciple of St. Irenæus, bore a distinguished part but he, in his turn, incurred the censures of Popes Zephyrinus and Callistus and became the leader of a schismatical party. But the controversies between Hippolytus and Callistus were not confined to theological questions, but also bore upon discipline, the pope thinking proper to introduce certain restrictions. Another sect transplanted to Rome at this period was that of the Elcesaites.

The persecution of Septimius Severus does not appear to have been very acute at Rome, where, before this time, many persons of rank — even of the imperial household — had been Christians. The long period of tranquillity, hardly interrupted by Maximinus (235-38), fostered the growth of Roman church organization; so much so that, under Cornelius, after the first fury of the Decian persecution, the city numbered about 50,000 Christians. The last-named persecution produced many Roman martyrs — Pope St. Fabian among the first — and many apostates, and the problem of reconciling the latter resulted in the schism of Novatian. The persecution of Valerian, too, fell first upon the Church of Rome. Under Aurelian (271-76), the menace of an invasion of the Germans who had already advanced as far as Pesaro compelled the emperor to restore and extend the walls of Rome. The persecution of Diocletian also had its victims in the city, although there are no trustworthy records of them; it did not last long, however, in the West. Maxentius went so far as to restore to the Christians their cemeteries and other landed property, and, if we are to believe Eusebius, ended by showing them favour, as a means of winning popularity. At this period several pretentious buildings were erected — baths, a circus, a basilica, etc. In the fourth and fifth centuries the city began to be embellished with Christian buildings, and the moribund art of antiquity thus received a new accession of vitality.

Of the heresies of this period, Arianism alone disturbed the religious peace for a brief space; even Pelagianiam failed to take root. The conflict between triumphant Christianity and dying Paganism was more bitter. Symmachus, Prætextatus, and Nicomachus were the most zealous and most powerful defenders of the ancient religion. At Milan, St. Ambrose kept watch. By the end of the fourth century the deserted temples were becoming filled with cobwebs; pontiffs and vestals were demanding baptism. The statues of the gods served as public ornaments; precious objects were seldom plundered, and until the year 526 not one temple was converted to the uses of Christian worship. In, 402 the necessity once more arose of fortifying Rome. The capital of the world, which had never beheld a hostile army since the days of Hannibal, in 408 withstood the double siege of Alaric. But the Senate, mainly at the instigation of a pagan minority, treated with Alaric, deposed Honorius, and enthroned a new emperor Attalus. Two years later, Alaric returned, succeeded in taking the city, and sacked it. It is false, however, that the destruction of Rome began then. Under Alaric, as in the Gothic war of the sixth century, only so much was destroyed as military exigencies rendered inevitable. The intervention of St. Leo the Great saved the Eternal City from the fury of Attila, but could not prevent the Vandals, in 456, from sacking it without mercy for fifteen days: statues, gold, silver, bronze, brass — whether the property of the State, or of the Church, or of private persons — were taken and shipped to Carthage.

Rome still called itself the capital of the empire, but since the second century it had seen the emperors only at rare and fleeting moments; even the kings of Italy preferred Ravenna as a residence. Theodoric, nevertheless, made provision for the outward magnificence of the city, preserving its monuments so far as was possible. Pope St. Agapetus and the learned Cassiodorus entertained the idea of creating at Rome a school of advanced Scripture studies, on the model of that which flourished at Edessa, but the Gothic invasion made shipwreck of this design. In that Titanic war Rome stood five sieges. In 536 Belisarius took it without striking a blow. Next year Vitiges besieged it, cutting the aqueducts, plundering the outlying villas, and even penetrating into the catacombs; the city would have been taken had not the garrison of Hadrian's tomb defended themselves with fragments of the statues of heroes and gods which they found in that monument. Soon after the departure of Pope Vigilius from Rome (November, 545), King Totila invested it and captured a fleet bearing supplies sent by Vigilius, who by that time had passed over to Sicily. In December, 546, the city was captured, through the treachery of the Isaurian soldiery, and once more sacked. Totila, obliged to set out for the south, forced the whole population of Rome to leave the city, so that it was left uninhabited; but they returned with Belisarius in 547. Two years later, another Isaurian treachery made Totila once more master of the city, which then for the last time saw the games of the circus. After the battle of Taginæ (552), Rome opened its gates to Narces and became Byzantine. The ancient Senate and the Roman nobility were extinct. There was a breathing-space of sixteen years, and then the Lombards drew near to Rome, pillaging and destroying the neighbouring regions. St. Gregory the Great has described the lamentable condition of the city; the same saint did his best to remedy matters. The seventh century was disastrously marked by a violent assault on the Lateran made by Mauricius, the chartularius of the Exarch of Ravenna (640), by the exile of Pope St. Martin (653), and by the visit of the Emperor Constans I (663). The imprisonment of St. Sergius, which had been ordered by Justinian II, was prevented by the native troops of the Exarchate.

In the eighth century the Lombards, with Liutprand, were seized with the old idea of occupying all Italy, and Rome in particular. The popes, from Gregory II on, saved the city and Italy from Lombard domination by the power of their threats, until they were finally rescued by the aid of Pepin, when Rome and the peninsula came under Frankish domination. Provision was made for the material well-being of the city by repairs on the walls and the aqueducts, and by the establishment of agricultural colonies (domus cultœ) for the cultivation of the wide domains surrounding the city. But in Rome itself there were various factions — favouring either the Franks or the Lombards, or, later on, Frankish or Nationalist — and these factions often caused tumults, as, in particular, on the death of Paul I (767) and at the beginning of Leo III's pontificate (795). With the coronation of Charlemagne (799) Rome became finally detached from the Empire of the East. Though the pope was master of Rome, the power of the Sword was wielded by the imperial missi, and this arrangement came to be more clearly defined by the Constitution of Lothair (824). Thus the government was divided. In the ninth century the pope had to defend Rome and Central Italy against the Saracens. Gregoriopolis, the Leonine City, placed outside the walls for the defence of the Basilica of St. Peter, and sacked in 846, and Joannipolis, for the defence of St. Paul's were built by Gregory IV, Leo IV, and John VIII. The latter two and John X also gained splendid victories over these barbarians.

The decline of the Carlovingian dynasty was not without its effect upon the papacy and upon Rome, which became a mere lordship of the great feudal families, especially those of Theodora and Marozia. When Hugh of Provence wished to marry Marozia, so as to become master of Rome, his son Alberic rebelled against him and was elected their chief by the Romans, with the title of Patrician (Patricius) and Consul. The temporal power of the pope might then have come to an end, had not John, Alberic's son, reunited the two powers. But John's life and his conduct of the government necessitated the intervention of the Emperor Otto I (963), who instituted the office of prœfectus urbis, to represent the imperial authority. (This office became hereditary in the Vico family.) Order did not reign for long: Crescentius, leader of the anti-papal party, deposed and murdered popes. It was only for a few brief intervals that Otto II (980) and Otto III (996-998-1002) were able to re-establish the imperial and pontifical authority. At the beginning of the eleventh century three popes of the family of the counts of Tusculum immediately succeeded each other, and the last of the three, Benedict IX, led a life so scandalous as made it necessary for Henry III to intervene (1046). The schism of Honorius II and the struggle between Gregory VII and Henry IV exasperated party passions at Rome, and conspicuous in the struggle was another Crescentius, a member of the Imperialist Party. Robert Guiscard, called to the rescue by Gregory VII, sacked the city and burned a great part of it, with immense destruction of monuments and documents. The struggle was revived under Henry V, and Rome was repeatedly besieged by the imperial troops.

Then followed the schism of Pier Leone (Anacletus II), which had hardly been ended, in 1143, when Girolamo di Pierleone, counselled by Arnold of Brescia, made Rome into a republic, modelled after the Lombard communes, under the rule of fifty-six senators. In vain did Lucius II attack the Capitol, attempting to drive out the usurpers. The commune was in opposition no less to the imperial than to the papal authority. At first the popes thought to lean on the emperors, and thus Adrian IV induced Barbarossa to burn Arnold alive (1155). Still, just as in the preceding century, every coronation of an emperor was accompanied by quarrels and fights between the Romans and the imperial soldiery. In 1188 a modus vivendi was established between the commune and Clement III, the people recognizing the pope's sovereignty and conceding to him the right of coinage, the senators and military captains being obliged to swear fealty to him. But the friction did not cease. Innocent III (1203) was obliged to flee from Rome, but, on the other hand, the friendly disposition of the mercantile middle class facilitated his return and secured to him some influence in the affairs of the communes, in which he obtained the appointment of a chief of the Senate, known as "the senator" (1207). The Senate, therefore, was reduced to the status of the Communal Council of Rome; the senator was the syndic, or mayor, and remained so until 1870. In the conflicts between the popes, on the one hand, and, on the other Frederick II and his heirs, the Senate was mostly Imperialist, cherishing some sort of desire for the ancient independence; at times, however, it was divided against itself (as in 1262, for Richard, brother of the King of England, against Manfred, King of Naples).

In 1263 Charles of Anjou, returning from the conquest of Naples, caused himself to be elected senator for life;. but Urban IV obliged him to be content with a term of ten years. Nicholas III forbade that any foreign prince should be elected senator, and in 1278 he himself held the office. The election was always to be subject to the pope's approval. However, these laws soon fell into desuetude. The absence of the popes from Rome had the most disastrous results for the city: anarchy prevailed; the powerful families of Colonna, Savelli, Orsini, Anguillara, and others lorded it with no one to gainsay them; the pope's vicars were either stupid or weak; the monuments crumbled of themselves or were destroyed; sheep and cows were penned in the Lateran Basilica; no new buildings arose, except the innumerable towers, or keeps, of which Brancaleone degli Andalò, the senator (1252-56) caused more than a hundred to be pulled down; the revival of art, so promising in the thirteenth century was abruptly cut off. The mad enterprise of Cola di Rieuzo only added to the general confusion. The population was reduced to about 17,000. The Schism of the West, with the wars of King Ladislaus (1408 and 1460, siege and sack of Rome), kept the city from benefiting by the popes' return as quickly as it should. Noteworthy, however, is the understanding between Boniface IX and the Senate as to their respective rights (1393). This pope and Innocent VII also made provision for the restoration of the city.

With Martin V the renascence of Rome began. Eugene IV again was driven out by the Romans, and Nicholas V had to punish the conspiracy of Stefano Porcari; but the patronage of letters by the popes and the new spirit of humanism obliterated the memory of these longings for independence. Rome became the city of the arts and of letters, of luxury and of dissoluteness. The population, too, changed in character and dialect, which had before more nearly approached the Neapolitan, but now showed the influence of immigration from Tuscany, Umbria, and the Marches. The sack of 1527 was a judgment, and a salutary warning to begin that reformation of manners to which the Brothers of the Oratory of Divine Love (the nucleus of the Theatine Order) and, later, the Jesuits and St. Philip Neri devoted themselves. In the war between Paul IV and Philip II (1556), the Colonna for the last time displayed their insubordination to the Pontifical Government. Until 1799 Rome was at peace under the popes, who vied with the cardinals in embellishing the city with churches, fountains, obelisks, palaces, statues, and paintings. Unfortunately, this work of restoration was accompanied by the destruction of ancient and, still more, medieval monuments. An attempt was also made to improve the ground plan of Rome by straightening and widening the streets (Sixths IV, Sixtus V — the Corso, the Ripetta, the Babuino, Giulia, Paola, Sistina, and other streets). The artists who have successively left their imprint on the City are Bramante, Michelangelo, Vignola, Giacomo della Porta, Fontana, Maderna, Bernini, Borromini, and, in the eighteenth century, Fuga. The most important popular risings of this period were those against Urban VIII, on account of the mischief done by the Barberini and against Cardinal Cascia, after the death of Benedict XIII.

The pontificate of Pius VI, illustrious for its works of public utility, ended with the proclamation of the Republic of Rome (10 February, 1798) and the pope's exile. Pius VII was able to return, but after 1806 there was a French Government at Rome side by side with the papal, and in 1809 the city was incorporated in the empire. General Miollis, indeed, deserved well of Rome for the public works he caused to be executed (the Pincian), and the archæological excavations, which were vigorously and systematically continued in the succeeding pontificates, especially that of Pius IX. Of the works of art carried away to Paris only a part were restored after the Congress of Vienna.

But the Revolutionary germ still remained planted at Rome, even though it gave no signs of activity either in 1820 or in 1830 and 1831. A few political murders were the only indication of the fire that smouldered beneath the ashes. The election of Pius IX, hailed as the Liberal pontiff, electrified all Rome. The pope saw his power slipping away; the assassination of Pellegrino Rossi and the riots before the Quirinal (25 November, 1848) counselled his flight to Gaeta. The Triumvirate was formed and, on 6 February, 1849, convoked the Constituent Assembly, which declared the papal power abolished. The mob abandoned itself to the massacre of defenceless priests, and the wrecking of churches and palaces. Oudinot's French troops restored the papal power (6 August, 1849), the pope retaining a few French regiments. Secret plotting went on, though at Rome none dared attempt anything (the Fausti trial). Only in 1867, when Garibaldi, the victor at Monterotondo, defeated at Mentana, invaded the Papal States, was the revolt prepared that was to have burst while Enrico Cairoi was trying to enter the city; but the coup de main failed; the stores of arms and ammunition were discovered; the only serious occurrence was the explosion of a mine, which destroyed the Serristori Barracks in the Borgo. Not until 20 September, 1870, was Rome taken from the popes and made the actual capital of the Kingdom of Italy.

III. Churches and Other Monuments

The "Annuario Ecclesiastico" enumerates 358 public churches and oratories in Rome and its suburbs. Besides, there are the chapels of the seminaries, colleges, monasteries, and other institutions. Since 1870 many churches have been destroyed, but many new ones have arisen in the new quarters.

The principal patriarchal basilicas are (the Vatican Basilica), (the Basilica of Constantine), and St. Mary Major (the Liberian Basilica).

The Liberian Basilica dates from the fourth century, when it was called the Basilica Sicinini; in the fifth century, under Sixtus III, it was adorned with interesting mosaics of Biblical subjects; Eugene III added the portico, when the mosaics of the apse and the façade were restored and, to some extent, altered. On the two sides are two chapels with cupolas: that of Sixtus V, containing the altar of the Blessed Sacrament and the tombs of Sixtus V and St. Pius V; the other, that of Paul V, with the Madonna of St. Luke, which existed as early as the sixth century. Benedict XIV caused it to be restored by Fuga (1743), who designed the façade which now almost shuts out the view of the mosaics. Beneath the high altar, the baldacchino of which is supported by four porphyry columns, are the relics of St. Matthew and of the Holy Crib (hence the name, S. Maria ad prœsepe). Here are buried St. Jerome, Nicholas IV, Clement VIII, IX, and X, and Paul V. (See also SAINT PAUL-OUTSIDE-THE-WALLS.)

Among the lesser basilicas is S. Croce in Gerusalemme (Basilica Sessoriana), founded, it is said, by St. Helena in the place called the Sessorium, restored by Lucius II (1144) and by Benedict XIV (1743). Here, in the tribune, is the fresco of Pinturicchio representing the Finding of the Cross, and here are preserved the relics of the Cross of Jesus Christ, the Title, one of the Thorns, the finger of St. Thomas, etc. The church is served by Cistercians, whose convent, however, has been converted into barracks.

St. Lawrence-Outside-the-Walls, another minor basilica, which stands in the Cemetery of S. Ciriaco, where the saint was buried, was built under Constantine and, next to St. Peter's, was the most frequented sanctuary in Rome at the end of the fourth century (see Prudentius's description). Pelagius II (578), Honorius III, and Pius IX made thorough repairs in this basilica, the last-named adding frescoes by Fracassini, representing the martyrdom of St. Lawrence. The frescoes of the atrium date from the thirteenth century. The high altar stands beneath a raised ambo, behind which is the simple tomb of Pius IX. The mosaics of the triumphal arch date from the time of Pelagius II. Near this basilica is the Cemetery of Rome, constructed in 1837, and surpassed by few in Italy for the sumptuousness of its monuments. Both the church and the cemetery are served by Capuchina.

St. Sebastian-Outside-the-Walls, near the cemetery ad catacumbas (see CATACOMBS), built in the fourth or fifth century and altered in 1612, contains Giorgini's statue of the saint. The churches so far named are the "Seven Churches" usually visited by pilgrims and residents to gain the large indulgences attached to them.

S. Agnese fuori le Mura, near the catacombs of the same name, was built, by Constantine, decorated by Pope Symmachus with mosaics, in which that pope's portrait appears, and restored by Honorius II (portrait), by Cardinal Giuliano della Rovere (1479), and by Pius IX. It is served by Canons Regular of St. John Lateran. In one of the adjacent buildings Pius IX, in 1856, fell with the flooring of a room, but without suffering any injury.

Not far off is S. Costanza, the mausoleum of Constantine's daughter, which was made into a church in 1256. S. Giorgio in Velabro, Cardinal Newman's diaconal title, takes its name from the ancient Velabrum, where it stands, and dates from the fourth century; it has a fine tabernacle, but the church is much damaged by damp. S. Lorenzo in Damaso, built by Pope Damasus (370), was, in the time of Bramante, enclosed in the palace of the Cancelleria; it contains modern frescoes and the tombs of Annibale Caro and Pellegrino Rossi. S. Maria ad Martyres (the Pantheon) is a grandiose circular building with a portico. It was built in 25 B.C. by Marcus Agrippa and has often been restored; in 662 Constantine II caused the bronze which covered its dome to be taken away; it contains the tombs of Raphael, Cardinal Consalvi and Kings Victor Emmanuel II and Humbert I. S. Maria in Cosmedin, which stands on the foundations of a temple of Hercules and a granary, dates from the sixth century at latest; it was a diaconate and the seat of the Greek colony, and was restored by Adrian I, Nicholas I, and Cardinal Albani (1718), and at last was remodelled in its original form. It has a noteworthy ambo and tabernacle (c. 130), and its campanile, with seven intercolumnars, is the most graceful in Rome. This was the title of Reginald Cardinal Pole. S. Maria in Trastevere, the title of Cardinal Gibbons, Archbishop of Baltimore, dates from St. Callistus or, more probably, from St. Julius I, and was restored by Eugene III by Nicholas V, and by Pius IX, to the last-named of whom are due the mosaics of the façade, the antique columns, and the rich baroque ceiling. The mosaics of the tribune are of the twelfth century, the others are by Cavallini (1291). It contains the tombs of Stanislaus Hosius and other cardinals. The four basilicas enumerated above have collegiate chapters.

S. Agostino was built (1479-83) by Cardinal d'Estoutevile, with Giacomo di Pietrasanta for architect. On the high altar, by Bernini, is the Madonna of St. Luke, brought from Constantinople. Its chapel of St. Augustine contains a picture by Guercino; in its chapel of the Blessed Sacrament is the tomb of St. Monica; its altar of St. Peter has a relief by Cotignola, and below one of the pilasters is Raphael's Isaiss. In the basement of this church is the Madonna del Parto, the work of Jacopo Tatto, one of the most highly venerated images in Rome. The adjoining convent, once the residence of the general of the Augustinians, is now the Ministry of Marine; but the Angelica Library, founded (1605) by Cardinal Angelo Rocca, an Augustinian, is still there. S. Alfonso, built in 1855 for the Redemptorists, who have their generalate there, has fine pictures by von Rhoden. Its high altar possesses a Byzantine image of unknown origin, called the Madonna del Perpetuo Soccorso. S. Ambrogio della Massima, in the paternal mansion of St. Ambrose, belongs to the Cassinese Benedictines. S. Andrea della Valle (Theatines), notable for the severe majesty of its lines, was built by Carlo Maderna in 1591; it contains the chapel of the Strozzi, the tombs of Pius II, of Nicolò della Guardía, and, opposite, of Pius III, and the frescoes of Domenichino, his most perfect work, as well as other very modern frescoes. In this church, on every feast of the Epiphany, solemn Mass is celebrated in every rite subject to Rome, and there are sermons in the various European languages — a festival instituted by Ven. Vincent Gallotta. S. Andrea de Quirinale belongs to the Jesuits, who have their novitiate here, in which the cell of St. Stanislaus Kostka is still to be seen. S. Andrea delle Fratte, belonging to the Minims, was, in the Middle Ages, the national church of the Scots; it received its present form (a cupola and a fanciful Campanile) from the architects Guerra and Borromini in the seventeenth century and has two angels by Bernini. Before the Lady altar of this church took place the conversion of Venerable Marie Alphonse Ratisbonne. S. Angelo in Pescheria, built in the eighth century and restored in 1584, is occupied by the Clerics Regular Minor, who were transferred to it from S. Lorenzo in Lucina. S. Anselmo, on the Aventine, is a Romanesque building (1900), annexed to the international college of the Benedictines, and is the residence of the abbot primate of their order. Santi Apostoli, adjoining the generalate of the Minor Conventuals, dates from the fifth century; it was restored by Martin V, with frescoes by Melozzo da Forli, remodelled in 1702 by Francesco Fontana, and contains the tombs of Cardinals Riario and Bessarion. The convent is occupied by the headquarters of a military division. S. Bartolomeo all' Isola, Friars Minor, stands on the site of the ancient temple of Æsculapius and was built by Otto III, in 1001, in honour of St. Adalbert. The relics of St. Bartholomew were brought thither from Beneventum, those of St. Paulinus of Nola being given in exchange. The church has been several times restored. S. Bernardo alle Terme, Cistercians, is a round church built in 1598, its foundations being laid in the calidarium of the baths (Italian terme) of Diocletian. S. Bonaventura, on the Palatine, Friars Minor, contains the tomb of St. Leonard of Port Maurice. S. Camillo, a very modern church, is the residence of the Camilline Attendants of the Sick, and has a hospital connected with it. S. Carlo (Carlino) of the Spanish Trinitarians belongs to the Borromini. S. Carlo ai Catinari, Barnabites, formerly dedicated to St. Biagius, was put into its present shape by Rosati in 1612, with frescoes and framed pictures by Domenichino, Pietro da Cortona, Guido Reni, and Andrea Sacchi. Its convent is occupied by a section of the Ministry of War. S. Carlo al Corso, the church of the Lombards, was built by the Lunghi for the canonization of St. Charles Borromeo, on the site of a little church dedicated to S. Niccolo del Tufo. The decorations of the cupola are by Pietro da Cortona; there is a picture by Maratta and a statue of Judith by Le Brun. The Rosminians have officiated in this church for some years past. S. Claudio dei Borgognoni is served by the Congregation of the Most Holy Sacrament; it has Exposition all the year around.

S. Clemente, the church of the Irish Dominicans (1643), and titular church of William Cardinal O'Connell, Archbishop of Boston, existed as early as the fourth century, dedicated to St. Clement, pope and martyr. It is characterized by the two ambos which project about half way down the nave and an atrium which is also the courtyard of the convent which stands in front of the basilica. The ambos date from John VIII (872); the altar and tabernacle, from Paschal II. The church was destroyed in the conflagration kindled by Robert Guiscard (1084); its rebuilding was begun immediately, but the plan was adopted of raising somewhat the pavement of the old church, which was filled in with debris; the new church was also less spacious. At this period the mosaics of the apse were executed. In the chapel of st. Catherine are some frescoes attributed to Masaccio (1428); in the chapel of the Blessed Sacrament, the tombs of Cardinals Brusati and Roverella; in that of St. Cyril, who is buried in the basilica, modern frescoes. In 1858 the excavation of the old basilica was begun, through the efforts of the Dominican prior, Mulhooly. The frescoes, seventh to eleventh century, are important; in them may be distinguished the first indications of a new birth of Christian art, and particularly interesting are those relating to Sts. Cyril and Methodius. The original basilica was raised upon the remains of a still earlier building, in which, moreover, there was a spelœum, or grotto, of Mithras; it is probable that this building was St. Clement's paternal home. Santissima Concenzione, Capuchins, near the Piazza Barberini, was built by the Capuchin Cardinal Barberini, twin brother of Urban VIII (1624). Bl. Crispin of Viterbo is buried here. The church is noted for a St. Michael by Guido Reni, a St. Francis by Domenichino, a St. Felix of Cantalico by Turchi, and other pictures by Sacchi and Pietro da Cortona. Beneath the church is the ossarium of the friars. Sts. Cosmas and Damian, Franciscan Tertiaries, is made up of two ancient buildings, the temples of Romulus, son of Maxentius, and of the Sacra Urbs, which were given to the Church by Theodoric and converted into a basilica by Felix IV (528), to whom are due the mosaics of the apse and the arch, retouched in the ninth and sixteenth centuries. Urban VIII caused its pavement to be raised ten feet. In the crypt are the tomb of Felix II and some objects belonging to the old church.

St. Crisogono, Trinitarians, dates at least as far back as the fifth century, and was restored by Cardinal Scipione Borghese (1623). It has a fine tabernacle and, in the apse, mosaics by Cavillini (1290). Excavations have recently been made under this church, which is associated with English history as having been the titular church of Cardinal Langton. S. Cuore al Castro Pretorio, Salesians, a fine church built in 1887 by Vespegniani, is due to the zeal of Don Bosco. Connected with it is a boarding-school of arts and industries. S. Francesca Romana (S. Maria Nova), Olivetans, was erected by Leo IV in place of S. Maria Antiqua, which was in danger of being injured by the ruins of the Palatine, on a portion of the ruined temple of Venus and Rome, where once stood a chapel commemorating the fall of Simon Magus. It was restored by Honorius III and under Paul V. In the apse are mosaics of 1161; in the confession, the tomb of St. Frances of Rome (1440). There is a group by Meli, also the tombs of Gregory XI (1574), Cardinal Vulcani, and Francesco Rido. S. Francesco a Ripa, the provincialate of the Friars Minor (1229), has pictures by the Cavaliere d'Arpino and by Sabiati (Annunciation), and the tomb of Lodovico Albertoni, one of Bernini's best works. S. Francesco di Paola belongs to the Minims, the convent being now occupied by a technical institute.

The Gesù, connected with the professed house and general's residence of the Jesuits, is the work of Vignola (1568-73), completed by Giacomo della Porta, through the munificence of Cardinal Alessandro Farnese. It became the model of the style known as "Jesuit". Its altar of St. Ignatius, who is buried there, has a silver statue of the saint which is ordinarily covered by a picture painted by the Jesuit Pozzo; the globe and four columns are of lapis lazuli Opposite is the altar of St. Francis Xavier, where an arm of that saint is preserved, and a picture by Maratta. The ceiling is painted by Gaulli with the Triumph of the Name of Jesus. The Madonna della Strada is venerated in one of the chapels. In this church are the tombs of Cardinal Bellarmine and Ven. Giuseppe Maria Pignatelli. Gesù e Maria, Calced Augustinians, with its magnificent high altar, is in the Corso. S. Gioacchino, Redemptorists, was erected for the sacerdotal jubilee of Leo XIII, its side chapels being subscribed for by the various nations. S. Giovanni Calibita, on the Island of S. Bartolomeo, belongs to the Fatebenefratelli, who have a hospital. SS. Giovanni e Paolo, on the Cælian, Passionists, was built by Pammachius in the house of these two saints, who were officials in the palace of Constantia, daughter of Constantine, and were slain by order of Julian. In 1154 the church was enlarged and adorned with frescoes, some of which are preserved in the chapel of the Blessed Sacrament. The chapel of St. Paul of the Cross is modern. Under the church are still to be seen thirteen interstices of the house of the saints with other saints. This was the titular church of Edward Cardinal Howard, afterwards Cardinal-Bishop of Frascati (died 1892). S. Gregorio al Celio, Camadolese, was built by Gregory II in the paternal home of St. Gregory the Great, and was modernized by Soria (1633) and Ferravi (1734). It contains an altar of the saint, with his stone bed and his marble chair, and there is an ancient image of the Madonna. In the monks' garden there are also three chapels; those of St. Silvia, mother of St. Gregory, with her statue by Cordieri and frescoes by Guido Reni, of St. Andrew, decorated by Reni and Domenichino, and of St. Barbara, with a statue of St. Gregory by Cordieri. The title of this church was borne successively by Henry Edward Cardinal Manning and Herbert Cardinal Vaughan, Archbishops of Westminster.

S. Ignazio, Jesuits, was built in 1626 by Cardinal Ludovisi, under the direction of the Jesuit Grassi. The frescoes of the vault, representing the apotheosis of St. Ignatius, were painted by the Jesuit lay brother Pozzo, whose are also some of the pictures on the altars. Sts. Aloysius Gonzaga and John Berchmans, buried here, have splendid altars; in the adjoining Roman College (now the Ginnasio-Liceo and National Library) there are still other chapels with souvenirs of these two saints. On the highest point of the façade Father Secchi caused to be erected a pole with a ball which, by a mechanical contrivance, drops precisely at noon every day. S. Isidoro belongs to the Irish Franciscans. In the adjoining convent the famous Luke Wadding wrote his history of the Franciscan Order. S. Marcello, Servites, is believed to be built over the stable in which Pope St. Marcellus was compelled to serve. It was restored in 1519 by order of Giuliano de' Medici (Clement VII), completed in 1708 by Carlo Fontana, and contains paintings by Pierin del Vaga and Federico Zuccaro. It was the titular church of Thomas Cardinal Weld (see WELD, FAMILY OF). S. Maria in Ara Cœli, on the Capitol, once the general's residence of the Franciscans (beginning from 1250), is (1911) the titular church of Cardinal Falconio. It stands on the site of the ancient citadel of Rome and the temple of Juno Moneta, and is approached by a flight of 124 steps. The façade is still of brick, and the church contains antique columns and capitals; in the Buffalini chapel are frescoes (Life of St. Bernardino) by Pinturicchio, and on the high altar is a Madonna attributed to st. Luke, where was formerly the Madonna of Foligno. To the left a small building, known as the Cappella Santa di Sant' Elena (Holy Chapel of St. Helena), marks the spot where, according to a legend winch can be traced to the ninth century, the Emperor Augustus saw the Blessed Virgin upon an altar of heaven (Lat. ara cœli). To this legend something was contributed by Virgil's fourth eclogue, in which he speaks of the "nova progenies" descending from heaven, and which was interpreted in Christian antiquity as a prophecy of the coming of Christ (thus Constantine in the sermon "Ad sanctorum cœtum"). In the sacristy is venerated the "Santo Bambino", a little figure of olive wood from the Mount of Olives (sixteenth century) for which the Romans have a great devotion. The sepulchral monuments of this church are numerous and important, including those of Cardinal Louis d'Albert, with figures of St. Michael and St. Francis; Michelangelo Marchese di Saluzzo, by Dosio; Pietro de' Vincenti, by Sansovino; Honorius IV and others of the Savelli family in the Savelli chapel, which dates from the thirteenth and fourteenth centuries; Cardinal Matthew of Acquasparta; Catherine, Queen of Bosnia (1478). The Crib, built every year in the second chapel on the left, is famous; at Christmas and Epiphany children recite dialogues and little discourses near it.

S. Maria in Traspontina, in the Borgo, Calced Carmelites, was erected by Sixtus IV on the site of a chapel that had been built there, in 1099, to drive away the demons which haunted the ashes of Nero. The architect was Meo del Caprina; Bramante and Bernini modified the building. It is one of the most beautiful monuments of the Renaissance, its cupola being the first of its kind built in Rome. It contains paintings by Pinturicchio — the Adoration of the Shepherds, all the paintings of the Lady Chapel and the chapel of St. Augustine, the frescoes of the vault, etc. Raphael designed the mosaics of the Chigi chapel, and there are paintings by Caracci, Caravaggio and Sebastiano del Piombo (the Birth of the Blessed Virgin). The sepulchral monuments are costly including those of Giovanni della Rovere, Cardinal Costa, Cardinal Podocatharo, Cardinal Girolamo Basso, by Sansovino, and Cardinal Sforza, by the same sculptor, Agostino Chigi, in the Chigi chapel after suggestions, and decorated, by Raphael, and Cardinal Pallavicino. The painted windows, the most beautiful in Rome, are by Guillaume de Marcilot (1509). S. Maria del Priorato, Knights of Malta, on the Aventine, was built in 939, when Alberic II gave his palace to St. Odo of Cluny. The present form of the church, however, is due to Piranesi (1765). Some of the tombs of the grand masters of the Order of Malta — Caraffa, Caracciolo, and others — are interesting. The adjoining residence commands a splendid panorama. S. Maria del Rosario, on Monte Mario, belongs to the Dominicans. S. Maria della Scala, Discalced Carmelites, built by Francesco da Volterra, is so called from an image of the Madonna found under the stairs of a neighbouring house, and contains paintings by Saraceni and Gerhard Honthorst. In the adjoining convent, a great part of which is occupied by the Guardie di Pubblica Sicurezza, the friars have a pharmacy where they make the "Acqua della Scala". S. Maria della Vittoria, Carmelites, was erected by Paul V in memory of the victory of the Imperialists over the Protestants at Prague (1623), and contains pictures by Domenichino, Guercino, and Serra (1884), also a famous group by Bernini, of St. Teresa transfixed by an angel, and Turkish standards captured at the siege of Vienna (1683). S. Maria in Aquiro, the ancient diaconate titulus Equitii, was restored in 1590. It was formerly an asylum for the destitute; Clement VIII gave it to the Somaschi Brothers, who still have an orphanage there under the supervision of the municipality. S. Maria in Campitelli was built in 1665 to receive the image of S. Maria in Portica (now S. Galla) in thanksgiving for Rome's deliverance from the plague (1658). It contains a picture of St. Anne, by Luca Giordano, and the tomb of Cardinal Pacca. It is served by the Clerics Regular of the Mother of God.

S. Maria in Vallicella (the Chiesa Nuova, or "New Church"), Oratorians of St. Philip Neri, is associated with the spiritual renewal of the City by the labours of St. Philip, who founded it. The frescoes of the vaulting and of the cupola are by Pietro da Cortona, the three pictures of the high altar by Rubens, and others by Scipione Gaetano, Cavaliere d'Arpino Maratta, Guido Reni (St. Philip), Ronocelli, and Baroccio. The chapel of the saint is rich in votive offerings; in the adjoining house, until now almost entirely occupied by the Assize Court, is his cell, with relics and souvenirs of him. The library (Vallicelliana) now belongs to the State. S. Maria in Via, Servites is a fine church of the late Renaissance (1549). S. Maria Maddalena, Servants of the Sick (formerly their generalate), is now occupied by the elementary communal schools. Here the cell of St. Camillus of Lellis is preserved, with the crucifix which encouraged him to found his order. S. Maria Sopra Minerva, the only authentic Gothic church in Rome, belongs to the Dominicans, who had their general staff and their higher schools in the adjoining convent, now the Ministry of Instruction, as well as the Casanatense Library, now in the hands of the State. This was the titular church of the Cardinal of Norfolk (see HOWARD, THOMAS PHILIP), Cardinal McCloskey, Archbishop of New York, and Cardinal Taschereau, Archbishop of Quebec (see MCCLOSKEY JOHN; TASCHEREAU, ELZÉAR ALEXANDRE); its title is now (1911) held by Cardinal Farley, Archbishop of New York. The church stands on the ruins of a temple of Minerva, one of those built by Pompey. In the eighth century there was a Greek monastery here. In 1280 Fra Sisto and Fra Ristoro, Dominicans, began the new church by order of Nicholas III, and with the aid of the Caetani, Savelli, and Orsini. It was completed in 1453. The pillars of the nave are clustered columns; the side chapels are in Renaissance or baroque style. Beneath the high altar rests the body of St. Catherine of Siena. The chapel of the Annunziata has a confraternity, founded by Cardinal Torquemada, which every year distributes dowries to 400 poor young women, and there is a picture by Antoniazzo Romano dealing with the subject. The Caraffa family chapel of St. Thomas contains frescoes by Filippo Lippi (1487-93); that of St. Dominic, pictures by Maratta; of the Rosary, by Venusti. There are also paintings by Baronio and others. The statue of the Risen Christ is by Michelangelo. Here also are the tombs of Giovanni Alberini (1490), Urlan VII, by Buonvicino, the Aldobrandini family by Giacomo della Porta, Paul IV, by Sigorio and Casignola, Gulielmus Durandus, by Giovanni di Cosma (1296), Cardinal Domenico Capranica (1458), Clement VII and Leo X, by Baccio Bandienelli, Blessed Angelico, of Fiesole, with an epitaph by Nicholas V, and Cardinal Schönberg (1537).

S. Martino ai Monti, Carmelites, probably dates from the time of Constantine, when the priest Equitius built an oratory on his own land. Symmachus rebuilt it, dedicating it to St. Silvester and St. Martin of Tours, and then again to St. Martin, Pope. In 1559 it was given to the Carmelites, who in 1650 remodelled it. It is notable for its landscapes by Poussin. Under the more modern church is the old church of St. Silvester, with remains of mosaics, frescoes, etc. Our Lady of the Sacred Heart of Jesus (formerly S. Giacomo degli Spagnuoli), in the Piazza Navona, belongs to the Missionaries of the Sacred Heart, who have an apostolic school there. S. Onofrio on the Janiculum, Hieronymites, was built in 1439 by the de Cupis family and Nicolò da Forca Palena. The frescoes of the portico are by Domenichino, three scenes from the life of St. Jerome; within are frescoes by Baldassarre Peruzzi, and the tombs of Cardinal Mezzofanti and the poet Tasso, who died in the convent, where his cell contains a small museum of objects that belonged to him. S. Pancrazio fuori le Mura was built by Pope Symmachus (c. 504) near the Cœmeterium Calepodii; in 1849 it was wrecked by the Garibaldians; the government caused it to be freshly decorated. Near S. Pancrazio degli Scolopii is the generalate of the Piarists (Scolopii). S. Paolo alle Tre Fontane belongs to the Trappists, who have put the surrounding land under cultivation. The abbey contains three churches. The oldest, SS. Vincenzo e Anastasio, founded by Honorius I, came into the hands of Greek monks; Innocent II restored and assigned it, with the abbey, to the Cistercians. There is a fine cloister adjacent to this church, the earliest example of its kind. S. Maria Scala Cœli, ninth century, was rebuilt in 1590 by Giacomo della Porta, and contains a mosaic by Francesco Zucca. S. Paolo alle Tre Fontana was built by the same Giacomo della Porta (1599) on the three springs which appeared, as the legend says, on the three places successively touched by the head of St. Paul, who was beheaded here. The springs, however, existed before St. Paul's martyrdom as the Aquæ Salviæ, and in 1869 some ancient mosaic pavements were dug up here. S. Pietro in Montorio, Friars Minor, was in earlier days known as S. Maria in Castro Aureo, and had connected with it a monastery which passed into the hands of various orders until, in 1472, it was given to the Franciscans for the training of subjects for the foreign missions. Ferdinand the Catholic had the church and convent rebuilt, and they were dedicated to St. Peter, following a belief which had gained acceptance owing to a somewhat unfortunate conjecture hazarded by Maffeo Vegio, and which is even yet keenly debated. The rose-window of the façade is very fine and there are frescoes and other paintings by Sebastiano del Piombo (the Flagellation), Vasari, Daniele da Volterra, Baluren. (the Entombment), and others; Raphael's Transfiguration is on the high altar, and there is a beautiful balustrade. Here, too, are the tombs of Cardinals Fabiano and Antonio del Monte (Ammannati), and of Giuliano, Archbishop, of Ragusa (Dosio). In the courtyard of the convent, on the spot where St. Peter is supposed by some to have been crucified, stands Bramante's tempietto the most graceful work of that genius. A splendid view of Rome may be had from the piazza in front of the church. It was the titular church of Paul Cardinal Cullen Archbishop of Dublin.

S. Pietro in Vincoli, Canons Regular of St. John Lateran, existed as the titulus Apostolorum as early as 431. Sixtus III made alterations in the church with funds given him by the Empress Eudoxia, who also presented the Jerusalem chain of St. Peter together with his Roman chain. These relics had been venerated here long before Sixtus III, but the title, a vinculis S. Petri, occurs for the first time only in 530. Filings from the chains were given as relics — like those taken to Spoleto by Bishop Achilles in 419. The chains themselves are kept in a precious reliquary attributed to Pollaiulo. The church was restored by Sixtus IV and Julius II. Its twenty monolithic columns are antique, and it contains pictures by Guercino and Domenichino (The Deliverance of St. Peter) a mosaic (St. Sebastian) of about the year 680, and the tombs of Julius II, with the celebrated statue of Moses, and of Cardinal Nicholas of Cusa, with a portrait in relief. In the adjoining monastery the scuola di applicazione of the Engineers is established. S. Prassede, Vallombrosans, was built by Paschal II (822) at some distance from the older S. Prassede which, then in ruins, was restored by Nicholas V and St. Charles Borromeo. Its twenty-two antique columns are still standing, and there are interesting mosaics of the ninth century (the chapel of St. Zeno and the apse) and the thirteenth century (the crypt). In the crypt are antique sarcophagi with the relics of Sts. Praxedes, Pudentiana, and others, and Paschal caused the bones of 2300 (?) martyrs, brought by him from the catacombs, to be laid in an enclosed cemetery. There are pictures by Giulio Romano, Federico Zuccaro, and the Cavaliere d'Arpino. Santi Quaranta in Trastevere belongs to the Spanish Franciscans. Santi Quattro Coronati, Capuchins, was the Titulus Æmilianœ as early as the fourth century, and is dedicated to four soldiers (cornicularii) who were martyred on the Via Labicana, with whom were afterwards associated five martyrs, stonecutters of Pannonia. Honorius built a vast basilica, which, however, Paschal II reduced to the proportions of what had been the nave. There are remains of the older basilica in the two atria and, in the church, frescoes by Giovanni Manozzi and a ciborium by Capponi (1493). Annexed to this church is the chapel of the Corporation of Stonecutters, with pictures of the thirteenth century. The Augustinian Sisters have a refuge for young women adjoining the church. S. Sabina all' Aventino, Dominicans, built under Clement I by the Illyrian priest Petrus (424), is remarkable for a half-door decorated with wood-carving of the fifth century, while its columns of Parian marble were taken from the temple of Diana on the Aventine. In the apse and above the door are mosaics, and the picture by Sassoferrato (the Madonna of the Rosary) is famous. In the adjoining convent, formerly the Savelli palace, are shown the cells of St. Dominic and St. Pius V.

S. Salvatore della Scala Santa, Passionists, contains, according to the legend, the stairs of Pilate's prætorium, which were bathed with the Blood of Christ, but of which there is no mention earlier than 845. By these stairs, which were restored by Nicholas III and by Cosmas II, pilgrims ascend on their knees (ginocchioni) to the Cappella Sancta Sanctorum, in which the most famous relics of the pontifical palace of the Lateran are preserved (see SCALA SANCTA). There is a ninth-century mosaic picture and a very ancient picture of the Saviour, on cedarwood, believed to have been made not by human hands. S. Silvestro in Capite, Pallottini (see PIOUS SOCIETY OF MISSIONS), built by Paul I (761) in his paternal home, was given to some Greek monks and subsequently passed into the possession of various orders. It was restored by Domenico de Rossi in 1681, and has a high altar by Rinaldo. This is, in a sense, the national church of the English Catholics. Its monastery has now become the Postal Department. S. Stefano degli Abissini, Trinitarians, with an interesting doorway, was erected by St. Leo the Great, and was one of the churches surrounding the Basilica of St. Peter's. S. Stefano del Cacco, Sylvestrines, was erected by Honorius I (630) on the ruins of the temple of Isis, of which it contains twelve columns. S. Teresa, with the generalate of the Discalced Carmelites, in the Lombard style, is one of the recently erected churches (1900). Santissima Trinità in the Via Condotti, Dominicans of the Philippines Province, was erected in the sixteenth century, and has fine pictures on its altars. Santissima Trinità in the Via della Missione belongs to the Lazarists, who have a house of retreat for the clergy there. S. Venanzio, Minor Conventuals, is at the foot of the Capitol. Santi Vincenzo ed Atanasio, in the Piazza di Trevi, ministers of the sick, was built by Cardinal Mazarin (1650). Here are kept the urns containing the viscera of deceased popes.

Other notable churches are the following: S. Agata dei Goti, or in Suburra, built in 460 for the Arians (Goths and other Germans), by Ricimerus, who caused a mosaic to be made there (destroyed in 1633), and who was buried there. In 591 St. Gregory the Great dedicated it to Catholic worship, and it is connected with the Irish College. In it is the tomb of John Lascaris, the famous Greek humanist (1535). S. Agnese al Circo Agonale stands on a part of the site of Domitian's stadium, where St. Agnes was exposed to shame (the vaults of the church), and where she was put to death. The older church is not mentioned in any records earlier than the ninth century; the present one, in baroque style, is the work of Carlo Rinaldi (1652); its turrets are by Borromini. On the high altar is a tabernacle of 1123; there is an antique statue transformed into a St. Sebastian by Paolo Campi and a monument of Innocent X. S. Alessio sull' Aventino was originally dedicated to the Roman martyr Boniface. S. Anastasia, at the foot of the Palatine, built in the fourth century and modernized in 1721, contains the tomb of Cardinal Angelo Mai. Here is preserved a chalice which was probably used by St. Jerome. S. Appollinare, the church of the Roman Seminary, formerly of the German College, was restored by Benedict XIV and contains a picture of the school of Perugino. S. Balbina, on the Aventine, consecrated by St. Gregory the Great, has a house of correction for boys adjoining it. It was the titular church of Cardinal Kemp, Archbishop of Canterbury (see KEMP, JOHN). S. Benedetto in Piscinula (Trastevere) stands on the site of the mansion of the Anicii, St. Benedict's family, and contains a picture of the saint. S. Caterina dei Funari, on the ruins of the Circus Flaminius, was begun in 1549. Its façade is by Giacomo della Porta, and it contains pictures by Caracci, Federico Zuccari, and others. Connected with it is a refuge for penitent women founded by St. Ignatius.

S. Cecilia, a very ancient church, stands on the site of that saint's house. Paschal I, admonished by a vision, restored it and transferred the body of the saint thither from the Catacombs (821). Cardinal Rampolla had its ancient character partly restored. In the apse are some mosaics dating from Paschal. The tabernacle of the high altar is by Arnolfo di Cambio (1283); there are some ancient frescoes and some by Pietro Cavallini; in the confession is a recumbent statue of the saint by Maderno, showing her as she was found when the sarcophagus was opened in 1599; also the tomb of the English cardinal, Adam of Hertford (died 1398). It was the titular church of Cardinal Wolsey. S. Cesareo, on the Appian Way, erroneously identified with S. Cesareo in Palatio (which has recently been discovered on the Palatine), is older than the days of St. Gregory the Great, and has an interesting ambo of the thirteenth century and mosaics of about the year 1600. S. Cosimato in Trastevere, built in the ninth century and completely transformed under Sixtus IV, is notable for paintings by Pinturicchio and a tabernacle taken from S. Maria del Popolo. In the adjoining monastery, originally Benedictine and then Clarissan (1234), is a fine cloister with coupled columns (twelfth century). This monastery is now used as a home for old women. Santi Domenicho e Sisto, Dominican Sisters, thirteenth century, was restored in 1640, with a fine façade. S. Eligio dei Ferrari contains a fine picture by Sermoneta; S. Eusebio, frescoes by Mengs. S. Eustacchio is an ancient diaconate and possesses the relics of the saint. S. Giacomo in Augusta, in the Corso, is connected with the hospital for incurables (1338). S. Giovanni dei Fiorentini is the work of Sansovino (1521) and contains a picture by Salvator Rosa. S. Girolamo dei Shiavoni was built by Sixtus IV for the Dalmatians, Croatians, and Albanians who had fled from the Turks; Sixtus V restored it; it contains fine frescoes by Gagliardi (1852). S. Giuseppe a Capo le Case with its paintings by Andrea Sacchi (St. Teresa) and Domenichino (St. Joseph), has a convent of the Carmelite Sisters which is now used as a museum of the industrial arts. S. Giuseppe dei Falegnami is built upon the ancient Tullian Dungeon, where, according to tradition, St. Peter was imprisoned.

S. Lorenzo in Lucina preserves the gridiron on which St. Lawrence suffered martyrdom. It is believed that here was the house of the matron, Lucina, so often mentioned in the Acts of Roman martyrs; this house was transformed by Sixtus III into a basilica which was repeatedly restored. It has a fine campanile, a picture by Guido Reni (The Crucifixion), and the tomb of Poussin. S. Lorenzo in Miranda was built over the temple of Faustina (141) in the Forum. In S. Lorenzo in Fonte, it is believed, was the saint's prison. S. Marco, enclosed within the Palazzo di Venezia, is attributed to the pope of that name (336). The Rogation procession (25 April), instituted by St. Leo. the Great, used to set out from this church. It was restored in the ninth century, in the fifteenth century, and by Cardinal Quirini in 1727. In the tribune are mosaics of the time of Gregory IV; there are also pictures by Palma il Giovane and Melozzo da Forli; two ciboria, in the sacristy, one of the twelfth century, the other by Mino da Fiesole; the tombs of Pesaro, by Canova, and of Cardinal Gregorio Barbarigo. S. Maria degli Angeli was built by Michelangelo at the command of Pius IV, within the baths of Diocletian. The church was given to the Carthusians. Here are to be seen many of the original designs for the mosaics now in St. Peter's; also Houdon's famous statue of St. Bruno, and the tombs of Pius IV and Cardinal Serbelloni. The adjoining monastery now contains the Museo Nazionale delle Terme.

S. Maria della Pace, the titular church of Michael Cardinal Logue, Archbishop of Armagh, commemorates the peace concluded in 1482 between the pope, Florence, Milan, and Naples. It was built for Sixtus IV by Pietro da Cortona, who added a beautiful semicircular portico in front. In the Chigi chapel are the famous Sibyls of Raphael; there are also frescoes by Peruzzi. The adjoining monastery (Canons Regular of the Lateran) contains a courtyard by Bramante and the chapel of the St. Paul's Association of the Clergy of Rome. S. Maria in Campo Marzio belongs to the Benedictine Sisters. S. Maria di Loreto, an octagonal church with a cupola, is the work of Antonio da Sangallo il Giovane (1507), and has a statue of St. Susanna by Duquesnoy. The Churches of S. Maria de' Miracoli and S. Maria di Monte Santo were built in 1662 by Cardinal Gastaldo, and form the termination of three streets — the Ripetta, the Corso Umberto and the Babuino — which lead from the Piazza del Popolo. S. Maria dell' Orto (1489) is the fruit-vendors' church. S. Maria in Trivio, in the Piazza di Trevi, has a beautiful façade of the fifteenth century. S. Maria in Lata, a very ancient diaconate, stood near the Arch of Diocletian, but was destroyed rn 1485; its present subterranean form is due to Pietro da Cortona. Here, according to the legend, St. Paul and St. Mark were imprisoned, and here are the remains of the Sœpta Julia and of the ancient basilica, with some frescoes. Santi Martina e Luca, in the Forum, occupies the site of the Secretarium Senatus; it existed before the seventh century and contained the body of St. Martina the Roman martyr; in 1640 the new church was built above the old by Pietro da Cortona (who made a statue of St. Martina), and was dedicated to St. Luke, being the church of the Academy of St. Luke. Santi Nereo e Achilleo, on the Appian Way, a very ancient church, contains mosaics of the time of Leo III and an ambo of the thirteenth century. S. Nicola in Carcere stands on the ruins of the three temples of Pietas, Juno Sospita, and Spes. Santissimo Nome di Maria, in Trajan's Forum, was built to commemorate the deliverance of Vienna from the Turks (1683). One Church of SS. Pietro e Marcellino stands in the Via Merulana; the other is outside the walls, on the Labicana, near the mausoleum of St. Helena. S. Prisca, on the Aventine, occupies the site of the temple of Diana Aventina. The legend has it that Priscilla, the wife of Aquila, mentioned in the Acts of the Apostles as entertaining St. Peter, lived here.

S. Pudenziana, again, is associated with memories of St. Peter: it was the mansion of the senator, Pudens, whose daughters, Pudentiana and Praxedes, gave it to St. Pius I, and from that time it became a church. Since the time of Siricius (384) it has had the form of a basilica, and its apse has been adorned with the most beautiful mosaics in Rome. It was restored in 1598, and a cupola was added with frescoes by Roncalli. At the altar of St. Peter is venerated the wooden table which St. Peter used for the celebration of the Eucharist. There is a marble group of Christ giving the keys to St. Peter, by Giacomo della Porta. The title of S. Pudenziana was borne by Nicholas Cardinal Wiseman, first Archbishop of Westminster. S. Saba, on the Aventine, existed in the time of St. Gregory, whose mother retired to a spot near by. To her were dedicated some ancient frescoes recently brought to light. That it was even then the abode of monks is indicated by the name cella and by an ancient burial-place of an earlier date (c. 649). Here a community of Greek monks was installed until the ninth century. After that it passed to the Benedictines, and then to the German College, which still possesses it. S. Salvatore in Lauro, the church of the Sodality of the Piceni, earlier than the thirteenth century, was restored in 1450 and in 1591. It has a fine cloister and the tombs of Maddalena Orsini and of Eugene IV (transferred hither from St. Peter's), the work of Isaia da Pisa. S. Sisto Vecchio, earlier than the sixth century, has a fine campanile and frescoes of the fifteenth century. Here was the first house of the Dominicans in Rome. The title was borne by Cardinal Langham, Archbishop of Canterbury (see LANGHAM, SIMON). S. Spirito in Sassia is so called because in this quarter (the Borgo) an Anglo-Saxon colony led by King Ina, was established, with a church called S. Maria in Saxia. In 1201 Innocent III built a hospital and foundling institute which was entrusted to the Hospitallers of the Holy Ghost. Sixtus IV removed the hospital, and Paul III had the present church built by Antonio da Sangallo il Giovane (1544); but the campanile dates from Callistus III. The residence of the superior (Palazzo del Commendatore dello Spedale) is adjacent to the church, but about half of it has been pulled down for the construction of the Victor Emmanuel Bridge. S. Stefano Rotondo, built by Pope Simplicius on the foundations of an ancient building consisting of three, concentric circles divided by two rings of twenty columns in all, is decorated with frescoes by Pomarancio and Tempesta. It was the titular church of Cardinal Beaton, Archbishop of St. Andrews (see BEATON, DAVID), and now belongs to the German College. S. Susanna, dedicated to the Roman martyr of that name, dates back to the fourth century. In its restoration by Maderno (1600) the mosaics of 796 perished, and it was decorated with frescoes by Croce. It was the titular church of Cardinal Moran, Archbishop of Sydney. S. Teodoro, at the foot of the Palatine, also stands on a circular structurer an ancient diaconate. It has a mosaic of the time of Adrian I. Santissima Trinità dei Monti is said to have been built through the munificence of Charles VIII of France. Its great flight of stairs, leading from the Piazza di Spagna, was built by order of Louis XIV. It contains fine pictures of the school of Perugino, also by Raphael, Pierin del Vaga, Veit, Daniele da Volterra (Taking down from the Cross). The church belongs to the Ladies of the Sacred Heart who have an institution (1827) in the chapel of which is venerated the Ter Admirabilis (Thrice Admirable) Madonna. Of the churches outside the City special mention should be made of the sanctuary of the Madonna del Divino Amore (of the Divine Love) on the Via Ardeatina, near an old castle of the Orsini, which is visited by a great concourse of people ou Whit-Monday.

National Churches

S. Antonio (Portuguese); S. Luigi (French-1496); S. Maria dell' Anima (German), with a hospice for pilgrims founded in 1399; the present church was built in 1500; pictures by Saraceni, Seitz, and Giulio Romano (high altar); tombs of Adrian VI and Duke Charles Frederick of Cleves by Lucas Holstenius (see ROMAN COLLEGES); S. Maria della Pietà, with the German Burial Ground, dating from the time of Charlemagne; S. Maria di Monserrato (Spanish). Also the churches of various cities — Florence, Naples, Siena, Venice, Bergamo, Bologna, the Marches — of Italy. — Churches of the Oriental rites. — Besides the churches of the various colleges (see ROMAN COLLEGES), the following should be mentioned: the Armenian Church of St. Mary of Egypt, occupying the site of the ancient temple of Fortuna Virilis; the Græco-Melchite Basilian Church of S. Maria in Domnica (mosaics of the eighth century); S. Lorenzo ai Monti, for Græco-Ruthenian Uniats. Moreover there are eight Protestant churches intended for propaganda work, each having one or two halls, known as —sale cristiane, connected with it while five others are principally for the benefit of foreigners, and the Germans have decided to build one more. The Orthodox Russians, too, have a church, where the Bishop of Kronstadt officiates. The Hebrews have a large new synagogue and an oratory, besides a school of religious learning and various benevolent organizations.

Non-religious Buildings

The Palace of the Cancelleria, by Bramante; the Curia of Innocent X now occupied by the Italian Parliament; the Quirinal Palace, the king's residence, built by Gregory XIII and enlarged by Paul V and Pius VI, where the popes formerly resided, and the conclaves were held; the Palazzo di Giustizia, built by Calderari entirely of travertine; the Bank of Italy (Koch) and the Palazzo Buoncompagni, the residence of the queen-mother; the Palazzo Braschi (offices of the Ministry of Internal Affairs), Palazzi Capitolini (Michelangelo), Palazzo del Consulta (Ministry of Foreign Affairs), Villa Medici (French Academy), Palazzo Venezia (Austrian Embassy), built by Paul II, Palazzo Corsini (Accademia dei Lincei), Palazzo Farnese (Michelangelo), now the property of France and occupied by the French Embassy. Among the private palaces are the Altieri (Clement X), Barberini (Bernini), Borghese (Paul V), Caetani (Ammannati), Pamfili, Esedra, Giraud (Bramante — now belonging to the Torlonia family), Massimo, Odescalchi, Farnesina (Sangallo), and Ruspoli. The chief private villas are the Doria Pamfili and the Massimo (frescoes by Overbeck). Of all the public monuments we need mention only that recently inaugurated to the memory of Victor Emmanuel II at the back of the Capitoline Hill, consisting of a gilded equestrian statue, with a semicircular colonnade behind it. The principal fountains are: the Acqua Paola, on the Janiculum (Paul V); the Piazza S. Pietro fountain, the Tartarughe (Raphael), the Fontana del Tritone (Bernini), and, most magnificent of all, the Trevi (Clement XII, Nicolà Salvi).

Principal ancient Edifices and Monuments

The Flavian Amphitheatre, or Colosseum, begun by Vespasian. Much of its material, particularly on the south side, has been pilfered, this destructive practice having been effectively stopped only in the eighteenth century. The Arch of Constantine was erected in 312 to commemorate the victory over Maxentius, the decorations being, in part, taken from the Arch of Trajan. That of Marcus Aurelius, on the Flaminian Way (Corso), was removed by Alexander VII; its decorations are preserved in the Capitol. That of Septimius Severus (203) is richly decorated with statues and bas-reliefs; that of Titus, commemorating his victory over the Jews, has the celebrated bas-relief representing objects taken from the Temple of Jerusalem; that of Drusus (Trajan?) is near the Porta S. Sebasstiano. The Arch of Dolabella (A.D. 10) is surmounted by three conduits taken from a branch of the Aqua Claudia. The Arch of Gallienus dates from A.D. 262. The secular basilicas are the Æmilian, or Fulvian (167 B.C.), the Julian (54 B.C.), the Basilica of Constantine (A.D. 306-10), and the Ulpian, on the Forum of Trajan, with which a library was once connected.

For Christian catacombs see CATACOMBS, ROMAN. The most important catacombs of the Hebrews are those of Vigna Randanini, on the Appian Way.

The Circuses are: that of Domitian, now the Piazza Navona; the Flaminian (the Palazzo Mattei); the Circus Maximus, the oldest of all, erected in the Murcian Valley, between the Palatine and the Aventine, where, even in the days of Romulus, races and other public amusements used to be held (as on the occasion of the Rape of the Sabines); that of Nero, near St. Peter's, where the Apostle was martyred; that of Maxentius outside the city, near the Via Appia. Trajan's Column on the forum of the same name, with a spiral design of the emperor's warlike exploits, is 100 Roman feet (about 97 English feet) in height, erected by the senate and people A.D. 113. That of Marcus Aurelius, with reliefs showing the wars with the Marcomanni, Quadi, Sarmati, etc. (172-75), is interesting for its representation of the miraculous rainfall which, as early as Tertullian's time, was attributed to the prayers of the Christian soldiers. This column bears a bronze statue of St. Paul, as Trajan's is crowned with a statue of St. Peter (Sixtus V, 1589). That of Phocas was erected in 608 by the exarch Smaragdus. The Roman Forum was originally the swampy valley between the Palatine, Capitoline, and Esquiline, which became a market and a meeting-place for the transaction of public business. Soon it was surrounded with shops and public buildings — basilicas, the Curia Hostilia, the Rostra, or platform for public speakers, and various temples. Other forums were those of Augustus, of Peace, of Nero, the Julian, and Trajan's, in the same neighbourhood.

The Mausoleum of Augustus, between the Corso and the Via Ripetta, is now a concert hall. The Mausoleum of Hadrian (Castle of S. Angelo) was used as a fortress by Goths and Romans as early as the sixth century; in the tenth and following centuries it often served as a prison, voluntary or compulsory, for the popes; Boniface IX, Alexander VI, and Urban VIII were the popes who did most to restore and transform it. The Tomb of Cæcilia Metella, on the Via Appia, still fairly well preserved, was a stronghold of the Caetani in the Middle Ages, and from them passed to the Savelli and the Colonna. The Pyramid of Caius Cæstius (time of Augustus) is more than 120 feet in height. The tomb of Eurysaces, outside the Porta Maggiore, has interesting bas-reliefs showing the various operations of baking bread. That of the Scipios, near the Gate of St. Sebastian, was discovered in 1780, with the sarcophagus of Scipio Barbatus, consul in 298 which is now in the Vatican Museum. The Appian Way was lined with numbers of sepulchral monuments; among these mention may be made here of the columbaria, or grottoes where a family or an association was wont to deposit in niches the cinerary urns of its members. The most important of these are in the Vigna Codini and near S. Giovanni in Oleo.

With Septimius Severus a new architectural period was inaugurated, which was continued by Heliogabalus and Alexander Severus. The house of Augustus, that of Tiberius, the hippodrome, the library, the house of Livia, the pœdagogium, or quarters of the imperial pages (where the celebrated drawing of a certain Alexamenos adoring a crucified ass was discovered) — all these are still clearly distinguishable. There were also a temple of the Great Mother (205 B.C.), one of Jupiter Victor (295 B.C.-commemorating the victory of Sentinum), and one of Apollo, surrounded by a great portico in the enclosure of which now stands the Church of S. Sebastiano in Palladio. In the substructures of the palace of Caligula was discovered some years ago the ancient basilica of S. Maria Antiqua, probably dating from the fourth century, in which frescoes of the eighth and ninth centuries (including a portrait of Pope St. Zacharias, then living) were found. It is evident at certain points, where the paintings have been broken, that two other layers of painting lie beneath. Other temples are those of Concordia, three columns of which are still standing in the Roman Forum, built in 388 B.C. for the peace between the Patricians and the Plebeians, and in which the Senate often assembled; of the Deus Rediculus, outside the city, near the Appian Way, on the spot where Hannibal, alarmed by a vision, resolved to retire without besieging Rome; of Castor and Pollux, built in 484 B.C. to cornmemorate the victory of Lake Regillus, over the Latins, and restored in 117 (three columns remaining); of Faustina and Antoninus (S. Lorenzo in Miranda); of Fortuna Virilis (second century B.C.; now the Church of St. Mary of Egypt); of Julius Cæsar, erected by Augustus in the Forum, on the spot where Cæsar's body was burned; of Jupiter Capitolinus, now the German Embassy; of Mars Ultor (the Avenger) erected in the Forum of Augustus to fulfil his vow made at the battle of Philippi, where he avenged the assassination of Cæsar; of Minerva Medica, which is, indeed, rather a nymphæum, or reservoir for distributing the water supply; of Neptune, with its stone piazza, now the Exchange; of Peace, built by Vespasian after his victory over the Jews; of Romulus (the son of Maxentius) which now, like Sacræ Urbis temple (of the Holy City), forms part of Santi Cosmo e Damiano; of Saturn, in the Forum. The two temples of Venus and Rome have their apses touching each other, and were surrounded by a common peristyle, a plan designed by the Emperor Hadrian himself; to the temple of Vesta, below the Palatine, is annexed the house of the Vestals; the small round temple of the Mater Matuba, in the Forum Boarium, has been commonly called Vesta's.

Characteristic of Rome are the lofty brick towers generally square with few windows, winch may still be seen here and there throughout the city. They were built, for the most part, in the twelfth and thirteenth centuries, and are monuments of the discord between the most powerful families of Rome. The most important of them are: the Torre Anguillara in Trastevere, adjoining the palace of the Anguillara family, reconstructed and used as a medieval museum; the two Capocci towers, in the Via Giovanni Lanza; that of the Conti, once the largest and strongest, built by Riccardo, brother of Innocent III; that of the Scimmia, or of the Frangipani, near S. Antonio dei Portoghesi surmounted by a statue of the Madonna; the Torre Millina, in the Via dell' Anima; the Torre Sanguigna. The Torre delle Milizie has been erroneously called "Nero's Tower", that emperor being supposed to have watched from it the burning of Rome; it was built, however, under Innocent III, by his sons Piero and Alessio, partisans of the senator Pandolfo, who opposed the pope's brother Riccardo.

Guida Commerciale di Roma e Provincia (annual); Monografia della città di Roma (publ. of the Italian Ministry of Agriculture, Rome, 1881).

History

MOMMSEN, tr. DICKSON, The History of Rome (London, 1886); DYER, A History of the City of Rome (London, 1865); GREGOROVIUS, History of the City of Rome in the Middle Ages (London, 1894-1902); GRISAR, Geschichte Roms und der Päpste im Mittelalter (Freiburg im Br., 1901); REUMONT, Gesch. Roms im Mittelalter (Stuttgart, 1905); ADINOLFI, Roma nell' età di mezzo (Rome, 1881); TOMMASSETTI, La Campagna di Roma 1879-1910; EHRLE, Roma prime di Sisto V (Rome, 1908); POMPILI-OLIVIERI, Il Senato Romano (1143-1870) (Rome, 1886); CALVI, Bibliografia di Roma nel Medio Evo (476-1499) (Rome, 1906); Appendix (more complete) (1908).

Monuments, Antiquities, etc

CHANDLERY, Pilgrim Walks in Rome (St. Louis and London, 1905); CRAWFORD, Ave, Roma Immortalis (London, 1905); DE WAAL, Roma Sacra (Munich, 1905); STETTINER, Roma nei suoi monumenti (Rome, 1911); ANGELI, Roma, in Italia Artistica, XXXVII, XL (Bergamo, 1908); PETERSEN, Das alte Rom (Leipzig, s. d.); STEINMANN, Rom in der Renaissance (Leipzig, 1902); LANCIANI, Pagan and Christian Rome (Boston, 1893); IDEM, Ancient Rome (New York, 1889); IDEM, Forum e Palatino; BOISSIER, Promenades archéologiques (Paris, 1881); RICHTER, Topographie der Stadt Rom (Nordlinger, 1889); NIBBY, Roma e suoi dintorni (Rome, 1829); HELBIG, Guide to the Public Collections of Classical Antiquities in Rome (Leipzig, 1895-96); ARMELLINI, Le chiese di Roma (Rome, 1891); ANGELI, Le chiese di Roma (milan, 1906).

Archæological Reviews

Bulletino d'Arch. Crist. (1863-): Nuovo Bulletino d'Arch. crist. (1895-); Bulletino della Comissione arch. comunale di Roma (1873-); Archivo della Società Romano di Storia Patria (Rome, 1877-); Notizie degli scavi di antichità (Rome, 1876-); Ann. Ecclesiastico (Rome, 1911).

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Bibliography

Preceded by
Landmarks of Rome
Rome
Succeeded by
Aurelian Walls